A Child of Books Authors: Oliver Jeffers and Sam Winston
Published by September 6th, 2016
Summary: New York Times best-selling author-illustrator Oliver Jeffers and fine artist Sam Winston deliver a lyrical picture book inspiring readers of all ages to create, to question, to explore, and to imagine.
A little girl sails her raft across a sea of words, arriving at the house of a small boy and calling him away on an adventure. Through forests of fairy tales and across mountains of make-believe, the two travel together on a fantastical journey that unlocks the boy’s imagination. Now a lifetime of magic and adventure lies ahead of him . . . but who will be next?
Combining elegant images by Oliver Jeffers and Sam Winston’s typographical landscapes shaped from excerpts of children’s classics and lullabies, A Child of Books is a stunning prose poem on the rewards of reading and sharing stories—an immersive and unforgettable reading experience that readers will want to pass on to others.
Review: Oliver Jeffers has a way of writing such thought-provoking books with beautiful artwork that are just a bit weird yet so brilliant that you can’t help but reading it over and over. I know that sounds like such a fan girl review, but if you’ve read any of his books, you know exactly what I am talking about. Jeffers’s newest book is no exception. This book is about how stories can carry you wherever your imagination can imagine. The brilliance of actually using words from classic books to carry the main character on her journey shows how all of these books have carried so many readers on adventures that only an author’s imagination mixed with the reader’s imagination could take them on.
Teachers’ Tools for Navigation: Allusion and theme are where my mind automatically goes to when reading this book. First, you can look at the words that are used as the setting to look at why the authors chose these specific allusions. For example, during the sea scenes, they use Gulliver’s Travels, The Adventure of Pinocchio, The Swiss Family Robinson, 20,000 Leagues Under the Sea, Robinson Crusoe, The Voyages of Dr. Dolittle, and more. Why would these books specifically be chosen for those scenes? What other pieces of literature are used throughout the book and why? I also think the theme is very clear, but it will spark a really great conversation.
Discussion Questions: What is theme of the book?; Why did the author chose specific texts for different settings?
Flagged Passages:
“I have sailed across a sea of words to ask if you will come away with me.”
Nonfiction Picture Book Wednesday is hosted by Kid Lit Frenzy and was started to help promote the reading of nonfiction texts. Most Wednesdays, we will be participating and will review a nonfiction text (though it may not always be a picture book).
Be sure to visit Kid Lit Frenzy and see what other nonfiction books are shared this week!
Fun Home: A Family Tragicomic Author: Alison Bechdel
Published: June 5, 2007 by Mariner Books
Summary: In this graphic memoir, Alison Bechdel charts her fraught relationship with her late father.
Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the Fun Home. It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.
Review: I don’t tend to read many adult books each year, but I kept seeing this book referenced. I noticed it was a 2007 publication, and when books are still being discussed frequently almost ten years later, you know they have to be good! I finally requested it from my library, and boy did I love it. I usually try to review only new books, but this book was too good not to share. I felt deeply connected with Alison and her life—despite the fact that it is nothing like mine. I was really drawn to the psychological themes she embedded and the phenomenal writing. She is incredibly smart, and this shines in her writing. The drawings are equally captivating. I am not surprised that young adults tend to read this book. It’s quite edgy and many sections made me blush, but I know this doesn’t stop teens. I will be thinking about this book for a long time.
Teacher’s Tools for Navigation: I am not a stranger to controversy, but I’d probably use this book for close reading because the images might be a bit uncomfortable for some (but not most!) of my students. There is a lot of nudity, and there are sexually explicit drawings. That said, I most certainly would have it in my classroom (nothing stops me, controversy-wise, if a book is really good and a great learning tool). A close reading of many of the beginning chapters would lead to fantastic conversations about family dynamics and psychology. There is so much to teach from this book: Tone, Author’s Perspective, Vocabulary, etc.
Discussion Questions: How does Alison navigate her childhood?; What is her response to her father’s death? Why might this be?; What role does the Fun Home play in her life? How does this graphic novel differ from others that you’ve read?; How is the author’s writing style similar to short vignettes? What scenes stand out to you? Why might this be?
Read This If You Love: How the World Was: A California Childhood by Emmanuel Guibert; The Photographer by Emmanuel Guibert; Alan’s War by Emmanuel Guibert; The Stranger by Albert Camus; The House on Mango Street by Sandra Cisneros
Nibbles: The Book Monster
Author and Illustrator: Emma Yarlett
Published: March 1, 2016 by Kane Miller Books
Goodreads Summary: Nibbles is a very naughty book monster—he’s chomping, munching and nibbling his way through fairytales that don’t belong to him! Can you help catch him and put him back in his own story? Children will love to lift the flaps, peek through the peep holes, and chase Nibbles through a fantastical world of books, in this quirky story, exquisitely illustrated by Emma Yarlett (My Daddy’s Going Away and Bear’s Big Bottom). Jam-packed full of your kids’ favorite fairy tales including Little Red Riding Hood, Jack and the Beanstalk and Goldilocks and the Three Bears.
Ricki’s Review:This is a very clever book! Nibbles loves to nibble on things, but most of all, he loves to nibble on books. He eats his way into stories and changes their outcomes! My son had so much fun reading this book. He loved the cutouts, lift the flaps, and books within books! I can imagine this is a huge hit with any kids who read it. It is very funny and creatively crafted—from the story to the illustrations to the way the book is presented. Two thumbs up to Emma Yarlett and Kane Miller books for thinking outside of the box with this one. It shows readers that books don’t have to be traditional!
Kellee’s Review:Trent is a big fan of monsters. He loves Monsters, Inc. and Don’t Push the Button!, so it is no surprise that he loves Nibbles. He fascinated with following Nibbles’ trail throughout all of the books and it became like a game of hide and seek for him. Not only is Trent a fan of Nibbles, I am as well. I loved the creativity of this book. The interactive and 3D aspects of it really bring the book to life, and I love that the author incorporates actual fairy tales in the books that Nibbles enjoys. Such a clever book that will keep readers come back over and over.
Teachers’ Tools for Navigation: This book could be used to start any fairy tale retelling unit! Readers of all ages will fall in love with Nibbles and want to participate in this adventure. I’d love to have my class create their own fairy tale retelling with Nibbles’ influence! I imagine there would be a lot of laughs and a lot of joy in this assignment. It teaches kids that reading can be very fun!
Discussion Questions: How do the author/publisher allow us to rethink our conceptions of traditional books? Which text features were your favorites, and why?; What other stories could Nibbles nibble his way through? How would he change the plot/outcome?
Book Trailer:
Read This If You Loved: Battle Bunnyby Jon Scieszka and Mac Barnett; Little Red Writingby Joan Holub, Fairy Tale Comics by Chris Duffy, Crankee Doodle by Tom Angleberger
Recommended For:
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**Thank you to Lynn at Kane Miller Books for providing copies for review!**
Cici Reno #MiddleSchoolMatchmaker Author: Kristina Springer
Published April 16th, 2016 by Sterling Children’s Books
Goodreads Summary: Middle school is a test, but Cici Reno has all the answers. She’s the go-to girl for advice. She’s cool, she’s funny, and she’s enlightened (thanks to yoga classes at her mom’s studio). So when her pretty BFF, Aggie, is too shy to speak to the boy she’s crushing on, Cici goes online and does the talking for her. The only problem is, Cici starts to fall for the guy herself! For the first time in her life. she doesn’t have a clue.
My Review: Cici Reno is a refreshing addition to middle grade romance. As a middle school teacher, I am always happy when there is a romance novel that actually features middle school kids instead of high schoolers. The thinking and feelings differ so much between 6th and 9th grade that sometimes the YA romance novels are a bit mature for the middle schoolers that want to read about crushes and dating. And Cici Reno is a book that middle schoolers will flock to not only because of the romance but because of the humor, Cici’s true voice, and the story of friendship.
Teachers’ Tools for Navigation (Teachers’ Tools for Navigation): “Using Classic Retellings in the Middle Grade Classroom” by Kristina Springer
As readers, we love a good classic retelling. Renée Ahdieh reimagined The Arabian Nights in her #1 NYT Bestseller, The Wrath and the Dawn. The Coming of the Dragon by Rebecca Barnhouse was inspired by Beowulf. The Real Boy by Anne Ursu offered a new look at Pinnocchio. My first young adult novel, The Espressologist, was a twist on Jane Austen’s Emma. (In my book, the main character is a coffee shop barista who discovers a talent for matchmaking her customers based on their favorite coffee drinks.) And of course, Romeo and Juliet has been remade again and again and again (my favorite being Gnomeo and Juliet!).
With my newest middle grade book, Cici Reno #MiddleSchoolMatchmaker, I decided to do a modern twist of the Cyrano de Bergerac story, set in middle school and with Twitter instead of balconies and bushes.
Cici Reno, is the 12 ¾-year old enlightened daughter of a Yogi. When she’s not helping out at her mom’s beloved Peony Lane Yoga Studio or taking a class herself, she’s solving all of the 7th grade’s problems, be it boy trouble or BFF drama. When her shy best friend Aggie asks for Cici’s help in getting the attention of the boy she likes, Cici goes online and does the talking for her. Only the more they talk, the more she falls for him herself. What’s a girl to do?
Studying a classic story and some of its retellings could be a fun and creative activity for middle grade classrooms. Here’s a suggestion of how you can approach this:
Start with talking about the original classic tale. Let’s say you choose Cyrano de Bergerac as I did. Talk about the original play written by Edmond Rostand in 1897. Show pictures of the real Cyrano de Bergerac for which the play is based on. More info here: https://en.wikipedia.org/wiki/Cyrano_de_Bergerac_(play) And show this really cute 1 minute, 35 second YouTube Last Minute Book Report clip of Cyrano de Bergerac to get an overall sense of the story. https://www.youtube.com/watch?v=-u52OLtAws8
Have your class read through a bit of the play together out loud to get a sense of the relationship between Roxane, Christian, and Cyrano. Perhaps the balcony scene in Act 3, Scenes 6 and 7 where we see Christian bumbling for his words and Cyrano stepping in to rescue him. You can find the play this here: http://www.poetryintranslation.com/PITBR/French/Cyranoact3.htm
Talk about some of the movie adaptions of Cyrano de Bergerac over the years like Roxanne and The Truth about Cats and Dogs. If time and interest allows, show the 2012 Disney Original Movie, Let it Shine. https://en.wikipedia.org/wiki/Let_It_Shine_(film)
Read my book, Cici Reno #MiddleSchoolMatchmaker, and discuss the similarities and differences between the original and this modern retelling. Consider having the students use a Venn Diagram to do this. Have them discuss why they think I, as the author, made certain changes and if those changes improved the story or not.
Have the students try writing their own modern short story re-telling of Cyrano de Bergerac. And have fun sharing them with each other!
About the Author: Kristina Springer is the author of Cici Reno #MiddleSchoolMatchmaker (Sterling Children’s/April 19, 2016), My Fake Boyfriend Is Better Than Yours (Macmillan/FSG), a Scholastic Bestseller and 2012 YALSA Quick Pick book; The Espressologist (Macmillan,/FSG), a 2010 Society of School Librarians International Honor Book and 2014 Illinois Reads Book that has been purchased for film by Michael Eisner’s Vuguru; and Just Your Average Princess (Macmillan/FSG). She has a Masters in Writing from DePaul University and resides in a suburb of Chicago with her husband and children. Learn more about Kristina on her website: http://KristinaSpringer.com.
Flagged Passages: “‘Wow, you think of everything,’ Aggie says. ‘It sounds completely perfect. Only one thing.’
‘What’s that?’
‘I can’t talk to him, Cici! You heard me at the bonfire. I go from zero to dork in 2.3 seconds.’
‘But you’ll be online,’ I tell her. ‘You can take your time typing, really form your thoughts.’
‘Yeah. I guess.’ She pauses. ‘Or you could talk to him for me. Please? You’re so much better around guys than I am. Always so relaxed and cool. And funny,’ she adds.” (p. 35)
Read This If You Loved: Cyrano de Bergerac, Camp Rolling Hills by Stacy Davidowitz, Audition & Subtraction by Amy Fellner Dominy, Drama by Raina Telgemeier
Maybe a Fox Author: Kathi Appelt and Alison McGhee
Published: March 8, 2016 by Atheneum/Caitlyn Dlouhy Books
Goodreads Summary: A tale about two sisters, a fox cub, and what happens when one of the sisters disappears forever.
Sylvie and Jules, Jules and Sylvie. Better than just sisters, better than best friends, they’d be identical twins if only they’d been born in the same year. And if only Sylvie wasn’t such a fast—faster than fast—runner. But Sylvie is too fast, and when she runs to the river they’re not supposed to go anywhere near to throw a wish rock just before the school bus comes on a snowy morning, she runs so fast that no one sees what happens…and no one ever sees her again. Jules is devastated, but she refuses to believe what all the others believe, that—like their mother—her sister is gone forever.
At the very same time, in the shadow world, a shadow fox is born—half of the spirit world, half of the animal world. She too is fast—faster than fast—and she senses danger. She’s too young to know exactly what she senses, but she knows something is very wrong. And when Jules believes one last wish rock for Sylvie needs to be thrown into the river, the human and shadow worlds collide.
Writing in alternate voices—one Jules’s, the other the fox’s—Kathi Appelt and Alison McGhee tell the tale of one small family’s moment of heartbreak.
Ricki’s Review: I read this entire book in one sitting because, quite simply, I could not put it down. I sobbed through the entire book because I connected so strongly with these characters. As a mom, I couldn’t imagine my son experiencing the pain that these sisters felt from the loss of their mother. As a sister, I can’t imagine my own sister disappearing. These two connections, along with the stunning portrayal of character and story, made this book feel deeply personal for me. While younger students won’t be moms, and thus, won’t have this personal connection I had with the text, they will be sons and daughters. Regardless of a reader’s point of view, they will connect with this book because it is written so beautifully. I won’t forget this book, and I don’t think other readers will forget it, either.
Kellee’s Review:This book is one I’ll be talking about for a while. I will say it is probably the saddest book that I’ve ever read; however, it is beautiful. It is very hard to explain unless you’ve experienced because it gives hope while also being so terribly sad. The characters, animal and humans, are so thought out and detailed that as you read you feel with them and for them. I was also in awe of the way Kathi and Alison were able to tell such a unique story without the reader ever feeling like it was an odd scenario. Whenever I try to describe this book to someone, they give me quite a weird look, so I just stop trying and tell them they should read it because it is a heart print book. There is no other way to describe it. Like Ricki said, every reader will feel for someone in the book. And every reader won’t be able to deny how beautifully written the prose is.
Teachers’ Tools for Navigation: As you will read in Kathi and Alison’s guest post below, point-of-view makes this story quite powerful. Teachers might ask students to consider the varying perspectives of this story and how they work together to form a cohesive whole. The teacher might provide other examples of texts that feature different points-of-view to compare and contrast authors’ styles. Students might then try their hand at writing in various, connected points-of-view and subsequently analyze how this enhances a narrative.
Discussion Questions: How do the authors unfold the plot in the narrative?; What predictions did you make while reading this story? How might the story have turned out quite differently?; How does Senna’s point-of-view enhance the story for you?; Were there any allusions within the text?; What theme do you take away from Maybe a Fox?
We Flagged: “The baby girl fox, Senna, came into the world in darkness, thirty feet below ground in the end dug out of cool brown earth. She was the middle child, born between her older and younger brothers, the three of them separated by minutes.
The first thing she knew was the feel of her mother’s tongue. Shhh shhh shhh, cleaning her off, licking her into life and warmth and love and safety.
The second thing she knew was the feel and smell of her brothers’ bodies pressed against hers as their mother nursed them, their front paws kneading her belly.
The third thing she knew was that there was someone waiting for her, someone she needed to find.” (p. 75-76)
A Guest Post from Kathi and Alison about Point-of-View
Finding the best possible point of view for a story is one of the most important choices that a writer can make. The point of view, more than any other aspect of literature, dictates the distance created between the character and the reader. When we embarked upon this story, Alison chose to write from the fox’s story and she decided early on that she wanted to write from an omniscient point of view. This allowed her to place Senna deeply within the pocket of her fox family, and to give our readers an intimate sense of their world. It gave her a way to present the fox-world via the senses of all five members of their family, and put the readers squarely inside of the natural landscape.
When we were first drafting, Kathi chose to write Jules from a first person point of view. However, it didn’t take long before she realized that the first person was too limiting. Yes, first person is quite intimate and there are good reasons to use it, but in this case it felt as though it created too many blind spots. Jules needed a bigger canvas and so Kathi switched to third person. That allowed her to broaden the scope of Jules’ experience, and to let Jules, as well as the omniscient narrator, experience the events as they unfolded.
We always knew that Sam’s point of view would be from the third person too, and he stepped into the story in a way that let the reader get a more objective perspective. We also hoped to show that even though Sylvie’s death primarily impacted Jules and her dad, her loss was felt strongly by the entire community. As well, Sam’s earnest desire for the return of the catamount helped to create a sense of possibility that the other characters couldn’t, simply because of their closeness to Sylvie.
The landscape also gave us a perspective. The woods and rocks, and of course the Slip itself with its local legends, provided not only a backdrop, but its own wild voice, a voice that spoke to each of our characters—fox, Jules, Sam, Elk, Sylvie, Zeke, Dad, and the catamount—in a way that only a wild place can speak.
All this to say that the multiple points of view hopefully helped to create stories within stories that, when woven together, made a single story that was enriched by the viewpoints of each character.
Kathi and Alison.
About the Authors:
Kathi Appelt is the New York Times best-selling author of more than forty books for children and young adults. Her picture books include Oh My Baby, Little One, illustrated by Jane Dyer, and the Bubba and Beau series, illustrated by Arthur Howard. Her novels for older readers include two National Book Award finalists: The True Blue Scouts of Sugar Man Swamp and The Underneath, which was also a Newbery Honor Book. In addition to writing, Ms. Appelt is on the faculty in the Masters of Creative Writing for Children and Young Adults at Vermont College of Fine Arts. She lives in College Station, Texas. To learn more, visit Kathi’s website at kathiappelt.com.
Alison McGhee is the New York Times bestselling author of Someday, as well as Firefly Hollow, Little Boy, So Many Days, Bye-Bye Crib, Always, A Very Brave Witch, and the Bink and Gollie books. Her other children’s books include All Rivers Flow to the Sea, Countdown to Kindergarten, and Snap. Alison is also the author of the Pulitzer Prize–nominated adult novel Shadowbaby, which was also a Today show book club selection. She lives in Minneapolis, Minnesota, and you can visit her at AlisonMcGhee.com.
**Thank you to Barbara at Blue Slip Media for providing copies for review and the giveaway. Also, thank you to Kathi and Alison for the wonderfully insightful guest post!**
Alistair Grim’s Odditorium Author: Gregory Funaro
Illustrator: Vivienne To
Published January 6th, 2015 by Disney-Hyperion
Summary: Grubb, age twelve (or thereabouts), has never known anything beyond his miserable existence as a chimney sweep, paid only in insults and abuse by his cruel master.
All of that changes the day he stows away in the coach belonging to a mysterious guest at the inn that he is tasked with cleaning. Grubb emerges from Alistair Grim’s trunk and into the wondrous world of the Odditorium. Fueled by a glowing blue energy that Grubb can only begin to understand, the Odditorium is home to countless enchanted objects and an eccentric crew that embraces Grubb as one of their own.
There’s no time for Grubb to settle into his new role as apprentice to the strange, secretive Mr. Grim. When the Odditorium comes under attack, Grubb is whisked off on a perilous adventure. Only he can prevent the Odditorium’s magic from falling into evil hands-and his new family from suffering a terrible fate.
Grubb knows he’s no hero. He’s just a chimney sweep. But armed with only his courage and wits, Grubb will confront the life-or-death battle he alone is destined to fight.
About the Author: Gregory Funaro is the NY Times Best Selling author of the Odditorium series from Disney-Hyperion. He grew up in Cranston, Rhode Island, and wrote his first story, “The Ghost in the Window”, in the fourth grade. He considers this to be his finest work, but unfortunately it has been lost to time. Following high school Greg majored in theatre at the University of New Hampshire, and after various acting gigs, received his AM in Theatre Arts from Brown University and an MFA in Acting from the FSU/Asolo Conservatory. Greg teaches drama at East Carolina University, and spends far too much time on the internet looking for vintage lunchboxes.
Review: Take a bit of Oliver Twist add in some Harry Potter and Charlie and the Chocolate Factory mix it with the snark of Lemony Snicket and Frankenstein’s monster then top it off with some Emerald Atlas and (more) Harry Potter adventure with mythology and fairy tale sprinkles and voila! You have yourself Alistair Grim’s Odditorium. But do not let me fool you into thinking that Gregory Funaro’s story is like anything you’ve read before because even though it alludes to many fantastical adventures, it is its own story through and through.
What makes Odditorium soar is not just the amazing adventure that Grubb and Mr. Grim go on (because it is amazing!), but the cast of characters that accompany them. Without Mrs. Pinch, Nigel, Mack, Lord Dreary, the samurai, and others, the book just wouldn’t be the same. Gregory Funaro did an amazing job creating a fully-developed supporting cast of characters that help push this adventure to the next level.
Author Interview: Thank you so much to Gregory for being willing to answer some questions for us!
Kellee: Alistair Grim’s Odditorium seems to allude to many traditional stories such as mythology and Grimm fairy tales. What other pieces of literature inspired your story?
Gregory Funaro: The works of Charles Dickens, especially Great Expectations and Oliver Twist. The setting is Dickensian London, and you’ll find a lot of common themes from Victorian literature running throughout the series, such as hidden identities, unrequited love, upper-class destiny, etc. There are echoes of Charlie and the Chocolate Factory, of course, and the fantasy works of Lloyd Alexander (The Chronicles of Prydain), but like so many Dickens novels, underneath all the magic and adventure, Odditorium is just a simple story of one boy’s journey toward acceptance and self-discovery.
K: Grubb has quite an odd name–how did that come about?
GF: His original name was Twip–a mash-up of Twist (Oliver) and Pip from Great Expectations. However, one day when I was writing in my office (the building is very old) I spied what looked like a maggot in the cracks between the floor tiles. It ended up being just a rogue grain of rice from some sushi I’d had a few days earlier, but the “maggot” sparked the idea for grub. The extra “b” was just something I threw in there for fun.
K: The illustrations in the novel really help bring it to life and seem to perfectly embody your words. What was your process with working with the illustrator?
GF: Along with the editors, at the beginning of the publication process I was very involved in the initial shape explorations of the Odditorium itself, but after that, as far as I know Vivienne To was pretty much on her own. I was also involved in some tweaking of illustrations along the way to make sure they jived with the story–especially in Aquaticum–but in terms of conceptualizing characters and whatnot, all that came from Vivienne. Fine by me. She is amazing.
K: Although the story is primarily adventure and fantasy, you threw in some humor throughout (I particularly love Mack!). How important do you think it was to add that to your story?
GF: Indispensable. You must have humor even in the most tragic of stories. You need a break once in a while from all the tension(Shakespeare was the master at this) and having a humorous character like Mack (who can also be serious if needed), provides a much richer experience for the reader. I think having a “comedian” in children’s books is especially important because kids can relate. However, you have to be careful, because too much (i.e., just throwing in a bunch of random jokes or snarky comments) can get annoying very quickly.
K: You majored in and teach theater–how did you find yourself writing for young adults?
GF: I actually started writing thrillers during my spare time about eight years ago. I had a couple published (they weren’t very good) and then moved over to children’s literature after the birth of my daughter. Oddly, though, I didn’t see Odditorium as a children’s book at first. In the original premise, Nigel (Mr. Grim’s right hand man) was going to be the focus of a story about Frankenstein’s monster being reunited with his long lost daughter. That idea rolled around in my head until the following summer, and by the time I started Odditorium, it was a children’s book, the monster’s daughter had somehow become Grubb, and the focus was on his journey with Alistair Grim. Nigel and his daughter’s story still exists in the book, but it’s one of the subplots.
K: Book 2 is out now! Can you give us a non-spoilery peak into what Alistair and Grubb are up to next?
GF: Book 2, Alistair Grim’s Odd Aquaticum, centers around an underwater quest for the legendary sword Excalibur–the only weapon powerful enough to penetrate Prince Nightshade’s armor. That’s right, the evil prince and his gang of baddies are back, along with some new characters, including a banshee assassin and a witch named Mad Malmuirie, who wants revenge on Grim for stealing her magical objects. The rest of the Odditorium’s crew is back, too, and they all journey to the mythical realm of Avalon, where the story takes a magical turn that not even Alistair Grim could have predicted.
Teachers’ Tools for Navigation: First and foremost, I think this book is going to find some major love in libraries. If we can get this into students’ hands, they are going to talk about it and pass it around. It is that kind of book. Students will want to talk about it.
In addition, aspects of the book can definitely be used to discuss allusion. Teachers can pull out excerpts of the text and excerpts of the alluded text to compare and contrast and look at how the author made parts of or ideas from the classic text come alive in this new story.
Discussion Questions: Do you believe what Mr. Grim did to help Nigel was right?; What part does Mrs. Pinch play in the story?; What stories/books does Alistair Grim’s Odditorium remind you of? Which parts of the story remind you of what story/book?; Did the author give you any clues (foreshadowing) about Grubb’s true identity?; What do you think happened to Kiyoko?
Book Trailer:
Read This If You Loved: Harry Potter (series) by J.K. Rowling, Charlie and the Chocolate Factory by Roald Dahl, Emerald Atlas by John Stephens, Series of Unfortunate Events (series) by Lemony Snicket, The Magician’s Elephant by Kate DiCamillo, Circus Mirandus by Cassie Beasley, The Vanishing Islands by Barry Wolverton, The Dungeoneers by John David Anderson
The Princess Games Author: Danai Kadzere
Published July 27th, 2015 by Lands Atlantic Publishing
Summary: King Winkle and Queen Periwinkle have a problem. They need a princess, and they need her fast. With the upcoming peace-keeping marriage between Prince Linus of Branninia and the princess of the fair Kingdom of Hoggenbottom, it’s a bit risky to admit they don’t have a princess.
Instead, they decide to host The Princess Games. Soon enough, the fairest maidens of the land are gathered in front of the castle, fairy-godmothers in tow! With a goofy king, an obsessive compulsive advisor, and a fairy godmother whose spells do whatever they want, these games are about to get interesting.
Even if Emma and her clumsy Fairy Louise can manage to do well in the competition, she’ll have to get past the expert spells of Fairy Faye and the beauty of Laralyn, who is intent on pleasing her ambitious mother at any cost.
My Review: What a fun fractured fairy tale! I love the humor! It really does include some laugh-out-loud moments. The book actually reminds me a bit of Princess Academy by Shannon Hale, but The Princess Games is more light-hearted.
I think what makes this book work the best is the different voices throughout. Each chapter changes point of view which gives a different insight to the games as they are going on. This helps with characterization especially because each character has such a distinctive voice.
One of my only criticisms is that I actually wish it was a bit longer! I would have loved to have some of the scenes be longer than they were and to have really gotten to know some of the secondary characters.
Teachers’ Tools for Navigation: I think this book is a wonderful example of voice. I would have students look at chapters written from different character’s points of view and have them look for how the author crafted their sections to build the character’s voice. When you look, you can find different vocabulary choices, different sentence patterns, different focuses, and different sense of humor.
Discussion Questions: Which princess do you think the royal couple will choose?; Why does Faye and Laralyn not like Emma and Louise?; How would the tone and voice have been different if the book had been written in first person?; What is the theme of the novel?
We Flagged: “Emma rued that last scone, stuffed with clotted cream and spiced rosehip jam, as the carriage bumped aong the uneven country road. ‘Ohhhhh,’ she groaned, clutching her stomach.
Fairy Faye looked at Laralyn, deigning to acknowledge Emma only to say, ‘And that, Laralyn, is why princesses eat daintily. Particularly on long journeys.'” (p. 45)
Book Trailer:
Read This If You Loved: Princess Academy by Shannon Hale, The League of Princes series by Christopher Healy, Upon a Marigold series by Jean Ferris
Recommended For:
**Thank you to Danai for providing a copy for review!!**
