Teaching Tuesday: Random Thoughts From a Teacher Circulating During Testing

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Approximately 480 minutes of my life over the last couple of weeks has been circulating a room while students took their standardized tests. I not only accumulated approximately 20,000 steps, I had many random thoughts. Here are some of them:

Exercise

  • Does circulating a room in a regular circle or a zig-zag pattern give more steps in one lap? (Zig-zag.)
  • What ways could I get extra exercise while circulating and not being distracting?
    • Answers: Toe raises/calf raises, squats, glut squeezes, wall sit, standing crunches, seated leg raises, standing leg curl, lunges, and I’m sure there are more!
  • Do I get more steps on testing days than on normal days now that we have Lanschool to monitor computers instead of having to circulate our rooms as much? (Yes.)

Technology

  • Since the world is so technologically embedded, is testing students on a computer the best even though some studies have found that reading paper-based texts is still more efficient?
  • Are these studies ignoring the future? Isn’t it counter productive to focus on how the past may have been better when the world is moving in a forward, not a backwards, direction?
  • Instead of saying that one-on-one or technology isn’t as good as ____, couldn’t we instead just teach students how to use new tools as well as we were taught to use the old? For example, there are many complaints about kids not knowing how to take notes; why don’t we teach them? Or kids not knowing how to research; why don’t we teach them? We were taught to do those things. Just because kids are technology natives doesn’t mean they don’t need to be taught the best ways to use the tools.

Change

  • So many adults say things about “kids these days,” but weren’t we “kids these days” at some point? Doesn’t every generation complain about the changes in the next generation?
  • Isn’t change what makes the world get better?
  • Just because things are done differently doesn’t mean they are bad.
  • For example, the SAT is now more text-based instead of random vocabulary and analogies–that is pretty awesome! And I wish it was like that when I took it.
  • Some change isn’t necessary though. Was our education system so bad when I went through it? The push for “rigor” is so intense now pushing kids into AP classes as early as 8th grade, but I feel like that takes away the growing up part and doesn’t give kids the foundation needed to be successful.
  • And what happened to kids having the chance to be kids?!

Disney

  • The Little Mermaid came out when I was 7 which was 29 years ago. Hundred and One Dalmations came out about 28 years before The Little Mermaid, so how old 101 Dalmations seemed to me is how old The Little Mermaid seems to them.
  • Frozen came out when these kids were 7. Elsa and Anna are their Ariel. These girls had princesses that were pretty kick butt to look up to their whole life while Ariel changed EVERYTHING about her for a man.
  • Or it could be looked at as Ariel had a dream and wouldn’t give up until she attained it and wouldn’t let others tell her she couldn’t do it.
  • Belle changed Disney princesses though. Except for Pocahontas, ever since Beauty and the Beast, the princesses are more than just someone looking for a man.
  • Was the book that Belle was reading during the song “Belle” her own story and the song writers were putting in dramatic irony for the audience?

Science and Pop Culture

  • If we now know that dinosaurs are more related to birds than reptiles and it is pretty common-scientific knowledge, why hasn’t the look of dinosaurs in pop culture changed? For example, a new Jurassic Park is coming out, but the dinosaurs still look like how we thought they looked before.
  • Though I do know that it takes a very long time for pop culture to catch up with science. For example, Curious George is still called a monkey even though in the 1940s or so the distinction between apes and monkeys were found, and scientifically I think everyone would agree that he is an ape.
  • Monkeys and apes are different animals and people can just not figure out the difference. We don’t get pachyderms or canines or felines or other groups of animals confused, why do we get primates confused?
  • But I wish big companies and movies wouldn’t help spread the ignorance. For example, Coca-Cola should be ashamed of themselves for spreading the ignorance that penguins and polar bears live in the same area. (P.S. They don’t! Not even the same hemisphere!)
  • This must be how Neil Degrasse Tyson feels about, well, everything.

What random thoughts do you have while monitoring testing (or any other time)? 

Teaching Tuesday: Grading is Complicated: Ruminations of an English Teacher Educator

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“Grading is Complicated: Ruminations of an English Teacher Educator”

My students (future secondary English teachers) have a lot of questions about grading. They wonder if effort should count. They wonder if an emergent bilingual who works dang hard on three drafts of an essay should receive the same grade as another student’s essay, which is better. They wonder if in the grading process, after looking at other student work, it is fair to go back and change a previous student’s rubric evaluation. They wonder if we need to use rubrics for everything. They wonder if rubrics are too limiting of intellectual freedom.

My students are brilliant, and they ask complex questions that don’t have definite answers.

Let’s take them one-by-one. I invite readers to push back on any of the comments. I don’t have the answers, and I am often wondering if I need to reimagine my conceptualizations of grading.

Should effort count?

I believe that effort should count. The book that we read (Wormeli’s Fair Isn’t Always Equal) argues that effort shouldn’t count. For me, that’s conceiving of grades in simplistic ways. English language arts, as a subject area, cannot be quantified. I think that multiple drafts should count. If we are to accommodate the varying needs of students in our classrooms, we need to consider effort. A student who has a learning disorder who works dang hard and produces draft after draft to improve an essay should get some credit. Not counting effort standardizes grades in ways that might be harmful to learners. I argue that we need to individualize students’ learning progress. We need to know our students, and then we can evaluate whether the paper earns the A. Does this dilute grading systems? It sure does. But are we in this field to actually help students improve their writing or reading, or are we in this field to calculate GPAs and circle the grade of an 81 on a written essay (something that can hardly be quantified)?

Let’s complicate it even more:

Emergent bilinguals. If we don’t include effort and don’t focus on students’ personal improvement in their reading and writing, wouldn’t emergent bilinguals who are just learning a new language fail repeatedly? For me, this is an easy-to-see example of why effort does need to factor into the grading process.

Rubrics

I hate them, but I also recognize their importance. I think it’s critical that students know how they are going to be evaluated. We need to show them rubrics before they start brainstorming. On the other hand, rubrics are wildly limiting on creativity and intellectual freedom. By creating rubrics, we automatically tell students exactly what they are looking for. I know that folks argue that they create rubrics that are very open. No matter how open a rubric is, it limits students’ creativity to go in a wildly different (and potentially incredible) direction. They are teacher-focused rather than student-focused. My solution to this is the provision of rubrics that are student-generated (as a whole class, most often) and as open as possible. I continually remind my students that I would excitedly invite a different approach to the assignment, and I invite them to see me if their vision seems to conflict with criteria on the rubric. The students and I collaboratively develop expectations, and it is my hope that this process will not restrict their visions.

Grading with Rubrics

A student asked the smart question—if I grade a student’s work according to a rubric and then read other students’ work and realize that I evaluated the first student’s work wrong, can I redo the rubric? I am very conflicted about this issue. If you didn’t even know how to evaluate the first student, how would they know how to earn an “A.” For me, this means that the assignment expectations weren’t clear enough. I told my students that they are welcome to go back and redo the grading process, but they might rethink how students might be more firmly aware of the assignment expectations. The solution here, in my opinion, is that students always need to be given the opportunity to revise. No summative assessment should ever be a definitive final grade, and students should always be able to revise their work to improve their reading and writing skills. An argument against this might be, “But an employer wouldn’t allow a worker to revise their writing!” My response to this is, “Classrooms aren’t businesses. Classrooms are designed to foster learning.”

What complications do you have with grading? 

Teaching Tuesday: Teaching My Son to Read (by Ricki) Part II

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“Teaching My Son to Read” (by Ricki) Part II (Part I Post: Here)

Forging On

Thank you all for the wonderful advice in the comments section of my last post. I purchased the Mem Fox book and continually remind myself that read-alouds are the most powerful tool to teach a child to read. This has alleviated the pressure, and I feel your company when I roll my eyes when someone mentions, “So when do you think you’ll teach him to read.” In my mind, looking at pictures is reading.

His Pride

But he is really excited about reading. His uncle, who follows this blog, asked him about his reading when we were video-chatting. Ever since then, my son will say things like, “I am going to show Uncle ___ that I read this page.” He’s started feeling a sense of pride in his reading skills.

“Reading Books”

I am not crazy about this term. But my son has started calling the books he reads his “reading books.” (I am not sure what he considers the other books.) It’s provided him the onus of saying things like, “Let’s do all reading books tonight,” or “I don’t want to do any reading books tonight.” Like I said, the term makes me itch a bit, but it’s his term, and I am trying not to use my critical educator framing on him. I am letting him drive the car, and I am focusing intently on not pushing him. If he wants to read and takes pride in the process, I will continue to support it. If not, I will let it go.

More Books

He’s gotten really into the Flip-A-Page series. I brought one home from the library, and he wants more, more, more. (They market all of the books in the series on the back cover.)

 

These books are really fun (for me, too!). Essentially, they work with the concept of word families. So for the first book pictured, it will introduce the sound of “ake” and then there are cut-outs on the page for both the word and the images. As the reader turns the page, the “ake” sound is repeated, and part of the picture is repeated. My son loves to flip back and forth to look at the transformation. It’s pretty ingenious and highly entertaining for both of us.

More Traditional Early Readers

My son received a bookstore gift card for Easter, and he came upon the Avengers books in the early reader section and wanted them.

I’ll be honest. I would never consider buying these books for my son on his own. Leveling books drives me bonkers (see this anti-lexile post). When he said, “Please can I get this one!” instead of the magnificently beautiful, new picture book that was on the display, I paused for a beat. I knew what was likely in these books, Page 1: “I am superman.” Page 2: “I shoot webs.” But then I remembered my critique of the educators who don’t allow kids to read freely. So we got them. This is how he chose to spend his gift card, and he couldn’t be happier. We are reading the simplistic, obvious descriptions of the superheroes each night. They are improving his reading skills, for sure, and he’s in love with the Marvel illustrations as we read. And I’m improving. I’m reminding myself that kids read what they are interested in. While I may find these books to be soul-crushing in its simplicity and while I may find these books to be wildly boring, my son is avidly devouring them. He begs to read them over and over, and he’s simultaneously loving how they are teaching him new words. I recognize that I must be true to my reader/teacher philosophy that we should let kids read what they want to read.

What’s Next?

As corny as this may sound, I’m not sure. I am letting him be the guide.

RickiSig

Teaching Tuesday: My Classroom After Parkland

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For weeks I’ve known I wanted to write this post as tomorrow marks a month since the Parkland Shooting, but I had to figure out how I wanted to word all of my thoughts. I hope that I am able to articulate and say what I mean.

I love teaching. I love teaching so much that I asked to go back to part-time teaching even while I had to do a full-time reading coach job. Because teaching makes me happy and fills my heart. Part of my job as a teacher is my students being a part of my life and I, theirs. I am one of their adults. So many of us refer to our students as our kids because that is just what they are to us, our children.

The shooting in Parkland has put a lot of fear into our hearts. My fellow teachers are scared. My students are scared. And although there is so much I think should change, this is not a political post, so I am not going to get into the lack of mental health help and gun control laws in our country. I instead want to share what I discussed with students in the days after to help them process the fear.

First, I talk to them about it. Yes, I sit down with my students as if they are my peers to talk to them about this because I may be the only adult that does. I acknowledge the horror of what happened, and I answer any questions about it that they want to ask; however, I reiterate over and over that until something comes from a credible and reputable news source, we can’t assume it as true (this is an important lesson for kids period).

Then, I share with them how much I care about them and that I am always there for them. I make sure every single one of my students hear this. I want to remind them that I am one of their adults, and I am open to hearing them. I want to make sure if they have no one else to talk to that they know I am there. This is a multi-purpose. One, to help them process the mass shooting that happened only two hours from our house in a town that two of our teachers are from. Two, to make sure if any of my students feel outcast or that no one cares, they will hear that I do. Because I do.

That’s when we start talking about fear. Fear to me is a passive emotion. It is a chain reaction that leads to us being immobile and inactive and anxious. That is not what we need right now. Fear is what we’ve felt after Columbine. After Sandy Hook. After Virginia Tech. After too many school shootings. And nothing has happened because fear makes us immobile.

We also talked about media coverage and its impact on their fear. Without the constant coverage and social media postings, would they feel as fearful as they do? Probably not. They are a generation of constant connections, so it is our job as their adults to help them deal with the constant bombardment of information and how it affects them, so I felt it was important to talk about this as well.

Then, to help move past the fear I needed them to know that the tragedy is just that, a tragedy, and that it isn’t a norm. They brought up the 18 school shootings before Parkland in the U.S., so I talked to them about what those included, but then I asked them to guess how many car accidents there are every year.  The answer? About 6.3 million accidents occurred in 2015, and over 37,000 people die in car accidents yearly in the U.S. (http://branlawfirm.com/many-car-accidents-usa-per-day/). But we are prepared because of this danger. We prepare appropriately by having air bags, wearing our seat belts, and making our cars safer. That is why we do lock down drills because until there is no threat, we need to be prepared, but that doesn’t mean we need to be scared. We are preparing for something that is very unlikely to happen. This part of the conversation is almost too logical which is why I made sure to talk about the emotional aspects first because I didn’t want to downplay the impossibly horrifying thing that happened in Parkland, but I also needed to help them get past the fear. Being scared isn’t a way to live, and if we are going to be scared of this, there is so much we’d need to be scared of also. Instead let’s be prepared and alert, yet live life to the fullest.

This is where I used the survivors as an example. Although I am sure that students who experienced the horrors that they did are definitely filled with fear, the ones we’re still hearing from have instead grabbed onto a more active emotion: anger. I am so proud of the productivity they have found in their anger and how they’ve made their voices be heard. If my students want to be angry, be angry. Just make sure it is a productive anger and an anger that doesn’t go away over time unless they feel that issues have been fixed.

And after that, classroom life goes on. Little things have changed: I now lock my door all the time again, more gates have gone up around my school, construction sounds make students jump, fire drills now are something everyone fears, and I am consciously smiling and saying hi to all students I see to make sure they hear a positive voice that day. But overall, classroom life goes on. However, I hope that the anger that my students feel, and so many teachers and students feel, leads to productive changes in our society and that this mass school shooting doesn’t lead to immobility, anxiety, and inactivity like the ones in the past.

**See my my other post on my school’s solidarity with Parkland to see my school’s walkout**

 

Teaching Tuesday: Teaching My Son to Read (by Ricki) Part I

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For a few reasons, Kellee and I have decided to break away from Top Ten Tuesday. Don’t worry—we aren’t done with lists! We’ve really enjoyed TTT, and we will miss it, but we are excited for a new Tuesday adventure that is much more aligned with our vision for this blog. We will rotate between individual and shared posts, but you can always guarantee that you will find something teaching-related, about education, about our students, or about books in reference to any of those things on Tuesdays.

“Teaching My Son to Read” (by Ricki)

The Pressure

While I think about classroom teaching every day, I also think a lot about teaching my older son how to read. There’s a lot of pressure to teach our kids to read before they enter kindergarten. I’ve heard it from my mom friends, and I’ve also heard it from random strangers in the grocery store. Everyone seems to have an opinion on when kids should learn to read.

A Child’s Love of Books

What do I value? I value my son’s love of books. I value the fact that today, during dinner, he asked me if I could read to him while he ate. I value that every night, he begs us to let him read just one more book. I value the mornings that I wake up to the sound of pages turning, and I click on the monitor to see him reading quietly in bed while he waits for everyone to wake up.

The Pressure

With this in mind, I have held myself back. I don’t want my son to dislike reading. I’d rather he learn to read after all of his peers if it means that he won’t lose his love of books. If there’s anything I’ve learned as a mom, it’s that I don’t know anything about parenting and am likely making the wrong choices most of the time. I am not sure if I should be doing more sooner or if I should wait for him to tell me that he wants to learn to read.

The Beginning Stages

As we’ve started to work on learning to read, I’ve tried to do several things purposefully. When he was young, we put Wheel of Fortune on the television in the background while he played. He learned all of his letters from this show. Thanks, Wheel of Fortune! When we were in the car or just playing, we sounded out letters. For example, “Look at the sky! What letter does ‘sky’ start with? What other words start with ‘s’?” This helped.

Phonics? Sight Words?

This felt natural, but the actual reading felt trickier. Kids like pictures, and they often prefer the adult to read to them because reading is hard. I also kept going back to my desire to maintain my son’s love of books. I don’t like teaching phonics very much, but then I wondered if I could truly teach my son to read using only sight words. I also began to wonder if we could find a happy medium between learning phonics and sight words.

My Son’s First Book

I came across the BOB Books. I was really, really hesitant to use them because they felt very phonics-y. Essentially, it’s a small square cardboard box that contains 16 or so very short books. Each book works on a different sound, and the picture matches the words exactly (allowing kids to use context clues). I overly prepped my son. To match my insecurities, I kept saying, “And if you don’t like the books, we won’t read them!” and “Let’s just see if we can practice reading. You are so smart!” Well, he loves them. Luckily, they are very short, so we can practice reading a little bit each day. He read an entire book with some support, and my heart was bursting with pride.

What’s Next?

I don’t know what’s next. I don’t know if tomorrow my son will hate the BOB Books and we will have to put them away for good. Luckily, there are so many great books out there that help support reading (e.g. Hop on Pop by Dr. Seuss). I teach secondary school reading courses, so this is a new, untraveled path for me. Some of the strategies are similar, but most are quite different. I welcome your advice! What have you learned about teaching kids to read? What can this unabashedly inexperienced mom learn about teaching reading to a four-year-old? Parenting is a humbling experience, but I’ve learned so much about the beginning stages of literacy!

RickiSig

Adolescents’ Literature Syllabus

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Colorado State University

Dr. Ricki Ginsberg

COURSE DESCRIPTION

This course focuses on adolescence and the reading, analysis, and understanding of young adult literature. Some of the themes we will explore include: the body and mind, culture, (dis)ability, gender, grief, intersectionality, race, sexuality, and social class. Because the course is designed primarily for future English teachers to prepare them to examine issues of adolescents/ce, we will also consider supportive practices for teaching young adult texts critically in the classroom. This course will allow us the time and space to (re)consider our perspectives of adolescence. The reading and coursework is designed to be both rigorous but rewarding.

REQUIRED TEXTS

Required, Whole Class Texts:

Alexie, S. (2007). The absolutely true diary of a part-time Indian. New York, NY: Little, Brown.

Farizan, S. (2013). If you could be mine. Chapel Hill, NC: Algonquin.

Nelson, J. (2014). I’ll give you the sun. New York, NY: Speak.

Roskos, E. (2013). Dr. Bird’s advice for sad poets. New York, NY: Houghton Mifflin Harcourt.

Saenz, B. A. (2012). Aristotle and Dante discover the secrets of the universe. New York, NY: Simon & Schuster.

Schrefer, E. (2012). Endangered. New York, NY: Scholastic.

Sepetys, R. (2011). Between shades of gray. New York, NY: Speak.

Shusterman, N. (2007). Unwind. New York, NY: Simon & Schuster.

Thomas, A. (2017). The hate u give. New York, NY: Balzer + Bray.

Woodson, J. (2014). Brown girl dreaming. New York, NY: Nancy Paulsen.

Yang, G. L. (2006). American born Chinese. New York, NY: First Second.

Zentner, J. (2016). The serpent king. New York, NY: Ember.

Literature Circle Group Text (Disability and the Body):

You will select this text during the first week.

Anderson, L. H. (2009). Wintergirls. New York, NY: Penguin Group.

Draper, S. (2010). Out of my mind. New York, NY: Atheneum.

Van Draanen, W. (2011). The running dream. New York, NY: Ember.

Palacio, R. J. (2012). Wonder. New York, NY: Knopf.

Gemeinhart, D. (2015). The honest truth. New York, NY: Scholastic.

Stork, F. X. (2008). Marcelo in the real world. New York, NY: Scholastic.

Lindstrom, E. (2015). Not if I see you first. New York, NY: Poppy.

Sloan, H. G. (2013). Counting by 7s. New York, NY: Puffin.

 

STUDENT LEARNING OUTCOMES

  1. Analyze and critique a wide range of adolescents’ literature across genre and form (as evidenced in the reading portfolio, classroom discussions, and Book Bistro conversations).
  2. Examine research and theories of adolescence through a range of scholarly sources and (re)consider our own assumptions (as evidenced in the discussion of the Youth Lens and in the Scholarly Journal Article critique).
  3. Evaluate the purpose of literature that is written explicitly for adolescents and the value of using this literature for classroom instruction (as evidenced in each course requirement, particularly the Leading a Class Discussion assignment).
  4. Explore the ways in which adolescents’ literature can be highly political in nature (as evidenced in the selected required texts and the focused discussions and classroom activities in weeks 14 and 15).

COURSE REQUIREMENTS AND GRADING

The outside work for this course adheres to the instructional time equivalent to the federal credit hour definition of 2 hours of outside work for each contact hour. As such, you can expect to do approximately 5 hours of outside work each week. Much of this time will be dedicated to the course reading (required and free choice). I will not accept assignments after they are due. Please wait 24 hours to dispute a grade.

1.   Free Choice Reading Portfolio (25%)

You will be required to read a total of 3,000 pages of books written for and about adolescents.

The portfolio will reflect this work and must include:

  • A cover sheet listing the books and total number of pages that you read. If you prefer to keep track by hand, feel free to print the book log available on Canvas. At the bottom of your cover sheet, please include a signed honor statement that indicates that you read all of the pages that you list on this page.
  • A one-pager for each of the books that you read. Examples of one-pagers will be provided in class. The only requirement is that the one-pager must fit on one side of a piece of paper. Please complete these one-pagers as you read. You will be showing them to your peers during Book Bistro meetings.

Selecting texts:

  • Select texts from a variety of authors, forms, genres, subjects, and marketed age levels. Do not read over 1,000 pages of the same author, genre, or form.
  • Do not read a classic text unless it was expressly written for adolescents. For example, To Kill a Mockingbird and Catcher in the Rye were written for adults, but The Chocolate War and The Contender were written for adolescents. Check with me if you are unsure whether a text is traditionally considered to be a YA text.
  • Do not read books that were written for adults (Crichton, Grisham, King, Steele, etc.). You may, however, read books that are very popular, free choices among adolescents (e.g. Books on the Alex Awards lists).
  • Consult adolescents, librarians, the adolescent literature collections at the Morgan Library and 322 Eddy, ALA Award lists, and other published listings of texts. The Fort Collins libraries have great collections. Ask your peers what they are enjoying, and share books with each other. I will make ever attempt to flood you with books that you might be interested in reading, and I will bring a rolling classroom library to most classes.
  • ENJOY what you are reading. I typically use a 50-page rule. If I am not enjoying a book after 50 pages, I put it down. Please use whatever system works for you and keeps you reading. You can (and should) count the pages of unfinished books toward the 3,000-page requirement.

2. Class Participation (20%)

I cannot emphasize enough the importance of your participation in class. You are expected to read the entire required texts before you come to class. I am not a fan of reading quizzes, but I need to know that you are doing your homework. As such, you will complete a reading quiz at the beginning of many classes. If you are late or absent, you will miss this assignment for the week. Your literature circle presentation will also be included in this grade.

3. Leading a Class Discussion (in pairs) (15%)

You will sign up with a peer to lead an hour-long discussion of one of the required texts. You and your peer can decide how to structure the class time and activities. You do not need to focus your discussion on the weekly topic listed in the schedule. The only requirements are: a) you will give a 5-minute reading quiz at the beginning of the hour, and b) you will lead a discussion of the reading for some portion of the time. You and your peer will grade the reading quizzes and return them to me the following class.

 4. Book Bistro Participation (10%)

You will participate in five scheduled Book Bistro meetings. You will be in charge of leading one of these meetings and inspiring conversation around the books that the members in your group are reading. You will sign up to lead the meeting in the beginning of the semester.

5. Scholarly Journal Article Critique (in pairs) (10%)

Working in pairs, you will read and critique a scholarly journal article about young adult literature or adolescence. I will help find this article. You will present your findings, complete with a handout, to the class. Your presentation should last between five and ten minutes and can include discussion.

6. Final Exam (20%)

You will design a project for the final exam that meets your personal and professional needs and passions. I will provide suggestions from previous courses that I have taught, but I recommend that you design a project that you will find exciting. We will dedicate some class time to help you determine, workshop, and independently work on this project, but you will complete most of the work outside of class. You will present your project during the university-sanctioned final exam time. The exam is scheduled for Monday, December 11, from 4:10pm-6:10pm.

7. Graduate Students Only (10%, overall grade calculated out of 110%)

In an effort to help you organize and synthesize your thinking about your Master’s thesis or project, you can choose to write five annotated bibliography entries (choose a combination of the require texts—novels and articles—for this course plus texts of your own choosing.

OR

You can design a similar project tailored to your needs. Please see me early in the semester to discuss this course requirement and to solidify your choice. This work is due to me on December 3, 2017.

 8. Honors Credit Only (10%, overall grade calculated out of 110%)

Those who seek honors credit will be required to read five advanced reader copies (galleys) of texts within (not in addition to) their 3,000 page required. They will complete five book reviews in the form of blog posts. If these students choose, I can publish these blog posts on www.unleashingreaders.com, and this work can be featured as publications on their resumes. Please see me if you are seeking honors credit.

 Grade Overview

  1. Free Choice Reading Portfolio (25%)
  2. Class Participation (20%)
  3. Leading a Class Discussion (in pairs) (15%)
  4. Book Bistro Participation (10%)
  5. Scholarly Journal Article Critique (in pairs) (10%)
  6. Final Exam (20%)

As per University policy, I use +/- grading. Calculations on a 4.0 scale are:  A+ = 4.0; A = 4.0; A- = 3.667; B+ = 3.334; B = 3.00; B- = 2.667; C+ = 2.334; C = 2.00; D = 1.00; F = 0.00

 

POLICIES

Attendance Policy

Attendance is critical for your success in this course. I expect you to be punctual. Absences beyond two per semester will result in a grade deduction of ½ grade, as this is equivalent to over a week of missed classes. For instance, if you earn an A in the course but miss three class sessions, your grade will reduce to an A-. You will also miss reading quizzes, which will impact your grade. Please see me with any concerns about your attendance. Excused absences will not count against your grade, and these will include participation in University-sanctioned activities, as well as participation in religious holidays and observances. If you will be absent for an excused reason, please see me in advance of class or email me at least one day in advance.

It is respectful to email me prior to class if you will be absent. This will help me (and your peers who are presenting) adjust class plans and groups accordingly. Please do not sign up to present on a day that you anticipate you will be absent for an excused purpose.

Academic Integrity and Student Conduct

The course will adhere to the Academic Integrity Policy of the Colorado State University General Catalog and the Student Conduct Code. Do not plagiarize. Any student who plagiarizes or cheats on any assignment in this course faces penalties that may include an F on the assignment or an F in the course.

Cell Phones and Computers

Please remember to turn off your cell phone before coming into class. That means no text messaging during class. Please be respectful about your computer use and do not surf the internet or check emails while in class. Abuse of this policy will result in a lower classroom participation grade.

Safety, Reporting and Resources:  

CSU’s Discrimination, Harassment, Sexual Harassment, Sexual Misconduct, Domestic Violence, Dating Violence, Stalking, and Retaliation policy designates faculty and employees of the University as “Responsible Employees.”  This designation is consistent with federal law and guidance, and requires faculty to report information regarding students who may have experienced any form of sexual harassment, sexual misconduct, relationship violence, stalking or retaliation. This includes information shared with faculty in person, electronic communications or in class assignments.  As “Responsible Employees,” faculty may refer students to campus resources (see below), together with informing the Office of Support and Safety Assessment to help ensure student safety and welfare. Information regarding sexual harassment, sexual misconduct, relationship violence, stalking and retaliation is treated with the greatest degree of confidentiality possible while also ensuring student and campus safety.  CSU’s Discrimination, Harassment, Sexual Harassment, Sexual Misconduct, Domestic Violence, Dating Violence, Stalking, and Retaliation policy designates faculty and employees of the University as “Responsible Employees.”  This designation is consistent with federal law and guidance, and requires faculty to report information regarding students who may have experienced any form of sexual harassment, sexual misconduct, relationship violence, stalking or retaliation. This includes information shared with faculty in person, electronic communications or in class assignments.  As “Responsible Employees,” faculty may refer students to campus resources (see below), together with informing the Office of Support and Safety Assessment to help ensure student safety and welfare. Information regarding sexual harassment, sexual misconduct, relationship violence, stalking and retaliation is treated with the greatest degree of confidentiality possible while also ensuring student and campus safety.

Any student who may be the victim of sexual harassment, sexual misconduct, relationship violence, stalking or retaliation is encouraged to report to CSU through one or more of the following resources:

  • Emergency Response 911
  • Deputy Title IX Coordinator/Office of Support and Safety Assessment (970) 491-1350
  • Colorado State University Police Department (non-emergency) (970) 491-6425

For counseling support and assistance, please see the CSU Health Network, which includes a variety of counseling services that can be accessed at: CSU Health Network (http://www.health.colostate.edu/).  And, the Sexual Assault Victim Assistance Team is a confidential student resource that does not have a reporting requirement and that can be of great help to students who have experienced sexual assault. The web address is: Sexual Assault Victim Assistance Team (http://www.wgac.colostate.edu/need-help-support).

Accommodations

If you are a student who will need accommodations in this class, please do not hesitate to make an appointment to see me to discuss your individual needs. Accommodations must be discussed in a timely manner prior to implementation.   A verifying letter from Resources for Disabled Students may be required before any accommodation is provided.

COURSE SCHEDULE

Week 1           What is Adolescent Literature? and Introductions

08/21   Introductions, Select Literature Circle Texts

Read: The Youth Lens article and the Book Bistro article

Watch: “The Danger of a Single Story.”

Begin: Your choice reading. Anticipate reading about 150 pages of choice per week, and you will be successful.

08/23   Histories and Definitions of Adolescents’ Literature

Resources for Finding and Using YA Literature

Draw table numbers for Book Bistro, Sign up to lead class.

Read: The Absolutely True Diary of a Part-Time Indian

 

Week 2           Identity Part I

08/28   Discuss The Absolutely True Diary of a Part-Time Indian

08/30   The Absolutely True Diary of a Part-Time Indian

Read: American Born Chinese.

Bring: All of your book pages thus far to share in class.

 

Week 3           Identity Part II

09/04   NO CLASS: LABOR DAY

09/06   American Born Chinese

Book Bistro #1

Read: The Serpent King

 

Week 4           Family and Friendship

09/11   The Serpent King

09/13   The Serpent King

Read: Aristotle and Dante Discover the Secrets of the Universe

 

Week 5           Sexuality

09/18   Aristotle and Dante Discover the Secrets of the Universe

09/20   Aristotle and Dante Discover the Secrets of the Universe

Read: I’ll Give You the Sun

 

Week 6           Negotiating Death and Grief

09/25   I’ll Give You the Sun

Research project proposal due

Bring: All of your book pages thus far to share in class.

09/27   I’ll Give You the Sun

Book Bistro #2

Read: Dr. Bird’s Advice for Sad Poets

 

Week 7           Mental Health

10/02   Dr. Bird’s Advice for Sad Poets

Bring: One text that you’ve loved and enjoyed this semester.

10/04   Dr. Bird’s Advice for Sad Poets

Midway Book Talks

Read: Between Shades of Gray

 

Week 8           Adolescents Across Time and Place: Part I

10/09   Between Shades of Gray

10/11   Between Shades of Gray

Read: Endangered

 

Week 9           Adolescents Across Time and Place: Part II

10/16   Endangered

Bring: All of your book pages thus far to share in class.

10/18   Endangered

Youth Lens looking across all texts???

Book Bistro #3

Read: Brown Girl Dreaming

 

Week 10         Adolescents in the “Real World” (Nonfiction)

10/23   Brown Girl Dreaming

10/25   Brown Girl Dreaming

Read: Unwind

 

Week 11         Adolescents in the Imagined Worlds (Fantasy and Science Fiction)

10/30   Unwind

11/01   Unwind

Read: Literature Circle Text

 

Week 12         Disability and the Body

11/06   Literature Circle Text of Choice (See first page of syllabus)

Bring: All of your book pages thus far to share in class.

 11/08   Literature Circles

Book Bistro #4

Bring: Anything you need for your literature circle presentation.

 

Week 13         Disability and the Body

11/13   Literature Circle Presentations

Read: If You Could Be Mine

11/15   No Class (Ricki at NCTE) – Independent Reading and Work on Final Project

 

Thanksgiving Break; No Class; November 20-24, 2017

 

Week 14         The Politics of Adolescence

11/27   If You Could Be Mine

11/29   If You Could Be Mine, Skype with Sara Farizan

Read: The Hate U Give

Graduate Students: Paper Due Next Class

 

Week 15         Adolescents as Agents

12/04   The Hate U Give

Bring: Your completed Reading Portfolio

12/06   The Hate U Give

Book Bistro #5

 

Week 16         Final

12/11   Final Exam Presentations

 

Books to Deepen Our Understanding of the Countries on the #MuslimBan List

Share

In order to understand something, I read, read, read. For I believe that in order to understand the dignity, the passions, the humanity of others, we have to imagine ourselves in their skin. It is my hope that sharing these books will encourage others to deepen their understandings of other people and cultures. I breathe books, so this is my method for deepening my own understanding, but please share other approaches that have worked for you.

1. Iran

If You Could Be Mine by Sara Farizan

This stunning text tells the story of two teenaged girls who are in love in Iran. I was mesmerized by its beauty and couldn’t wait to share it with others.

2. Iraq

Sunrise Over Fallujah by Walter Dean Myers

This is an incredibly powerful book about a young man from Harlem who goes to war in Iraq. Initially, when I created this list, I intended to feature characters and authors who are from each of the countries on the #MuslimBan list, but this particular book vividly features the country and is a wonderful read.

3. Libya

In the Country of Men by Hisham Matar

This is a difficult text to read because it features complicated issues. It is told from the perspective of Suleiman, a 9-year-old boy who lives in 1979 Libya.

4. Somalia

Infidel by Ayaan Hirsi Ali

I have not read this book, but it is coming my way through the Interlibrary Loan! An excerpt: “Infidel shows the coming of age of this distinguished political superstar and champion of free speech as well as the development of her beliefs, iron will, and extraordinary determination to fight injustice.” I can’t wait to read it!

5. Syria

In Praise of Hatred by Khaled Khalifa

This is a second book that I have on Interlibrary Loan, and it looks fantastic. The reviews note that it is dark, gritty, and eye-opening. I will report back after I’ve read it!

6. Sudan

A Long Walk to Water by Linda Sue Park

Many of the readers of this blog know this book quite well. It is This book is based on the true story of Salva Dut, a Lost Boy of Sudan. I know several teachers who do Water for South Sudan challenge with their students. This sort of advocacy is incredibly empowering.

7. Yemen

I am Nujood, Age 10 and Divorced by Nujood Ali

A friend told me about this book. She said it changed her. I have asked her to borrow her copy. In the meantime, I will share an excerpt: “I’m a simple village girl who has always obeyed the orders of my father and brothers. Since forever, I have learned to say yes to everything. Today I have decided to say no.”

I have read four out of seven of these books, and I am looking forward to diving into them all. I will never claim to be an expert, and I don’t believe that reading books that feature other countries will make me an expert. It will, however, help me better understand humanity. If you’ve read any of the books above, please comment, as I hope this can be a place for us to share books with each other. I would love any suggestions of other texts featuring these countries!

With the exception of Walter Dean Myers (who writes about an American who goes to Iraq), I intentionally chose texts that are written by authors who are from the countries they write about. This list is in no way exhaustive—reading one book set in one country most obviously will not help us understand the experiences of all (or even most) of the people who live there. It will, however, give us one snapshot of one life.

RickiSig