Conflict – Page 13 – Unleashing Readers

All American Boys by Jason Reynolds and Brendan Kiely

July 7, 2016July 7, 2016 by Ricki

All American Boys
Authors: Jason Reynolds and Brendan Kiely
Published: September 29, 2015 byAtheneum/Caitlyn Dlouhy Books

GoodReads Summary: Rashad is absent again today.

That’s the sidewalk graffiti that started it all…

Well, no, actually, a lady tripping over Rashad at the store, making him drop a bag of chips, was what started it all. Because it didn’t matter what Rashad said next—that it was an accident, that he wasn’t stealing—the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again…and again…stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing.

And that’s how it started.

And that’s what Quinn, a white kid, saw. He saw his best friend’s older brother beating the daylights out of a classmate. At first Quinn doesn’t tell a soul…He’s not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school—and nation—start to divide on what happens, blame spreads like wildfire fed by ugly words like “racism” and “police brutality.” Quinn realizes he’sgot to understand it, because, bystander or not, he’s a part of history. He just has to figure out what side of history that will be.

Rashad and Quinn—one black, one white, both American—face the unspeakable truth that racism and prejudice didn’t die after the civil rights movement. There’s a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world.

Cuz that’s how it can end.

Ricki’s Review: I read this book a few months ago, and frankly, I can’t stop thinking about how important this story is. We read so many books in our lifetimes, and some just take our breath away. This is one of those books. I can’t recommend this book highly enough. I believe it belongs in every classroom. The strength of the two voices in this book is remarkable, and it makes for an excellent teaching tool—about heroism; about doing what is right and true; and about being a good, decent human being. The acts within this book are all-to-common, and I believe this book promotes genuine change. The book is literary at the same time that it is engaging. It will pull (and has pulled) readers of all ages and backgrounds. I typically don’t review books long after they have been published, but this book feels too important to leave out. If you haven’t read it already, I recommend it move to the top of your TBR list. It’s and incredible story.

Kellee’s Review: I too read this book a few months ago. It was a choice for our Faculty Book Club, and it was a perfect book to discuss with a bunch of educators. All American Boys is a book that is going to be a classic because it highlights modern history in a thoughtful and truthful way. This is a book that I would recommend to everyone to read. It is a perfect jumping off point to discuss race relations, Black Lives Matter, and We Need Diverse Books. The way the book is set up, with two voices, will help readers have permission to talk about what is happening in our country, the Civil Rights movement and its tie into modern times, and the racial tension currently happening in our country.

I’d like to also add that I recently was lucky enough to see Jason Reynolds and Brendan Kiely accept their Coretta Scott King Author Honor Award at the ALA Annual Conference here in Orlando, and they both moved me to tears. Jason actually gave two speeches since he won an honor for All American Boys and Boy in the Black Suit. His second speech was a brilliant advocacy poem titled Machetes which can be viewed here or read here. His first speech and Brendan’s speech are not available yet. Brendan says School Library Journal will be publishing his, and I am not sure about Jason’s; however, I did tweet some quotes as I sat and listened:

I hope The Boy in the Black Suit gives young men permission to feel and be human and sometimes need a hug. – Jason Reynolds
Memory in of itself is life. -Jason Reynolds
If you are doing this work, this award is yours too. -Jason Reynolds
Jason Reynolds talking about his mama made me cry. I hope my son’s love can be as true as his is.
There are bodies missing, and I cannot bring them back. It is time for action. -Brendan Kiely
Revolution begins in the heart. -Brendan Kiely
Love is art. Love is education. Love is accountability. And it needs repeating love is love is love is love. -Brendan Kiely
I want to reckon w whiteness…speak truth to myself. -Brendan Kiely

Teachers’ Tools for Navigation: This book begs to be taught in classrooms. If I was still teaching it would be the first book that I would request to be added to curriculum. I think it would be particularly fascinating to use this book as a read-aloud while simultaneously doing literature circles with X by Ilyassah Shabazz and Kekla Magoon, The Rock and the River by Kekla Magoon, and How it Went Down by Kekla Magoon. These books all deal with civil rights issues, as well, and it would be interesting to look at civil rights across time and history and also within other relevant contexts.

The Simon & Schuster Reading Group Guide gives some discussion questions, journal responses, and research ideas.

Discussion Questions: How do Rashad’s and Quinn’s voices shine differently in the text?; Did Quinn do the right thing? Would you have done the same?; What would you have done if you had been in Rashad’s circumstance? Would you have done anything differently?; How is racism present both in obvious and nuanced ways in the plot events of this text?

Flagged Passage: “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”

Read This If You Loved: X by Ilyassah Shabazz and Kekla Magoon; The Rock and the River by Kekla Magoon; How it Went Down by Kekla Magoon; Freedom Summer by Deborah Wiles; Audacity by Melanie Crowder; The Boy in the Black Suit by Jason Reynolds

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and

Burning by Danielle Rollins

June 30, 2016 by Ricki

Burning
Author: Danielle Rollins
Published: April 5, 2016 by Bloomsbury USA Children’s

Summary: After three years in juvie, Angela Davis is just a few months shy of release, and she’ll finally be free from the hole that is Brunesfield Correctional Facility. Then Jessica arrives. Only ten years old and under the highest security possible, this girl has to be dangerous, even if no one knows what she did to land in juvie. As strange things begin happening to Angela and her friends that can only be traced to the new girl’s arrival, it becomes clear that Brunesfield is no longer safe. They must find a way to get out, but how can they save themselves when the world has forgotten them?

Review: This book was the perfect balance between realistic, interesting characters and chilling, creepy fantastic characters. From the first moment that I met Jessica, my skin began to crawl. Angela, the narrator, is pushing a mop in Seg in the juvenile hall. Jessica is mysterious and quite scary. I was frightened right along with Angela! I love how the characters are developed. While the book is definitely fantastic, I felt genuinely connected with the characters and their stories. I’d use this book as a bridge to help students who love realistic fiction. It would help them explore different genres. The book ends with a hook, and I imagined that Rollins has a sequel in the works! I am very excited to read it!

Teacher’s Tools for Navigation: I imagine that this book will create genuine interest in juvenile halls. I’d ask students to explore and research their own juvenile halls. They might also examine privilege and how the characters’ home lives seems to play a role in the fact that they are in the correctional facility. This would offer an interesting class discussion.

Discussion Questions: Does Angela make good choices in this book? What are some of the choices she makes, and do you think she makes the right decisions? Is she a moral person?; Most of the characters in this book are female. Consider all of the male characters and determine what their role is. How do they add to the story?

We Flagged: “I’m so focused on the blinking red light that I don’t notice the skeletally thin girl in the cell to my left until she skitters across the floor on her hands and knees” (p. 51).

Read This If You Loved: The Merciless by Danielle Vega, Anna Dressed in Blood by Kendare Blake, Anything by Stephen King; Juvie Three by Gordon Korman

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What Do You Do with a Problem? by Kobi Yamada

June 9, 2016 by Ricki

What Do You Do with a Problem?
Author: Kobi Yamada; Illustrator: Mae Besom
Published: July 1, 2016 by Compendium Inc.

GoodReads Summary: From the same author and illustrator as our #1 nationally best-selling What Do You Do With an Idea? comes a new book to encourage you to look closely at problems and discover the possibilities they can hold.

What do you do with a problem? Especially one that follows you around and doesn’t seem to be going away? Do you worry about it? Ignore it? Do you run and hide from it?

This is the story of a persistent problem and the child who isn’t so sure what to make of it. The longer the problem is avoided, the bigger it seems to get. But when the child finally musters up the courage to face it, the problem turns out to be something quite different than it appeared.

This is a story for anyone, at any age, who has ever had a problem that they wished would go away. It’s a story to inspire you to look closely at that problem and to find out why it’s here. Because you might discover something amazing about your problem… and yourself.

What are problems for? They challenge us, shape us, push us, and help us to discover just how strong and brave and capable we really are. Even though we don’t always want them, problems have a way of bringing unexpected gifts.

So, what will you do with your problem? Now that’s up to you.

Review: There is something so magical about the combination of writer Kobi Yamada and illustrator Mae Besom. When I saw that these creators of What Do You Do with an Idea? had another book, I jumped at the chance to read it. It’s no secret that I am in love with this first book. I have gifted it to many friends and children, and I include it on many of my favorites and Top Ten Tuesday lists. I was pleased that What Do You Do with a Problem? is just as stunning. These two books are a teacher’s dream. They utilize many literary elements and are perfect for close analysis. I would use them at all grade levels. What Do You Do with a Problem? is a great text to teach readers how to reconsider a problem (or problems) that they might have. They can compare the problem with illustrations and consider how that problem may, for example, be all-encompassing. I like how the book balances both the weight of the problem and the proverbial light at the end of the tunnel. By looking at this problem in a new light, readers will be able to take more of an outside perspective of the conflict—and hopefully/potentially work toward a resolution.

Teacher’s Tools for Navigation: To start, teachers might ask students to consider the symbolism within the text. They might even grapple with the definition of an allegory and discuss ways the definition might be connected with the text and illustrations. Then, students could think of an abstract idea and try to associate an object with that idea. They might even consider writing their own picture book that connects the object and abstract idea. I also think it would be great for teachers to read both this text and What Do You Do with an Idea? to students. Then, they might compare and contrast the stories and their messages.

Discussion Questions: What do you do with a problem? How do we deal with problems in different ways? How do others in our lives deal with problems in ways that differ from us?; How do the author and illustrator work together to create a compelling story? What symbols do they use to convey their message?

Flagged Passage:

Image from: www.amazon.com

Read This If You Loved: What Do You Do with an Idea? by Kobi Yamada; The Most Magnificent Thing by Ashley Spires; The Dot by Peter H. Reynolds, The Noisy Paint Box by Barb Rosenstock, Lost and Found by Oliver Jeffers, Journey by Aaron Becker

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Rescued by Eliot Schrefer

May 13, 2016May 13, 2016 by Kellee

Rescued
Author: Eliot Schrefer
Published April 26th, 2016 by Scholastic

Goodreads Summary: The third entry in the taut, heart-wrenching quartet that made Eliot Schrefer a two-time National Book Award finalist introduces us to an orangutan held captive in suburban America.

John grows up with everything he could possibly want. His father is a businessman who travels far and wide. One day, he comes home with a rare gift for his son, a baby orangutan, and the two become inseparable friends. But as the orangutan gets older, stronger, less cute, the family relegates the animal to a locked trailer in the backyard. Until John’s father finally decides to sell the ape to a roadside zoo. Coming to the defense of his childhood friend, John resolves to smuggle the orangutan back to Indonesia, and the two set out on a journey far more dangerous than John bargained for.

My Review: I think out of the three Ape Quartet books published so far, this is the one that is going to hit closest to home for many. It will make many readers uncomfortable and want to make a change. First, it takes place in the United States unlike Africa like the first two. Second, it really digs into an issue that is still very much prominent here–animal injustice.

I find Schrefer’s writing to be so beautiful yet so easy to read. He can pull you into his stories and makes you feel for not only his human characters but also his animal characters. He does such a tremendous amount of research for all of his books and with this one it brings the injustice of Raja alive.

I am a sucker for ape books. I find apes to be the most fascinating animals, and orangutans may be my favorite because they have these amazing eyes that just show me that they are so intelligent and deep thinkers. They are also introverts; I think I just relate to them in that way. This book brings orangutans to life through Raja.

Teachers’ Tools for Navigation: As evident from Schrefer’s status as a two-time National Book Award finalist, his books can be used as a mentor text for just about any aspect of writing that you are looking for: characterization, imagery, voice, conflict, etc. Read any of his books, and you can pull out so much to discuss and use within the classroom. Additionally, there are some amazing ape books, including Schrefer’s other Ape Quartet books, that would make for an amazing lit circle opportunity or text set.

Discussion Questions: Why does John feel obligated to help Raja?; What would you have done if you were John or John’s mom when the divorce happened? Or when John’s father showed up with Raja?; Why is it better for wild animals to be in the wild?

Flagged Passages: “Every family’s got something weird about it, and mine was no different. We just had to try harder than most to hide it. All it took was someone to walk in the door to see that we had an orangutan. A real-live, orange-brown, TV-obsessed, drinking-grapefruit-juice-from-the-carton orangutan.” (p. 11)

“The truck’s engine rumbled, and the trailer pulled away. I watched it go, stunned.

You did this, I scolded myself. You let this happen.

Sweat had soaked my shirt, ran from the pits down my arms. The heat radiating up from the pavement made me dizzy, even though the perspiration on my brow was chill. I bent over, hands on my knees. I could feel the cords of my neck stand out, straining. Getting ready to start my stomach, at least, back at zero.

I heaved in air, and it sounded like a sob. Then it was a sob. Something huge and dark and terrible came out of me, something that had tamped down for so long that it had become even more huge and dark and terrible.

One last sob came out of me, then all was quiet.

There, slumped in the dirt, was Raja’s old blue elephant. (p. 69-70)

Read This If You Loved: Endangered and Threatened by Eliot Schrefer (Ape Quartet #1 and #2 yet are all stand alone novels), Hurt Go Happy by Ginny Rorby, One and Only Ivan by Kathering Applegate, Ivan: The Remarkable True Story of the Shopping Mall Gorilla by Katherine Applegate, Top Ten Ape Book list from Nerdy Book Club (I’ll be updating here on Unleashing Readers soon)

Recommended For:

Review, Signed Hard Copy Giveaway, and Author Interview: Invisible Fault Lines by Kristen-Paige Madonia

May 5, 2016 by Ricki

Invisible Fault Lines
Authors: Kristin-Paige Madonia
Anticipated Publication: May 3, 2016 by Simon & Schuster Books for Young Readers

Summary: Tired of living in limbo, Callie finally decides to investigate her father’s disappearance for herself. Maybe there was an accident at the construction site that he oversaw? Maybe he doesn’t remember who he is and is lost wandering somewhere? But after seeing a familiar face in a photo from the Great San Francisco Earthquake of 1906, she wonders if the answer is something else entirely.

Hailed by Judy Blume as a “remarkable young novelist,” Kristen-Paige Madonia, author of Fingerprints of You, explores how to rebuild a life after everything seems lost.

My Review: This book kept me guessing! From the very first page, I wondered what happened to the narrator’s father. About halfway through, I realized that it didn’t matter what happened to him because this is a story about character. It is an emotional ride through the trauma of a young girl’s life after her father goes missing. I felt all of her emotions right along with her—guilt, fear, anger. I particularly enjoyed the evolvement of her friendship with her best friend Beckett. I appreciate authors who feature characters who happen to be gay—rather than making this the sole focus of a story. I recommend this book to readers who enjoy strong character development.

Teachers’ Tools for Navigation: Teachers might consider tying this story into a study of missing persons. This investigation could go beyond children as missing persons and extend into adults who are missing. Students might research local missing persons in their area, and this could lead to advocacy efforts.

Discussion Questions: What do you think happened to Callie’s father? What different potential realities does Callie explore in the story?; How does the author switch the point-of-view effectively to deepen our understanding of the story?; What emotions does Callie experience in the story? How might we tie these into the stages of grief? Should she feel guilty that she doesn’t start looking for her father immediately? Why or why not?

Flagged Passage: “My father disappeared on a Tuesday that should’ve been like any Tuesday, but eventually became the Tuesday my father disappeared.”

Read This Series If You Loved: Fingerprints of You by Kristen-Paige Madonia; If I Stay by Gayle Forman; Vanishing Girls by Lauren Oliver; Where Things Come Back by John Corey Whaley, The Body of Christopher Creed by Carol Plum-Ucci

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Interview with Kristen-Paige Madonia

Can you tell us a little bit about your writing process/ How has writing this book been different from writing Fingerprints of You?

The most important thing I learned from writing Invisible Fault Lines is that my process will inevitably change depending on the project. My first book, Fingerprints of You, was a fairly straightforward novel with a traditional structure and timeline, so I wrote it start to finish and was able to create the first draft in less than two months — of course it took much longer to revise and polish, but in general is was quick and relatively easy to write. My new novel is much more complicated, as it blends a contemporary mystery set in 2006 with bits and pieces set one-hundred years earlier, as the 1906 San Francisco Earthquake plays a large role in the novel. It’s a hybrid novel, and the narrative arc is a bit more intricate, so though I initially tried to use the same process I used when writing Fingerprints of You, it just didn’t work. Eventually I wrote the book out of order and then went back, during revision, and braided the two storylines together. So in terms of process, I suppose it’s ever changing! And of course that’s one of the reasons that I write – there are no rules and there’s no one way to do it. It’s about experimenting, about doing something different each time you sit down to work.

Where/How did you come up with the premise of this book?

Like most writers, I write from a place of curiosity. With Fingerprints of You, I was curious about the ways we define family, but this novel stemmed from my curiosity about grief and the various modes we use to manage and process loss. I began writing it after hearing David Levithan read from his novel Two Boys Kissing, specifically honing in on the sentence that eventually became the epigraph of Invisible Fault Lines: “How beautiful the ordinary becomes once it disappears.” We were both at Wordstock Book Festival in Portland, and I was in between projects, hoping to find inspiration while traveling to publicize Fingerprints of You. And there it was. That line. I couldn’t get it out of my head. I tend to begin stories with an event after which nothing will be the same for the character, and that idea of ordinary, of how our version of ordinary can shift in an instant, intrigued me. So I wanted to write about that kind of shift and about the possibility of the impossible being possible, which is where the link to the historical event, the earthquake of 1906, originated. I knew I wanted to do something completely different than Fingerprints of You and that I wanted to experiment with form and genre while staying true to my character-driven style of writing.

From the outset, we wonder what happened to Callie’s father, and at one point, Callie and her friends explore potential reasons for his disappearance. We obviously won’t spoil the book for readers, but did you know how the book would end from the very beginning?

I did. I knew that I wanted to invite the reader to participate in the novel in a more active role than my last novel allowed. I believe all books are collaborative projects between the author and the reader, but this novel leans heavily on what the reader brings to the story, on what they want to believe and how they want to interpret the events in the book. When I first imagined the story, I decided that I wanted to write a book that honors the fact that not all questions have clear answers – I think it’s part of our job, as YA authors, to be realistic and honest with our readers while also allowing for and portraying hope, so that was one of my original goals, and it inevitably shaped the ending.

Beck is a wonderfully crafted character. Did you base him on anyone in your life?

Oh, he’s such a scene-stealer, isn’t he?! Every time he showed up in the novel, I fell a little bit more in love with him. No, he’s not based on anyone I know, but I imagine him to be a compilation of my best friends from high school and also my current best friends: honest, hilarious, and one-hundred percent golden-hearted.

You are a professor of YA Lit and creative writing. How has this impacted your position as an author or thoughts as a writer? Do you get feedback from students, or do you keep your work private?

This is such a complicated question, so in attempt to not write a fifteen-page essay here, I’ll simply say that I love what I do. I find great inspiration from working with students who hope to pursue a creative life, who find value in literature and the arts. But the reality is that every moment I spend teaching and planning and grading is one less moment that I spend writing my own work, and that’s the hard part. Teaching reminds me why I write and what my tools are in terms of craft, and actively publishing new work reminds me how important it is to be a positive literary citizen, to serve as a mentor and encourage and inspire young authors. It’s a hard balance, of course, but it’s also a privilege to be both a professor and a published author, so I could never complain about the challenges.

Are you working on anything new?

I am! And I’m in that bizarre and dreamlike phase of being equally terrified and excited by my new project. It’s also a protective phase in terms of not wanting to talk much about it yet, but I will say that it’s a project based on my curiosity about our reliance on technology and the environmental and creative effects of that reliance.

Thanks so much for having me on your blog – it’s been lovely to visit with you!

**Thank you to Kristen-Paige Madonia for providing an copy for review and a signed hard copy for the giveaway!**

Teeny Tiny Toady by Jill Esbaum

April 21, 2016 by Ricki

Teeny Tiny Toady
Author: Jill Esbaum
Illustrator: Keika Yamaguchi
Published: March 1, 2016 by Sterling Children’s Books

Goodreads Summary: When a giant hand scoops up her mama and puts her in a pail, a terrified tiny toad named Teeny hops faster than she ever did in her life. “Mama’s stuck inside a bucket! Help me get her out!” she begs her big, clumsy brothers. “Don’t you worry, kid. We’ll save her!” they promise, bumbling and stumbling and jumbling out the door. But as the boys rush headlong to the rescue, pushing their little sister aside, it becomes clear: brawn isn’t always better than brains—and the smallest of the family may just be the smartest one of all. Written in lilting verse.

Ricki’s Review: I should be honest that frogs and toads are my favorite animal. I love everything about them! Reading this book was such a joy. I loved how the words danced across the page. If you look at the image below, you will see the way the words pop. The toads are personified in a way that makes me smile. They high five, cheer, hold each other up, etc. Teeny may be little, but she is fierce. It takes her some time to realize that she has valuable ideas. I enjoy teaching my son to be critical of gender as we read this book, and I particularly enjoyed the feminist theme.

Kellee’s Review: I should be honest that frogs and toads are one of my least favorite animals. However, that did not keep me from loving this book! Ricki touched on much of what is superb about the book including the onomatopoeias throughout, the way the words hop like toads all over the page, and the joyousness of these toads’ family. I also particularly enjoyed the theme of this book–it definitely shows how you shouldn’t underestimate people especially if you are basing it off of a prejudicial stereotype. It also I plan on using this for one of my precept/theme activities with my students because I feel there is so much that could be discussed in this teeny, tiny book.

Teachers’ Tools for Navigation: This story would be great to use in a creative writing class. The author and illustrator cleverly craft the phrasing and presentation of the story, and this will be inspirational for writers and illustrators. Teachers might also use this text to teach personification, onomatopoeias, and effective use of rhyme.

Discussion Questions: When does Teeny realize that her ideas are valuable? How does her size impact how she feels about herself?; Are there other ways that Teeny could have gotten her family out of the bucket? Try to think of as many ways as you can and how they would have impact the telling of the story.

Flagged Passage:

Spread from: http://andreacmiller.com/projects/teeny-tiny-toady/

Read This If You Loved: The Frog and Toad series; Stick by Steve Green; Green Wilma by Tedd Arnold

Recommended For:

and

**Thank you to Josh at Sterling Books for providing copies for review!**

Not if I See You First by Eric Lindstrom

February 11, 2016 by Ricki

Not If I See You First
Authors: Eric Lindstrom
Published: December 1, 2015 by Poppy

GoodReads Summary: The Rules:

Don’t deceive me. Ever. Especially using my blindness. Especially in public.

Don’t help me unless I ask. Otherwise you’re just getting in my way or bothering me.

Don’t be weird. Seriously, other than having my eyes closed all the time, I’m just like you only smarter.

Parker Grant doesn’t need 20/20 vision to see right through you. That’s why she created the Rules: Don’t treat her any differently just because she’s blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart.

When Scott suddenly reappears in her life after being gone for years, Parker knows there’s only one way to react—shun him so hard it hurts. She has enough on her mind already, like trying out for the track team (that’s right, her eyes don’t work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn’t cried since her dad’s death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened—both with Scott, and her dad—the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken.

Combining a fiercely engaging voice with true heart, debut author Erid Lindstrom’s Not If I See You First illuminates those blind spots that we all have in life, whether visually impaired or not.

Review: The story is about a girl who is blind and a runner. I feel like I learned so much for this book from the physical and mental strength of this young girl. Frankly, I can’t quite find the words to express how much it taught me about life. The narrator is feisty, and I appreciated her candor about her disability. I came to realize how incredibly frustrating it would be to deal with the same reactions from strangers every day, particularly when she feels perfectly capable. This is a great book to teach empathy.

Teachers’ Tools for Navigation: We don’t talk about disability in literature enough. I would love to put students in literature circles, with all of the texts focusing on disability. It would be interesting to have whole-class discussions about the way disability is present in each text. It might be particularly interesting to include texts that feature mental and physical disability. This might lead to good discussions, like: What is disability? Is a disability always visible to others? What is normal?

Discussion Questions: The narrator of the text is unlikable. How does this add to the story? Why might the author have written the text in this way?; Do you think Parker’s rules are fair? Why do you think she has this list of rule?

We Flagged: I flagged this section because it shows Parker’s dry humor:

“‘So you’re blind, huh?’

I cock my head toward the unfamiliar male voice coming from the seat directly in front of me. Low-pitched a bit thick around the vowels. The voice of a jock, but I just keep that as a working hypothesis awaiting more evidence.”

Read This If You Loved: The Running Dream by Wendelin Van Draanen, Girl, Stolen by April Henry, Blind by Rachel DeWoskin, Wonder by R.J. Palacio, Out of My Mind by Sharon Draper

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