Snow White: A Graphic Novel by Matt Phelan

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Snow White: A Graphic Novel
Author: Matt Phelan
Published: September 21, 2016 by Candlewick

A Guest Review by Emily Baseler

GoodReads Summary: Award-winning graphic novelist Matt Phelan delivers a darkly stylized noir Snow White set against the backdrop of Depression-era Manhattan.

The scene: New York City, 1928. The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words “Another . . . More Beautiful . . . KILL.” In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.

Review: Matt Phelan reinvented the “happily ever after” with this retelling. I identify as a Disney Classic enthusiast but I was pleasantly surprised with the ending. The illustrations are gorgeous with distinct intentionality. More mature themes such as death, assassination, murder were evaluated within a historical context to create an incredible murder mystery story at the level of a middle grade reader.

Teachers’ Tools for Navigation: This would be an excellent text to hand a more reluctant reader. There is limited text the reader is asked to interpret the illustrations and structure. In literature groups, students could potentially discuss the use of metaphor, oenomania, author/illustrator’s choice, and compare/ contrast the original fairytale with the retelling. This is also a text I would recommend to a student who has shown an interest in the graphic novel genre to read independently.

Discussion Questions: Why do you think the author choose to use red in selected illustrations? How did this choice influence you as a reader?; Why do you think the author choose to break apart the chapters this way?; Even though there were few words, how did you interpret the mood, tone, and voice of characters?; Did you find yourself needing to interpret the illustrations to understand the plot? What was that experience like for you as a reader?; How is this retelling of the classic fairy tale of “Snow White” different than the original? What did you notice is similar?

Flagged Passage: “My name is Snow White, but my mother didn’t call be that to be funny. She would say that the snow covers everything and makes the entire world beautiful” (Ch. 10)

Book Trailer: 

Read This If You Loved: Red: The True Story of Red Riding Hood by Liesl Shurtliff, Jack: The True Story of Jack and the Beanstalk by Liesl Shurtliff, Rump: The True Story of Rumpelstiltskin by Liesl Shurtliff

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Thank you, Emily!

RickiSig

How It Went Down by Kekla Magoon

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How It Went Down
Author: Kekla Magoon
Published: October 21, 2014 by Henry Holt and Co.

Goodreads Summary: When sixteen-year-old Tariq Johnson dies from two gunshot wounds, his community is thrown into an uproar. Tariq was black. The shooter, Jack Franklin, is white.

In the aftermath of Tariq’s death, everyone has something to say, but no two accounts of the events line up. Day by day, new twists further obscure the truth.

Tariq’s friends, family, and community struggle to make sense of the tragedy, and to cope with the hole left behind when a life is cut short. In their own words, they grapple for a way to say with certainty: This is how it went down.

Ricki’s Review: In light of the recent protests, this is an incredibly insightful book that is very important. The point-of-view shifts every 2-3 pages, which was very thought-provoking. Too often, books depict stereotypical portrayals of members of cultures, and the gamut of characters within this text felt very realistic. For some, this book may be too gritty and too uncomfortable. There is nothing comfortable about discussions regarding inequities and privilege in society. But if you walk down the halls of my high school, there is nothing in the book that is not a concern in schools. This is not a feel-good read, but it made me think. And thinking…is a very good thing.

Teacher’s Tools for Navigation: There is much to discuss in this book. Teachers could use it to start conversations about power and privilege. There are a lot of discrepancies between the characters’ perceptions of the shootings, and I imagine students would disagree about what happened. Teachers might elect to hold a verbal or silent debate. Also, I would love to discuss the structure of the text. The creativity in the form is purposeful, and it would be interesting for students to investigate why Magoon structured it in the way she did.

Discussion Questions: Why does Magoon structure the novel with alternating voices? How is the novel structured as a whole?; Does this story serve as a counter-narrative? If so, how? If not, why not?; Did Tariq have a gun in his hand? Why do/don’t you think so?; How does the story evolve as time passes?

We Flagged: “As a black man, you have to keep your head down. You have to keep yourself steady. You have to follow every rule that’s ever been written, plus a few that have always remained unspoken.”

Read This If You Loved: The Outsiders by S.E. Hinton, On the Run by Alice Goffman, The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander, Monster by Walter Dean Myers, The Brothers Torres by Coert Voorhees, Autobiography of my Dead Brother by Walter Dean Myers

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RickiSig

On the Run: Fugitive Life in an American City by Alice Goffman

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On the Run: Fugitive Life in an American City
Author: Alice Goffman
Published: May 1, 2014 by University Of Chicago Press

Summary: Forty years in, the War on Drugs has done almost nothing to prevent drugs from being sold or used, but it has nonetheless created a little-known surveillance state in America’s most disadvantaged neighborhoods. Arrest quotas and high-tech surveillance techniques criminalize entire blocks, and transform the very associations that should stabilize young lives—family, relationships, jobs—into liabilities, as the police use such relationships to track down suspects, demand information, and threaten consequences.

Alice Goffman spent six years living in one such neighborhood in Philadelphia, and her close observations and often harrowing stories reveal the pernicious effects of this pervasive policing. Goffman introduces us to an unforgettable cast of young African American men who are caught up in this web of warrants and surveillance—some of them small-time drug dealers, others just ordinary guys dealing with limited choices. All find the web of presumed criminality, built as it is on the very associations and friendships that make up a life, nearly impossible to escape. We watch as the pleasures of summer-evening stoop-sitting are shattered by the arrival of a carful of cops looking to serve a warrant; we watch—and can’t help but be shocked—as teenagers teach their younger siblings and cousins how to run from the police (and, crucially, to keep away from friends and family so they can stay hidden); and we see, over and over, the relentless toll that the presumption of criminality takes on families—and futures.

While not denying the problems of the drug trade, and the violence that often accompanies it, through her gripping accounts of daily life in the forgotten neighborhoods of America’s cities, Goffman makes it impossible for us to ignore the very real human costs of our failed response—the blighting of entire neighborhoods, and the needless sacrifice of whole generations.

Review: Inspired by a college course in her sophomore year, Alice Goffman seeks an ethnographic experience in inner-city Philadelphia. She gets a part-time job tutoring an African American girl, Aisha, and soon befriends the boys of 6th Street (pseudonym). Mike adopts her as a younger sister, and she comes to live with these boys—studying their every move. This quality piece of ethnographic research is a page turner. While it reads a bit more like a book than a scholarly publication, readers can glean her methodological approach through the footnotes. Goffman’s mission is clear. She wants readers to understand the inequities these African American boys of 6th Street face, and she shows how the criminal justice system (both law enforcement and the justice/prison system) are not working. I was ashamed at the actions of the police, specifically, and think this is very educational to readers of all ages, particularly in the wake of the racially based crimes that we consistently see in the news.

Teacher’s Tools for Navigation: This book is written for adults, but I think it would be very educational for high school students. I would use excerpts of this text to show students the realities of life on 6th Street in Philadelphia. It could be used to better understand crimes in the news, to teach inequity, to examine class issues, to understand the drug trade, and to fight racism. It would be eye-opening for students. While teaching this, I would also consider pairing it with Malcolm Gladwell’s review.

Discussion Questions: What can we do to stop the injustice of the court system? How is it flawed?; What role does race play in this text?; Was Goffman too close to the subjects of her ethnography? Do you think this affected her portrayal of 6th Street? What are the positives and negatives of this approach of qualitative study?

We Flagged: “To be on the run is a strange phrase for legally compromised people, because to be on the run is also to be at a standstill.”

“Thus, the great paradox of a highly punitive approach to crime control is that it winds up criminalizing so much of daily life as to foster widespread illegality as people work to circumvent it. Intensive policing and the crime it intends to control become mutually reinforcing. The extent to which crime elicits harsh policing, or policing itself contributes to a climate of violence and illegality, becomes impossible to sort out.”

Read This If You Loved: Punished: Policing the Lives of Black and Latino Boys by Victor M. Rios; The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander 

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RickiSig