Review and Giveaway!: Can You Canoe? and Other Adventure Songs by The Okee Dokee Brothers

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can you canoe

Can You Canoe? And Other Adventure Songs
Author: The Okee Dokee Brothers
Illustrator: Brandon Reese
Published April 19th, 2016 by Sterling Children’s Books

Summary: Can You Canoe? invites you to journey cross-country with The Okee Dokee Brothers through twelve of their irresistible, boot-stompin’ tunes. You’ll encounter hungry black bears and tall-tale spinners; quiet canoes and cozy camping tents; a jumpin’ jamboree and a bullfrog opera. As you listen to the songs and follow along with the illustrated lyrics in this collection, you might even be inspired to head out on some outdoor adventure of your own!

Kellee’s Review: We love music in my house, so anytime a book and music can be connected really makes me happy. I think the Okee Dokee Brothers’ music is catchy, knee-slapping, sometimes funny, and have great messages. I love how they all promote the out doors and adventure. And just when you think it cannot get any better, you see the illustrations. Brandon Reese’s illustrations are perfect! They are so colorful and loud and cartoon-ish. Just the type of fun you think would be in a book by the Okee Dokee Brothers. 

Ricki’s Review: This book is pure fun. My toddler was bouncing around the room as I played the CD. My husband is an outdoorsy guy, so he particularly liked the messages within the songs. The rhymes are great, and they will help my son learn the lyrics as we listen/read. I’ve never been to an Okee Dokee concert, and now I want to go to one! We’ll be bringing this CD along for long car rides. Below, we include an illustration, and you can see the pure beauty of this text. I will be buying it as a gift for my music-loving friends.

Teachers’ Tools for Navigation: We love using music during my poetry lessons because it helps students hear poetry and not be as afraid of it like they are with classics. Starting with music and lyrics allows you to help them understand how to read poetry differently than prose while using something they can easily understand. Can You Canoewould be a perfect text to use this for because you can analyze for poetic elements and meaning, but the Okee Dokee Brothers also have a field journal in the back which help give background information about each song making analyzing them less of a guessing game.

Can You Canoe? would also be a wonderful poetry mentor texts. The authors talk about how they find ideas for their songs and many of their songs have a format that could be emulated (like Jack in Love that Dog) if you wanted to go that route in class.

Discussion Questions: How do the authors use rhythm and rhyme in their lyrics?; What is a time that the authors used descriptive language to help the reader imagine the scene they are describing?; What is a time the authors used figurative language to add imagery to their songs?

Flagged Passages:

“There’s a country store
In a country town.
Every Friday night
The people dance around.
It don’t look like much
And it ain’t no chore,
But while they’re dancin’
They polish that floor.

They play this song
Right on key.
They play this song –
It’s called JAMBOREE.”

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(c) http://www.brandonreese.com/

Check out their You Tube channel to hear some of their music:
https://www.youtube.com/user/OkeeDokeeBros

Read This If You Loved: Goodnight Songs by Margaret Wise BrownFresh Delicious by Irene Latham

Recommended For:

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Enter to win your own copy!


Kellee Signatureand RickiSig

**Thank you to Lauren at Sterling Publishing for providing a copy for review!**

Author Guest Post!: “Finding the Joy in Writing” by Laurisa White Reyes, Author of The Kids’ Guide to Writing Fiction

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“Finding the Joy in Writing”

Any parent knows that if you want a kid to really hate something, just tell him he has to do it, or else. That was my son’s reaction when I told him he had to write a five paragraph essay. My instructions were met with so much whining and moaning you would have thought I’d asked him to scrub the bathroom with a toothbrush. His reaction, however, was not an unusual one. Many parents can attest to their children’s seemingly built-in aversion to writing. While some kids seem naturally drawn to writing, others would rather carry a load of rocks up a mountain than write a compound sentence. This is why I wrote The Kids’ Guide to Writing Fiction, because within every child is a story waiting to be told, whether they realize it or not.

Make Writing Fun

Remember the classic children’s film Mary Poppins? Jane and Michael Banks live in turn of the century London. These conniving pranksters manage to chase away every nanny their father hired for them. Their parents are at their wits’ end. Then Mary Poppins arrives. One of the first tasks she requests of the children is to pick up their room. Jane and Michael balk and whine. To them it is a tedious, pointless chore. What does Mary Poppins do to change their attitudes? She throws in a spoonful of sugar and makes the whole thing a game. In no time at all the room is clean and the children are tucked neatly in their beds.

Now, obviously, real life doesn’t work quite like that. We have no magical carpetbag from which to pull out hat racks and measuring sticks. But as parents and/or educators, we do have the same power as Mary Poppins to create an atmosphere of cooperation and optimism in our homes and classrooms. Whether or not our children will hate what we ask them to do, or do it willingly and cheerfully, depends largely on us.

I started teaching creative writing classes to children and teens about the same time my son was learning to write those essays. I looked for ways to encourage my students to write, and met with great success. Once I applied what I was using in my classes to my son, his attitude toward writing changed. And although it is still not his favorite activity, he has become a capable and skilled writer.

Writing is a Means of Self-Expression   

Writing well demands that the writer enjoy writing. When writing is nothing more than an assignment with no purpose except to earn a grade on a report card, chances are that the student will come to dread writing. He will view it as chore, just like washing the dishes or making his bed.

Is this the attitude we want our children to have about writing? Do we want them to write five-paragraph essays just for a grade? Is that really the purpose of a writing education? Of course not. The ultimate goal is for our children to feel confident in their writing skills, to use writing as a means of self-expression. But to achieve that goal requires that we, as adults, help our kids find the joy in writing.

In my writing classes, I taught students how to write. I did not, however, grade anything, nor did I spend much time critiquing their work. In fact, my students didn’t even realize they were learning to write well, because they were so excited about what they were doing. Over the years, I’ve heard from many of my students’ parents about how their children were transformed from reluctant writers to kids who wouldn’t put their pencils down. The key to this transformation was that I made writing fun.

To me, there is nothing more enjoyable than sitting alone at my computer in the middle of the night to write. I would rather do that than just about anything else. The question is, how do we transfer this love of writing to our kids?

The first step in helping kids write well is to take writing out of the picture. Writing is a means to an end, a tool for getting what is inside someone’s head onto paper. What’s really important is the message or information writing conveys.

Think of words as clay. Clay by itself is nothing but a gray lump on a potter’s wheel. But in the hands of the potter, the clay begins to take shape. If the potter doesn’t like the form, he can squash it and start all over again. He can do this over and over until he gets it just right. Once it is finished and the piece is fired and glazed, we see not the lump of clay, but a beautiful piece of art or a functional object, such as a vase.

Writers use words to create something beautiful and useful. They are not as concerned with the words as they are with the finished product. When children focus on that finished product, be it a poem or essay or story, words become tools, the medium by which they can bring their dreams to life.

The Storyteller Within

One the most effective ways to help kids fall in love with writing is by helping them discover the storyteller within. We are all storytellers. A storyteller is someone who relates events in a logical order to someone else. Think about the last time you told a friend about a movie you a saw, or an event you attended, or even just something that happened that was interesting. How did you share that information? Most likely, you told it in the form of a story.

The reason so many children and teens are averse to writing, particularly in school, is because they have not yet tapped in to their own natural storytelling abilities. That is my objective with The Kids’ Guide to Writing Fiction. In this book, I teach kids about the six fundamental building blocks needed to create stories: characterization, setting, plot, perspective, imagery, and dialogue. I take them step-by-step through the process of crafting a story and help them excavate their own imaginations for ideas. Then I help them put those ideas into words and onto paper.

Once a child has written a story of his own, he feels a great sense of satisfaction. He discovers that writing is fun. This discovery is what can tear down the walls of resistance and self-doubt, and can build confidence in his ability to learn other forms of writing, such as those dreaded 5 paragraph essays.

The ultimate goal of a writing education is to teach kids to write well, but if they hate writing, that goal is nearly impossible to achieve. However, once a child discovers the joy of tapping into his own creativity, then, like Mary Poppins’ carpet bag, writing becomes limitless…and magical.

The Kids’ Guide to Writing Fiction

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About the Book: We are all storytellers. Whether weaving mythologies in ancient times or describing the plot of a favorite movie today, humans have, since the beginning of time, loved to tell stories. In The Kids’ Guide to Writing Fiction, students explore the building blocks needed to construct a story: characterization, setting, plot, perspective, plot, imagery, and dialog. Then, using these building blocks, they create their own stories.

Accessible to both the struggling student and the budding novelist—as well as to teachers, parents, and even adult aspiring writers, author Laurisa White Reyes presents key elements of story writing and clarifies them with examples and worksheets. Concepts are explained in simple, clear language while gently introducing vocabulary words.The Kids’ Guide to Writing Fiction offers welcome guidance to storytellers of all ages.

Links:
Twitter: @lwreyes

 

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About the Author: Laurisa White Reyes is the author of four novels for young readers, including the 2015 Spark Award winner, The Storytellers. She is also the author of The Kids’ Guide to Writing Fiction & Teaching Kids to Write Well: Six Secrets Every Grown-up Should Know. In addition to writing, she also manages to squeeze time into her busy life to teach college English; run her own editorial/publishing business, Skyrocket Press; and be mom to her five children. You can learn more about her at: www.LaurisaWhiteReyes.com.

Thank you to Laurisa for this very helpful post!

RickiSigandKellee Signature

Celebrating Writers: From Possibilities Through Publication by Ruth Ayres

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Celebrating Writers: From Possibilities Through Publication
Authors: Ruth Ayres with Christi Overman
Published: November 28th, 2013 by Stenhouse Publishers

GoodReads Summary: Writing begins before students even pick up a pencil, but there are many reasons to stop and rejoice between the idea and the finished project. By helping students celebrate each stage of the writing process and applauding success, we help our students persevere through what can be an extended and challenging process.

In their innovative new book, Celebrating Writers, Ruth Ayres and Christi Overman discuss dozens of ways to respond, reflect, and rejoice along the journey to a finished project. This type of celebration nurtures students, makes them better writers, and helps them recognize that writing is a process filled with notable moments, not simply a result where publication is the only marker of success. From traveling notebooks to lunch-table writing, from author interviews with a writing partner to silent reflection, from swapping stories around a “campfire” to tweeting favorite lines, Ruth and Christi share dozens of fun and effective ways for you and your students to commemorate their progress as writers. As the authors write, “It’s time to expand the idea of celebration to include the process of writers and the products they create. Let’s build an approach that weaves celebration into the heart of all writers. Be ready to learn to refuel the writers in your classroom, even on the tough days.”

Review and Teacher’s Tools for Navigation: I know a professional development text is a good one when I feel compelled to get out of my bed to nab my highlighter. There are many flag-worthy passages in this book. My focus is Secondary English Education, and even though this book seems to be primarily focused on Elementary Education, I plan to share some of the ideas from this text with my students tomorrow. The true audience of this book is all teachers of writing. Ayres and Overman provide a plethora of ideas to help students celebrate their writing. They state, “When we celebrate throughout the process, we help students become people who know their words can influence, encourage, and incite change” (p. 7).

While I always thought I celebrated my students’ writing, this book taught me so many MORE ways to help them rejoice in order to truly nourish them as writers. Some of the ideas the authors include are methods for students to respond to their peers’ writing, ways for students to formally assess and reflect upon their own writing, ideas for students to examine their own strengths and weaknesses as writers, and numerous modes for students to share their writing with online communities. There are a variety of handouts that are all downloadable from the companion website (a HUGE plus for busy teachers). The fifth chapter of this book is my favorite—it details forty formal celebration ideas. These are ideas that are much more clever than asking students to bring in cupcakes.

Discussion Questions: How do I teach my students to rejoice in their writing? Why is this important?; How do I help my students share their writing with online communities?; How do I help my students learn to rejoice in the writing of their peers?

We Flagged: “Response, reflection, and rejoicing position us to celebrate the writer in addition to the writing. These frames also allow us to celebrate throughout the writing process instead of solely at the end. They move us to a focus on learning as writers. Our celebrations nourish writers, nudging them to continue writing with expertise and energy” (p. 15).

Read This If You Loved: Black Ants and Buddhists by Mary Cowhey, In the Middle by Nancie Atwell, Bird by Bird by Anne Lamott, Writing Workshop by Ralph Fletcher

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What is your favorite book for teaching writing? Have you read this one? What did you think? Please share your thoughts!

**Thank you, Stenhouse Publishers, for sending me this book for review!**

Helping our Students Achieve the Reading and Writing Flow

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Achieving Flow-page0001

Kelly Gallagher stresses balance in his book, Readicide. We, as teachers, try our best not to tear apart texts for students. We want to study author’s craft, but if we overanalyze and nitpick at every detail, it becomes terribly boring for students (and us!). So where is the balance? How do we help students come to appreciate the minute details of an author’s writing without committing this act of readicide? Gallagher also discusses the “reading flow.” It is important for teachers to understand when to stop students and when to allow them to find the flow—to get into the groove of reading. It makes sense, thinking of my own reading habits. If I was forced to stop at every page (or even every ten pages) to analyze an author’s writing, I would throw the book at the wall.

 How do you help your students achieve reading flow?

As a teacher, what works best for me (and this may not work best for you), is to analyze the first few pages of a text. I have my students do a close reading, and we try to examine elements like voice, writing style, form, and manipulation of language, among others. Then, I let them explore. I try to assign them enough reading so they can hit the flow but not too much reading that they don’t do the assignment. For me, this is the most effective way to help students find this “reading flow” that Gallagher discusses. Once I have helped my students grapple with and (hopefully) appreciate the language of an author, I set them free from the nest. This approach doesn’t work well with every text. For example, much more complex texts may require more analysis and comprehension techniques before I can set my students free.

But how do we find the flow for writing? Recently, I read a section of Murray’s Write to Learn. He made me think more about how this “reading flow” concept might be applied to writing. From my experience, my students feel like stuttering cars when they begin to write. Often, they can’t even get their cars to start. Some of the techniques that Murray offers are interesting when I look at them through the lens of the writing flow.

We need our students to connect to their writing. One way to start is by having students write down their territories. Murray starts this in a brainstorming list, where students make a list of topics. He suggests connect elements on their lists to try to find ideas for writing. Murray also describes other methods that won’t be new to most teachers like freewriting about topics or brainstorming in the form of a map or tree. With the map, students can show the way their thoughts emerge from and digress to each other. With the tree, students can brainstorm about a more focused topic. Murray also suggests interviewing ourselves.

How do you help your students achieve writing flow?

One technique I have found to be useful to help students start writing short stories is by providing the first sentence for them. I write a series of evocative sentences like “He was a most peculiar boy.” Or, “As his name was called, he knew his life would drastically change.” Or, “She woke up barefoot, lost, and with something unusual beside her.” My students brainstorm the second sentence for a dozen or so of these sentence starters. Then, I set them free to expand one of the starters a bit further. We don’t look at grammar, and instead, we focus on just keeping the flow. I remind them that authors often discuss how their first draft is terrible, and this is okay. We are getting ideas onto paper and finding our flow. We’ll worry about the revision and editing later, right?

Let’s share!

How do we get our students to hit this reading and/or writing flow?

Do any activities work well for you?

RickiSig