Writing – Page 21 – Unleashing Readers

Celebrating Writers: From Possibilities Through Publication
Authors: Ruth Ayres with Christi Overman
Published: November 28th, 2013 by Stenhouse Publishers

GoodReads Summary: Writing begins before students even pick up a pencil, but there are many reasons to stop and rejoice between the idea and the finished project. By helping students celebrate each stage of the writing process and applauding success, we help our students persevere through what can be an extended and challenging process.

In their innovative new book, Celebrating Writers, Ruth Ayres and Christi Overman discuss dozens of ways to respond, reflect, and rejoice along the journey to a finished project. This type of celebration nurtures students, makes them better writers, and helps them recognize that writing is a process filled with notable moments, not simply a result where publication is the only marker of success. From traveling notebooks to lunch-table writing, from author interviews with a writing partner to silent reflection, from swapping stories around a “campfire” to tweeting favorite lines, Ruth and Christi share dozens of fun and effective ways for you and your students to commemorate their progress as writers. As the authors write, “It’s time to expand the idea of celebration to include the process of writers and the products they create. Let’s build an approach that weaves celebration into the heart of all writers. Be ready to learn to refuel the writers in your classroom, even on the tough days.”

Review and Teacher’s Tools for Navigation: I know a professional development text is a good one when I feel compelled to get out of my bed to nab my highlighter. There are many flag-worthy passages in this book. My focus is Secondary English Education, and even though this book seems to be primarily focused on Elementary Education, I plan to share some of the ideas from this text with my students tomorrow. The true audience of this book is all teachers of writing. Ayres and Overman provide a plethora of ideas to help students celebrate their writing. They state, “When we celebrate throughout the process, we help students become people who know their words can influence, encourage, and incite change” (p. 7).

While I always thought I celebrated my students’ writing, this book taught me so many MORE ways to help them rejoice in order to truly nourish them as writers. Some of the ideas the authors include are methods for students to respond to their peers’ writing, ways for students to formally assess and reflect upon their own writing, ideas for students to examine their own strengths and weaknesses as writers, and numerous modes for students to share their writing with online communities. There are a variety of handouts that are all downloadable from the companion website (a HUGE plus for busy teachers). The fifth chapter of this book is my favorite—it details forty formal celebration ideas. These are ideas that are much more clever than asking students to bring in cupcakes.

Discussion Questions: How do I teach my students to rejoice in their writing? Why is this important?; How do I help my students share their writing with online communities?; How do I help my students learn to rejoice in the writing of their peers?

We Flagged: “Response, reflection, and rejoicing position us to celebrate the writer in addition to the writing. These frames also allow us to celebrate throughout the writing process instead of solely at the end. They move us to a focus on learning as writers. Our celebrations nourish writers, nudging them to continue writing with expertise and energy” (p. 15).

Read This If You Loved: Black Ants and Buddhists by Mary Cowhey, In the Middle by Nancie Atwell, Bird by Bird by Anne Lamott, Writing Workshop by Ralph Fletcher

What is your favorite book for teaching writing? Have you read this one? What did you think? Please share your thoughts!

**Thank you, Stenhouse Publishers, for sending me this book for review!**

Kelly Gallagher stresses balance in his book, Readicide. We, as teachers, try our best not to tear apart texts for students. We want to study author’s craft, but if we overanalyze and nitpick at every detail, it becomes terribly boring for students (and us!). So where is the balance? How do we help students come to appreciate the minute details of an author’s writing without committing this act of readicide? Gallagher also discusses the “reading flow.” It is important for teachers to understand when to stop students and when to allow them to find the flow—to get into the groove of reading. It makes sense, thinking of my own reading habits. If I was forced to stop at every page (or even every ten pages) to analyze an author’s writing, I would throw the book at the wall.

How do you help your students achieve reading flow?

As a teacher, what works best for me (and this may not work best for you), is to analyze the first few pages of a text. I have my students do a close reading, and we try to examine elements like voice, writing style, form, and manipulation of language, among others. Then, I let them explore. I try to assign them enough reading so they can hit the flow but not too much reading that they don’t do the assignment. For me, this is the most effective way to help students find this “reading flow” that Gallagher discusses. Once I have helped my students grapple with and (hopefully) appreciate the language of an author, I set them free from the nest. This approach doesn’t work well with every text. For example, much more complex texts may require more analysis and comprehension techniques before I can set my students free.

But how do we find the flow for writing? Recently, I read a section of Murray’s Write to Learn. He made me think more about how this “reading flow” concept might be applied to writing. From my experience, my students feel like stuttering cars when they begin to write. Often, they can’t even get their cars to start. Some of the techniques that Murray offers are interesting when I look at them through the lens of the writing flow.

We need our students to connect to their writing. One way to start is by having students write down their territories. Murray starts this in a brainstorming list, where students make a list of topics. He suggests connect elements on their lists to try to find ideas for writing. Murray also describes other methods that won’t be new to most teachers like freewriting about topics or brainstorming in the form of a map or tree. With the map, students can show the way their thoughts emerge from and digress to each other. With the tree, students can brainstorm about a more focused topic. Murray also suggests interviewing ourselves.

How do you help your students achieve writing flow?

One technique I have found to be useful to help students start writing short stories is by providing the first sentence for them. I write a series of evocative sentences like “He was a most peculiar boy.” Or, “As his name was called, he knew his life would drastically change.” Or, “She woke up barefoot, lost, and with something unusual beside her.” My students brainstorm the second sentence for a dozen or so of these sentence starters. Then, I set them free to expand one of the starters a bit further. We don’t look at grammar, and instead, we focus on just keeping the flow. I remind them that authors often discuss how their first draft is terrible, and this is okay. We are getting ideas onto paper and finding our flow. We’ll worry about the revision and editing later, right?

Let’s share!

How do we get our students to hit this reading and/or writing flow?

Do any activities work well for you?