Early Chapter Book

“The Case for Graphic Novels and Chapter Books”

I have always been a huge reader. At some point during third grade, I discovered my love of stories and have never looked back. Third grade through sixth grade was such a formative time for me as I developed this lifelong love of reading, and some of the books I enjoyed the most were comic books or shorter stories with illustrations. I gobbled up as many Archie comics as I could, read all of The Far Side by Gary Larson, and shuddered in fear at the creepy illustrations in Scary Stories to Tell in the Dark. I honestly couldn’t tell you if I’d be the reader and writer I am today without books like these, and now that my own children are of reading ages, I’ve actively encouraged them to read anything and everything they enjoy. Yes, that has meant a lot of graphic novels and illustrated books. It has also meant them reading the same books over and over and over again, just as I did when I was a kid.

The first thing my ten year old fell in love with was Diary of a Wimpy Kid. She was five when she picked up the first book, and I still remember her coming to me every minute or so to ask me to explain a word. Then she’d read the story again and come to me maybe every couple of minutes. Then she’d read it again. And again. After she’d read that first book probably about a dozen times, she no longer had to ask me to explain any of the words. It was through this rereading of the same book that she developed great reading fluency, confidence, and comprehension skills, and I’m very grateful to Jeff Kinney for teaching her how to read. Would she have naturally gone through this same process on her own with a book without pictures? Without the silly jokes and goofy humor that kept her so engaged? I doubt it.

Being homeschoolers, we’ve spent a lot of time at the library, and my ten year old has always gravitated toward the graphic novel section. We would frequently come home with stacks of graphic novels nearly as tall as she was, and she would read every single one of them. I would make a lot of recommendations, try to introduce her to other styles of books, play longer audiobooks for her, and suggest we try reading new books together, but all she wanted were graphic novels all the time, so I didn’t push it. She loved to read, and I never wanted to interfere with that in any way. After all, her love of reading has always been the end goal.

Then something interesting began happening after a few years of nonstop graphic novels—she decided on her own to try a great big book without illustrations called Wings of Fire, which she found in a little free library at a park. Did she get through it and enjoy it? Let’s just say she’s eagerly anticipating book fifteen right now. Would she have gotten to the point in her love of reading that she’d be willing to read fourteen lengthy books if I hadn’t always allowed her to read and reread the graphic novels she adores so much? Again, I doubt it.

Now that my six year old is reading, she loves my Aven Green chapter books. She brings the books to me over and over for help with the words and to show me the illustrations so we can laugh together (she seems to think I’ve never seen them before). She also loves Junie B. Jones, Puppy Place, Wedgie and Gizmo, and many other chapter books with illustrations. I know one day soon, she’ll probably also fall in love with graphic novels. She’ll probably want to read the same books over and over again (actually she already does that). And then, eventually, she’ll probably also be ready to pick up longer books. When that happens, I’ll be ready for it every step of the way.

Expected publication: August 17th, 2021 by Sterling Children’s Books

About the Book: Aven Green Baking Machine is the sequel to Aven Green Sleuthing Machine which Kellee reviewed in April.

Aven is an expert baker of cakes and cookies. She’s been baking with her mom for a really long time. Since she was born without arms, Aven cracks eggs and measures sugar and flour with her feet. Now, she has her eye on the prize: a beautiful blue ribbon for baking at the county fair. So she teams up with her friends Kayla, Emily, and Sujata. But It turns out they all have very different tastes and a lot of opinions about baking. Talk about a recipe for disaster!

About the Author: Dusti Bowling grew up in Scottsdale, Arizona, where, as her family will tell you, she always had her nose in a book. She released her first middle grade novel in 2017 and hasn’t stopped writing since.

Dusti’s books have won the Reading the West Award, the Sakura Medal, a Golden Kite Honor, the William Allen White Children’s Book Award, and have been nominated for a Cybil and over thirty state awards. Her books are Junior Library Guild Gold Standard Selections and have been named best books of the year by the Chicago Public Library, Kirkus, Bank Street College of Education, A Mighty Girl, Shelf Awareness, and many more. Dusti currently lives in New River, Arizona with her husband, three daughters, a dozen tarantulas, a gopher snake named Burrito, a king snake name Death Noodle, and a cockatiel named Gandalf the Grey.

Thank you, Dusti, for this post that we definitely agree with! Like you said, “ove of reading has always been the end goal!”

“I Write About the Real World and Real Feelings… by Using Magic”

I like to say that I write about myself without writing about myself, that I try to understand my feelings by writing about someone else’s very similar feelings.

And I use magic to do it.

I have never owned a second hand shop filled with cuckoo clocks and birdcages and patchwork purses and chandelier earrings. I have never participated in an end of the school year parade, and, regrettably, I didn’t have a cousin who lived in the apartment downstairs from me when I was growing up. And most of all, as much as I wish I could, I have never witnessed magic. At least not the kind that shows up in my books. Not the magic passed down through generations, not the kind of magic that the best friend cousins of my HAND-ME-DOWN MAGIC series encounter in book after book.

But. I did have a best friend growing up, and we did it get into fights. I did have family that I sometimes felt part of and sometimes felt confused about my place in. I did feel jealous when a friend had something I wanted, and I did feel scared when things didn’t feel entirely in my control. Some of those things—fighting with a friend, feeling jealous or scared or left out or uncertain about who you are—are a little bit scary. Uncomfortable. Hard to talk about, and harder still to write a whole book or series of books about. When I am feeling those hard and scary and uncomfortable feelings, for myself or for my characters, I know it’s time for magic.

When something feels hard to look at straight on, I introduce a bit of magic to help make it easier to understand. Because there’s a lot about the world I don’t understand! There’s a lot about my characters’ worlds that I don’t understand right away. I don’t know when I first start writing why a particular bag in a particular shop window could make someone feel like they would become the best version of themselves if only they had it over their shoulder. And I don’t know why someone else’s happiness can sometimes feel like a personal slight. Or why it is hard to share in that happiness sometimes. I don’t even really know how to solve those problems, or any of the strange and awkward and tricky and uncomfortable problems that arise simply from being a person in the world interacting with other people. But I do know that many of us think we aren’t supposed to talk about those messier parts of our hearts and friendships and lives. And I do know that if I add magic, the conversation becomes easier.

I don’t try to hide the truth in my books—that doesn’t feel fair to anyone—me or my readers or the characters I spend so much time writing and falling in love with. But I try to make the truth easier to understand, easier to look at straight on, easier to manage. Magic helps manage hard truths—big ones, sure, but small ones too, little moments where your heart hurts or you are blushing and wish you weren’t, or your best friend is making you mad or sad or uncomfortable and you don’t know why. Look! Look at me! Magic says in those hard moments in my books,  I’m here too! Maybe I can help? Maybe I can explain it? Or maybe I just make things a little lighter, a little prettier, a little more interesting than regular old life is.

Sometimes, I use magic to make a feeling bigger: what if Alma feels a little left out of her family life, not just because she hasn’t lived in the same home as them ever before, but also because the rest of them have a belief in magic that she just can’t seem to muster?

It’s an added layer to bulk up the feelings I want to discuss. A way to turn up the volume on the circumstances, so make sure they come through loud and clear.

Sometimes, I use magic to make the feeling easier: Someone I loved did something mean to me: maybe it was because of magic?

Mostly I use magic to make things easier to talk about: Life is confusing and big and hard to understand and not in our control and that is scary. But Del doesn’t want to say all of that. Or even think it. Del is scared of a crystal ball telling fortunes that come true in tricky ways. Let’s talk about that, and maybe it will show us some other things along the way.

Magic is sneaky. Maybe when we talk about Del’s fear of her crystal ball, we can start talking about other things that happen unexpectedly or other times we think something bad might be our fault. Magic lets a conversation evolve naturally, instead of going right to the center of things. Magic is a beautiful and fun and silly and shiny way in to the scary things.

It is easier to talk about the world—a world which is sometimes very challenging and uncomfortable and sometimes even a bit sad and lonely, especially lately—when there is a mix of the familiar and the mysterious. A mix of real life and magic. A combination of the things we understand and the things we never fully will. Magic, when done well, is the bridge between those two things.

Using a bit of magic to talk about the real world reminds me of an old fashioned radio dial. Magic can turn things up or down, it can cut through the static, it can help you search for the story you want to hear, it is a tool in the toolbox of a writer, and a reader, and a person in the world, when you are a bit lost and bit frightened and a bit unsure. I am those things pretty often. That’s why I use magic so much!

The truth is—I’m a writer and a reader and a parent and a person in the world, and I’m just as flummoxed as everyone else, about why things are the way they are or feel the way they feel. Magic helps me make sense of it all too, it gives me a little space and perspective, a new angle at which to look at my character’s circumstances. Which in turn helps me make sense of my own. I believe it can help make sense of things for young readers, too. Magic can bring order to the mess and can put a magnifying glass to the tiny tricky details. It can amplify what we need to look at more closely, a quiet what feels too scary to approach head on.

We all want to reach young people, we all want a way in. For me, magic is the way.

Maybe it can be for you too.

Hand-Me-Down Magic: Perfect Patchwork Purse
Author: Corey Ann Haydu
Illustrator: Luisa Uribe
Published May 4, 2021 by Katherine Tegen Books

About the Book: Family magic saves the day for best-friend-cousins Del and Alma in the third Hand-Me-Down Magic book! With adorable illustrations and short, easy-to-read chapters, this series is perfect for fans of Ivy & Bean and Dory Fantasmagory.

Almaknew it the first time she saw it: The patchwork purse in the window of the Curious Cousins Secondhand Shoppe was magical. Special. Perfect. But when her friend Cassie spots the purse and buys it, what could Alma do but agree that the purse really did look just right on Cassie?

Del decides it’s up to her to bring some homespun magic back into Alma’s life, and she’s got just the plan to do it. After all, she is the EXPERT on magic!

All she needs is some glitter and lots and lots of glue . . . because she knows magic can always come from the most unexpected places, but most importantly, that best-friend-cousins never let each other down.

About the Author: Corey Ann Haydu is the author of Eventown, The Someday Suitcase, and Rules for Stealing Stars and four acclaimed books for teens. She grew up in the Boston area, earned her MFA at the New School, and now lives in Brooklyn, New York, with her dog Oscar. Find out more at www.coreyannhaydu.com.

Thank you, Corey, for sharing how you use magic to tackle what is real!