Author Guest Post: “Exercises for Being a Professional Daydreamer” by Shveta Thakrar, Author of Divining the Leaves

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“Exercises for Being a Professional Daydreamer”

I love magic. I always have. I always will.

I’ve always also loved reading, because if I can’t do magic myself, I can at least experience it through stories. When I was a kid, my favorite books ranged from Dorrie the Little Witch to Elfquest to the Forgotten Realms tie-in series to fairy tales to mythology from around the world. I ate up the comic books my parents bought me, a series called Amar Chitra Katha, which retold various Indian myths and legends in a colorful, easily digestible form.

But I’m an adult now, and I still absolutely believe in the need for wonder.

So when I started writing my own novels and short stories, of course they were going to be fantasy. Girls who eat colors out of things. Serpentine-human shape-shifters. Candles with rainbow flames. All the shimmering things I want in my life, and if I can’t have them, then you can bet I’m going to write about them! In beautifully detailed, evocative prose, no less, so I can fully immerse the reader in the jewel box of my imagination.

I type these words having just returned from a walk around a nearby pond on a winter’s afternoon. The liquid surface was frozen over, no ducks or geese in sight, with pristine, glittering white snow adorning the withered fallen leaves on the shore. The pond itself shone in the sun, rippling like frosted glass in a window. Above, the sky was a cerulean so deep, I wanted to eat it, like Nilesh does on his visit to the magical Night Market in my newest novel, Divining the Leaves. The buttery gold of the sun’s rays felt like a hug, and the day itself was evocative of the winter elixir Ridhi samples at the Night Market when she goes there to vend her natural perfumes. I could also picture the sky and the snow swept together into a winter queen’s gown, sewn trimmed with sharp icicles like appliqués.

That may sound ethereal and even whimsical, and it is. Whimsy is a lovely thing. The trick, however, is more practical; I trained myself to think like that. To find the wonder in the world around us, even when things seem utterly mundane. It’s so important to me to offer experiences of the numinous in my books, but in order to do that, I first had to learn to do it in my own life.

It’s when we push ourselves to envision the grand and impossible that we can start to devise new solutions in our own universe, both real and fictional. A handy habit to have, if you ask me. *hands around little cups of winter elixir for inspiration*

So now it’s your turn! Try these prompts to get you deep into the heart of your own wonder.

Exercises for being a professional daydreamer:

  • What fantasy novel or movie would you step into, and why?
  • If you were designing your own magical world, what would it look like? What kinds of plants and animals and people?
  • What would be unique to that world? How? Describe it using all five (or more!) senses.
  • If you could have any enchanted power or potion, what would you pick? (Sure, you can have more than one. In fact, you can have as many as you can hold in your mind! It’s magic, after all.)
  • If there were one thing you want to see changed in our world, how would you do it in your imaginary one?
  • If you were to go outside right now, where would you spot magic even if nobody else did?

Publishing March 4th, 2025 by HarperTeen

About the Book: From critically acclaimed author Shveta Thakrar comes a beautifully imagined contemporary fantasy about two teens, one a believer of magic who yearns to belong, the other a skeptic searching for an escape, who find themselves embroiled in a twisty world of court intrigue when they venture into a forest ruled by yakshas, mysterious woodland spirits drawn from Hindu and Buddhist folklore.

Plant-loving Ridhi Kapadia and popular Nilesh Batra were friends once.

Now, seventeen and alone, Ridhi blends natural perfumes, wears flower crowns, and wanders her local woods, listening for the leafy whispers of her beloved trees. Pleading for the yakshas to admit her into their enchanted forest kingdom, where she knows she truly belongs.

After learning his parents’ perfect marriage is a sham and getting suspended from school, a heartsick Nilesh lands at Ridhi’s doorstep—the last thing either of them wants. So when a pretty yakshini offers him the distraction of magic, the same magic he mocked Ridhi for believing in, he jumps at it.

Furious, Ridhi strikes a bargain with a noblewoman named Sulochana. In return for helping restore her reputation, Sulochana will turn Ridhi into the yakshini she yearns to be—and teach her to divine the trees’ murmurs.

But when Nilesh ends up trapped in the yakshas’ realm, Ridhi realizes the leaves might be telling a disturbing story about the forest her heart is rooted in—one that, even if the two of them band together, threatens to shred the future like so many thorns.

About the Author: Shveta Thakrar is a part-time nagini and full-time believer in magic. Her work has appeared in a number of magazines and anthologies, including Enchanted Living, Uncanny magazine, A Thousand Beginnings and Endings, and Toil & Trouble. Her debut young adult fantasy novel, Star Daughter, was a finalist for the 2021 Andre Norton Nebula Award, and her second and third novels, The Dream Runners and Divining the Leaves, take place in the same universe. Her adult fantasy novella, Into the Moon Garden, is available as an original audiobook from Audible. When not spinning stories about spider silk and shadows, magic and marauders, and courageous girls illuminated by dancing rainbow flames, Shveta crafts, devours books, daydreams, travels, bakes, and occasionally even plays her harp.

Thank you, Shveta, for promoting dreaming and magic!

Author Guest Post: “Connecting the Past and the Present for Students” by Sarah Raughley, Author of The Queen’s Spade

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“Connecting the Past and the Present for Students”

How do you teach your students about Sarah Forbes Bonetta?

Well, that’s a tricky question. First of all, who the heck is Sarah and what does she have to do with North American students in the 21st century? Making that link, I think, is key to helping students understand why learning about buried Black histories matters to us today.

Sarah Forbes Bonetta was actually originally named Omoba Ina (though some literature spells her last name as Aina). She was an African Princess, heir of the Egbado Clan, part of the Yoruba Tribe which can be found in present-day Nigeria. After being kidnapped by the Dahomey, a neighboring African Kingdom, she was taken by an English military man Captain Forbes as part of an exchange with Dahomey’s King. Sailing across the Atlantic Ocean on his ship, the HMS Bonetta, she was then presented to Queen Victoria as a ‘gift.’ She was whimsically renamed Sarah Forbes Bonetta, ‘Forbes’ after the Captain who took her from Africa and ‘Bonetta’ after his ship. Queen Victoria made Sarah her goddaughter and thus began Sarah’s new life in England as proof of the Queen and by extension Britain’s benevolence across the world.

By the age of eight, Ina went from princess to kidnaped to gift to a propaganda tool. For all the press and hoopla she got in England for being an African princess in England, Sarah Forbes Bonetta’s actual life was quickly forgotten or rather erased, after she married at age 19 and moved back to Africa. What happened to being the goddaughter of a European Queen? What happened to symbolizing Europe’s hopes for the civilization of so-called ‘savages’ of the world?

I think the racism underlying this very sentiment can offer us a clue. Ina was a vessel for other people’s interests, but never quite allowed to be herself. Archives of letters are the only clues we have as to how Sarah truly felt about her predicament – the violent disruptions in her life, the removal from her home, and her forced assimilation into a British culture that didn’t truly care for her or respect her. And although she did seem to care for the Queen – she named her first daughter after Queen Victoria after all – we’ll never know just how deep the psychological costs of Britain’s actions ran. My book, The Queen’s Spade, tries to answer this. Are you really accepted by a group of people if their love for you is conditional upon you behaving exactly as they need you to for their own purposes? Are you really accepted if even after dancing to their tune they dismiss and erase you so easily as if you never mattered to begin with?

There are many such students who may feel like they have to pretend to belong. They know how much it hurts. The personal is often a gateway through which we can understand the historical, the social, and the political. Learning and teaching Ina’s story in a way that takes seriously her inner self may be exactly the way to make her story legible and relatable to people of today and get them thinking of not only the politics of 19th century Britain but how it’s not so different from the politics of today.

Published January 14th, 2025 by HarperCollins

About the Book: In this riveting historical thriller that’s loosely inspired by true life events, The Count of Monte Cristo meets Bridgerton as revenge, romance, and twisted secrets take center stage in Victorian England’s royal court when Sally, a kidnapped African princess and goddaughter to Queen Victoria, plots her way to take down the monarchy that stole her from her homeland.

A young lady can take only so many injuries before humiliation and insult forge a vow of revenge . . .

The year is 1862, and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial “humanitarianism,” which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Taking down the Crown means entering into a twisted game of court politics and manipulating the Queen’s inner circle—even if that means aligning with a dangerous yet alluring crime lord in London’s underworld and exploiting the affections of Queen Victoria’s own son, Prince Albert, as a means to an end. But when Queen Victoria begins to suspect Sally’s true intentions, she plays the only card in Victorian society that could possibly cage Sally once again: marriage. Because if there’s one thing Sally desires more than revenge, it’s her freedom. With time running out and her wedding day looming, Sally’s vengeful game of cat and mouse turns deadly as she’s faced with the striking revelation that that the price for vengeance isn’t just paid in blood. It means sacrificing your heart.

Loosely inspired by the true story of Sarah Forbes Bonetta, Queen Victoria’s African goddaughter, The Queen’s Spade is a lush and riveting historical thriller perfect for fans of A Dowry of Blood and Grave Mercy.

About the Author: Sarah Raughley is the Nigerian-Canadian author of the Effigies series and the Bones of Ruin trilogy. An AuroraAward finalist, Raughley is also an English pro-fessor and public intellectual who has written for journals such as the Walrus, CBC, and Teen Vogue. Her creative work is inspired by a messy confluence of experiences, from being a huge fan girl blerd to being a postcolonial researcher and academic. You can find out more about her work at sarahraughley.com.

Thank you, Sarah, for this candid look at how the past truly inspires the present!

Author Guest Post: “Back Matter Can Be the Beginning” by Charlotte Gunnufson, Author of Dream Submarine

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“Back Matter Can Be the Beginning”

Back matter is found at the end of a book, but it can be the beginning of a new interest, an invitation to explore and learn more. For young readers, back matter can be the jumping off point for a dive deep into a fascinating topic.

For teachers, back matter can be a terrific resource. Educators can use the bonus material at the back of a book to:

  • Engage students in a new topic. The story pulls them in; the back matter piques their interest.
  • Enrich students’ understanding and appreciation by extending their knowledge and revealing the depth and breadth of a subject.
  • Encourage curiosity, exploration and independent learning—hallmarks of an effective education!
  • Enjoy! Lots of kids (and adults) love facts and enjoy fortifying their brain with interesting information.

There’s a boom in back matter, and children’s picture books are a big part of this exciting phenomenon. Picture book back matter is visual, accessible and even entertaining. Here are some of the ways it’s presented:

  • Fun facts: additional information that educates, entertains and encourages curiosity
  • Activities and experiments: hands-on fun to further understanding
  • Key concepts: tricky ideas are distilled to reinforce learning
  • Glossary: valuable vocabulary
  • Maps: a little geography lesson that shows location or the scope of a journey
  • Timeline: often illustrated to enhance comprehension and retention
  • Primary sources: photographs, letters, newspaper clippings and more
  • Diagrams: pictures are worth a thousand words!
  • Charts and graphs: visual representations to deepen understanding
  • Author’s note: delves into the author’s research journey and writing process
  • Illustrator’s note: explains the artist’s research and how the art was created
  • Bibliography: shows that a book has been properly researched
  • Further reading: future reading!

Activity: Dive Deep into Back Matter

  1. Ask students what they know about back matter.
  2. Share a picture book that offers a bit of back matter.
  3. Prepare students for a visit to the library: they’re on a mission to find more back matter!
  4. Collaborate with the school librarian, and visit the library with students perusing the picture book section, both fiction and nonfiction.
  5. Invite students to share their discoveries.
  6. Make a list of the different types of back matter.
  7. Dig in! What do different types of back matter show? What types of back matter work best for given books? And what exactly is a bibliography?

Option: Older students can graduate to longer books.

Extension: The next time students embark on a writing assignment, ask them to include one or more types of back matter that are well suited to their topic. Invite them to share their work.

Importantly, students can use these investigative skills now, next year, in high school, college, the workplace and—bonus!—their lives.

But wait, there’s more! After diving into a picture book’s back matter, check out the author’s website. Authors are often immersed in research, and like teachers, they’re eager to share what they’ve learned.

Dream Submarine
Author: Charlotte Gunnufson
Illustrator: Cleonique Hilsaca
Published June 11, 2024 by Candlewick Press

About the Book: Climb aboard the cozy Dream Submarine for a nighttime journey through the world’s oceans! Encounter disappearing fish and dozing whales. Watch large fish get their fins and faces cleaned by tiny wrasse. See red moki settling in caves and parrotfish snoozing in slime sleeping bags. Dive deep and discover bioluminescent creatures lighting up like fireflies. Rise to the surface relaxed and ready to learn more! This beautifully illustrated book includes seven pages of back matter: a map of the world showing the Dream Submarine’s voyage, fascinating facts about each animal, and a diagram of the ocean zones.

“An exploration of the oceans yields stunning discoveries…A delightful voyage well worth taking.” Kirkus Reviews

About the Author: Charlotte Gunnufson is a former teacher who loves connecting with kids at schools and libraries. She knows teaching is a tough job! Educators will find beneficial back matter in her books and teacher resources along with free, fun stuff for students on her website, booksbycharlotte.com. Two STEM books from Disney Planet Possible, Hard Hat Hank (2025) and Eight, Nine, Tengineers (2026), feature pages of kid-friendly facts and hands-on activities. Charlotte is also the author of School Spirits (Atheneum, 2026), Halloween Hustle, Prince and Pirate and a soon-to-be-announced STEM story.

Thank you, Charlotte, for pointing out the importance of back matter–it is always such an asset!

Author Guest Post: “Friendship in Schools” by Arleen McCarthy, Author of My Friend John

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“Friendship in Schools”

When we think of the word “friend,” we think of so many different people. We think of friends we grew up with, friends we went to college with, friends we know through our children, and friends we work with. But are they all really “friends?”

When I was younger, I would use this word a lot, but the older I get, the more selective I am with it. I think life teaches you that. 

But what if we learned what a friend is early on? What if we learned this valuable definition in elementary school? Would we be different as adults? Would our world be better?

I believe the answer is yes. We may not have a lot of friends, but I bet we would have good ones.

In my book, MY FRIEND JOHN, I wanted to easily convey to young readers that friends make you feel good. Friends make you feel safe. There are no judgments with friends, no whispers of envy, no passive aggressive comments–just advice, listening, acceptance, laughter, warm hugs, and a lot of love. This is what I know for sure, and this is so valuable to know as a child.

But how often have children and adults been hurt by their friends? If we, as humans “felt” our way through friendships, our friend list might decrease but the value of it would increase and we’d be much happier in the long-run.

In MY FRIEND JOHN, a young boy named John, who has Tourette Syndrome, starts at a new school. As he faces bullying, his new friend, Bella, stands up for him and educates herself and others on neurodiversity. 

When I think of Bella, I think about the kind of person she is: She did not judge her new classmate. Instead, she embraced a new student because she was kind, and even though he appeared very different from her, she wanted to be his friend. 

This was exactly what John needed. This is what we all need in life, especially children and especially children with disabilities. If more children were like Bella, our world would be a better place. John’s experience at his new school would not have been as pleasant if Bella had not taken the time to stand up for him. But the transformative power of human connection causes us to feel empowered and resilient.

How many times as an adult have you heard someone make fun of someone else? How many times have you seen people leave mean comments on social media posts? How many times have you heard gossiping? Why is this acceptable behavior? Where did we learn this from?

Life can be so hard at times, and we all need genuine friends to get us through it. I believe if children realize the true meaning of friendship and its connection to kindness, they would be able to make better choices.

When I think of my own experiences as a child and the moments I felt left out, it felt awful. I remember one time while I was in high school, I was walking home from the bus stop with a friend. I asked her if she wanted to do something that night as it was a Friday. She said she had already made plans with another friend, and they were going to a party. Why didn’t she just invite me? I never understood it. I remember feeling so sad. It felt terrible not to be included. 

And yet, Monday morning, I continued to be her friend.

Why do children and adults accept this behavior from their “friends?”

We all need human connection. We all need love. And we need to have this message conveyed to children, so they have the knowledge and understanding to make better choices when it comes to choosing friends. 

I feel this is especially important for our children with disabilities. We need more people to see past a disability. We need more people embracing diversity. We need more people like Bella.

Life is hard even without a disability…imagine living with one…imagine being a child living with one. 

But now just imagine being at a party where there were people with and without disabilities. Everyone is laughing and everyone is having fun. Everyone feels safe and everyone feels happy. Everyone is included.

I want to be at that kind of party.

What is a friend? A friend is someone who makes you feel good. A friend is someone who makes you feel safe.

Published November 8th, 2024 by Austin Macauley Publishers

About the Book: Meet John, a remarkable new student at The Huckleberry School. John’s life takes a heartwarming turn when he befriends a sweet little girl named Bella. Everything seems to be going smoothly for him, until a challenging situation resurfaces, shaking the foundations of his world. 

In My Friend John, we are invited to witness a touching journey which explores not only the essence of friendship but also the profound qualities of kindness and leadership. This poignant tale serves as a powerful reminder of the resilience within us all and the transformative power of genuine connection.

About the Author: Arleen McCarthy teaches at a public school in New York City and has always been passionate about making the world a better place. She grew up with two brothers with special needs and saw first-hand the struggles they endured while they were in school. Arleen, her husband, and their dog live in New York and divide their time between Manhattan and Westchester.

Thank you, Arleen, for this look and lesson about friendships in schools!

Author Guest Post: “Using Storytelling to Flip the Script on our Fears” by Adam Rosenbaum, Author of The Ghost Rules

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“Using Storytelling to Flip the Script on our Fears”

I used to be afraid of sharks when I was a kid. Like, really afraid. And maybe still am? Okay, that’s a lie. I am definitely, 100% still afraid of sharks, across the board, all the time. I blame a way too early viewing of JAWS and a wildly active imagination. But instead of facing my fears head-on back in the day, I am now an adult with children of my own who won’t venture more than a few feet into the ocean because a 30-foot great white shark might pop out of the depths and turn me into a morning snack.

There are so many amazing ways to help kids face their fears. And while I am by no means an expert on emotional health (see: my inability to swim in an ocean), I’d like to throw out a suggestion that might help some kids view their fears from a different angle. And it involves a little creativity!

My debut Middle Grade novel, The Ghost Rules, is about a boy named Elwood who can see ghosts. But in my book, ghosts aren’t scary at all. They aren’t haunting the living or terrifying children at night. My ghosts are goofy and annoying and drool a lot and are kind of obsessed with coffee. I took another fear of mine from when I was a kid (I was an anxious child, believe it or not), put a funny spin on it, and built a story around it.

Which is exactly what you can do!

I’ve brought this simple exercise into schools and nonprofits and have been blown away at the creativity and vulnerability of the kids who participate. Not only do some of the kids genuinely confront their fears, they also end up revealing those fears to one another before turning what they’re afraid of into something a little less scary.

If that sounds like something that could be valuable, here are some suggestions for how you can encourage the kids in your life to face their fears through storytelling:

1) IDENTIFY A FEAR

Some kids are MORE THAN happy to share their fears. Other kids have kept those fears bottled up for so long that to even utter them out loud is too much. So I usually say, “Let’s pick something that can be scary. It doesn’t have to be your own fear. Maybe it’s something your little brother or sister is afraid of, or something you used to be afraid of.” And I usually give my fear of sharks as an example to kick things off.

2) FIND A WAY TO MAKE IT SILLY

For The Ghost Rules, I made my ghosts bumbling, forgetful, and covered in ghost drool. To extend my shark example, I ask the kids how we can make something like a shark a little less scary. The ideas they’ve come up with have been so fun and imaginative: a shark who can’t see underwater and needs glasses, or a shark that only wants to eat pickles.

The opportunities here for fun, creative discussion are endless.

3) BUILD A STORY

When crafting a story with kids, I narrow it down to 3 basic things: a main character, a problem, how the main character overcomes that problem.

Sometimes they build a story together in smaller groups, sometimes the kids want to go off on their own and write and illustrate by themselves.

4) SHARE OUR STORIES

The best part of the whole exercise is when we come back together to share our stories, and the kids reveal what fear they chose (individually or as a group) and how they made it goofy. I give extra points to the kids who also illustrate their stories.

To state the obvious, I doubt any child walks away completely changed and fear-free. But it’s pretty amazing to see a kid smile and laugh as they’re talking about something that just minutes earlier had made their voice quiver.

And hopefully it’s a good first step toward their own emotional health so they avoid turning into a 40-something who still can’t swim in the ocean.

Published August 13th, 2024 by Holiday House for Young Readers

About the Book: Twelve-year-old Elwood McGee never asked to have “ghost-sight,” and it involves a lot more drool-dodging than he expected. Ghosts are the WORST—and they’re all over the place in this sharp-witted middle grade debut novel.

Did you know that ghosts love coffee? They’re not trying to be scary. They’re just deprived of an appropriate amount of caffeine! They also bump into things by accident, are occasionally nosy, and get a little nervous when they’re seen by the living.

Elwood McGee knows these ghost facts because he’s one of those rare people with the gift of ghost-sight. And it turns out ghosts are everywhere! Especially in the small Tennessee town where Elwood and his family had to move following the death of his big brother Noah, which Elwood thinks was his fault.

Once Elwood figures out he can see ghosts, he becomes single-mindedly determined to use his powers to see Noah and talk to him once last time. With the help of two girls who live on his street, Elwood embarks on a journey through the surprisingly funny world of ghosts and faces the realities of letting go.

At once hilarious and heart wrenching, Adam Rosenbaum makes his middle grade debut with a supernaturalish novel about grief that’s perfect for fans of Gordon Korman and Dan Gutman.

A Junior Library Guild Gold Standard Selection

Thank you, Adam, for this exercise to use with students to face fears and do some writing!

Author Guest Post: “Why Nature is the Best Classroom” by Jill Neimark, Author of Forest Joy & Nature Explorers

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“Why Nature is the Best Classroom”

On a crisp autumn afternoon last week at Naturally Nurtured Nature School here in Macon, Georgia, I held two sugar gliders—small, nocturnal, gliding animals that look similar to flying squirrels. They peeped out from a soft fleece ‘bag’, gazing up at me with enormous and curious eyes. The kids gathered round, oohing and aahing. We each got to commune with these exotic creatures, and talk about how, at this very moment, similar flying squirrels were sleeping in the trees and waiting for night to hunt for food. The children had lots of questions and comments. “It was so cool!” “The sugar glider tickled when it crawled on me.” “How far can they fly?”

It all happened because the school’s owner, Dawn Willis, and I were planning a class for the kids from my new STEAM activity book, Nature Explorers: Outdoor Activity Book for Kids (Blue Jasper Editions, 2023). We were discussing one of the most basic outdoor activities kids can do, almost anywhere. It’s a kind of gold standard for forest schools. And that is to sit down with a tree and make it your ‘friend’, observing it closely, sketching it, writing down all its features, even decorating it with your own handmade art.

In the book, I had added a storytelling prompt to help the kids with language arts: imagine you’re a flying squirrel named Tom, living in a tree and hunting by night. My book gave the kids a few facts (the squirrels can glide as far as a football field; they can pivot in midair; they huddle in groups to keep warm, they even cuddle with owls sometimes). In a group setting, kids were to gather after a session with their tree friend, and tell a group story about Tom the flying squirrel.

Dawn, ever resourceful, said, “I’ve got a surprise for you!” and ran off to get her two pet sugar gliders, rescued four years earlier. Yes, Dawn has sugar gliders, among many other creatures, from bunnies to frogs to horses.

That led us all to a discussion about what humans can learn from gliding or flying creatures and how creatures like sugar gliders have influenced human flight systems. Just as sugar gliders spread their limbs and use their “patagia” (the flap of skin that stretches between their limbs) to catch air currents, modern aircraft use flaps and winglets to control lift and stability, helping to reduce drag and improve efficiency. Next day’s lesson and activity: design a paper helicopter, and collect different seeds to see how they are designed to ‘fly’ on the wind.

Forest schools like Dawn’s, where learning takes place almost entirely outdoors, are increasingly popular across the globe. And here in the USA, there were over 800 nature-based schools as of 2022. Their popularity is driven by parental concerns over excess screen time, as well as recognition of the benefits of nature-based play. Children today are spending more time inside and on screens than ever before. Studies show that the average kid now spends an average of 7 hours per day on screens, and outdoor playtime has declined by 50% over the last few decades. Many parents want to change that. There are nature pre-schools and forest schools in almost every state now.

Even when kids don’t attend forest school full time, homeschooling parents may send them to a day or two of forest school every week. As of 2023, an estimated 3.7 million students in the U.S. were being homeschooled. Homeschooling parents are often deeply invested in providing their children with diverse learning opportunities, and outdoor play and nature-based education are key components of many homeschool curriculums. According to a 2021 study by Homeschool.com, 72% of homeschooling families reported that spending time outdoors and engaging in nature-based activities were essential parts of their educational plans. These families recognize that outdoor learning enhances academic skills, physical health, and emotional well-being.

That’s why I started my own children’s imprint, Blue Jasper Editions, and wrote Forest Joy (a picture book on mindfulness in nature) and Nature Explorers (an outdoor activity book focused on STEAM skills), to join in this growing movement to help kids enjoy cross-disciplinary learning and life skills while immersed in nature.

My books join some towering classics in the field, such as Play The Forest School Way and the related series of books, by Jane Worroll & Peter Houghton. These books, which come out of Great Britain and are aimed at middle grade and older kids, give detailed instructions on activities in the ‘bush’, along with instructive line drawings (there are 5 copies in my state’s library system, and they are always checked out).

­­Even the recent Caldecott award-winning picture book Watercress, by Andrea Wang, illustrated gorgeously by Jason Chin, is an homage to the intersection of nature and culture, weaving plants in with identity. In the story, while driving through Ohio in an old Pontiac, a young girl’s Chinese immigrant parents see watercress growing wild by the side of the road, and decide to forage it, cook it, and in that way weave their new world with their old traditions.

Connecting with Nature to Learn and Thrive

When children step outside and immerse themselves in nature, they’re not just playing—they’re learning. Nature offers an endless classroom filled with hands-on activities that stimulate curiosity, self-regulation, adventure and joy. Through outdoor activities, kids can engage in science, language arts, history, and hone their social and emotional skills, all while exploring the world around them. And in play they can connect and develop social competency as well. It’s just easier to bond, to learn to share, when you’re foraging, building, exploring in nature. Nothing substitutes for experience! Learning about flight is one thing. Classroom learning will never match actually holding a sugar glider, learning about its anatomy and how it glides on air currents, examining seeds to see how they utilize wind currents, and building your own paper helicopter.

Here are a few very simple activities from my books you can easily do with your kids or students to get started:

  1. Take a slow, sensory nature walk. Take children on a sensory walk in the woods or your backyard. Ask them to close their eyes and describe the sounds they hear—rustling leaves, chirping birds, the wind in the trees. Ask them to use a magnifying glass to examine seeds, leaves, flowers, and pine cones, anything they find. Ask them to stand still and smell the air and describe it. Afterward, invite them to draw or write about how it all made them feel. This activity helps kids center themselves and practice mindfulness.
  2. Collect leaves, and then examine the leaf veins and stomata under the glass. This can be a jumping off point for teaching kids about stomata (pores in leaves), transpiration (did you know trees are constantly moving water up through their roots, trunks, branches, and out their leaves?), and many more activities explained in Nature Explorers. You can then make leaf skeletons with your kids (there are many step by step instructions to be found online, as well as in my book). Then talk about insect skeletons, mammal skeletons, and plant “skeletons”. What do they have in common? What is unique in each? I have some illustrations in the book, but there are many on the internet as well.
  3. Start a phenology wheel. A phenology wheel is a wonderful way for children to engage with nature and learn about the changing seasons. It’s a circular calendar that tracks natural events, such as plant growth, animal activity, or weather patterns, throughout the year. To get started, get a nature journal and some colored pencils and chalk for your child. Encourage your child to pick a tree or place in the front or back yard, and to observe and record the environment around them every week or month—whether it’s the blooming of flowers, the falling of leaves, the arrival of migratory birds, or the color changes in the landscape. They should record temperature, weather, their own feelings, and sketch what they see as well. As you fill in the wheel together, your child will begin to notice the cyclical nature of life, deepening their connection to the natural world. This hands-on project is not only educational but also fosters mindfulness and curiosity about the environment.
  4. Create a dreamcatcher. Creating a dreamcatcher from a paper plate is a fun and simple craft that can teach children about different cultural traditions while developing their fine motor skills. Start by cutting out the center of a paper plate, leaving the outer ring intact. Punch small holes evenly around the edge of the plate and have your child weave yarn or string across the circle, looping it through the holes to create a web-like pattern. For added decoration, tie colorful feathers and beads to the bottom of the dreamcatcher. You can hang the finished dreamcatcher above your child’s bed or in a window as a creative way to introduce them to the Native American tradition of dreamcatchers, believed to catch bad dreams and let good ones pass through. At forest school, Dawn works with the kids to make dreamcatchers out of vines they collect from wooded areas and weave together. If you’re feeling inspired, you can do the same with your child. The circular nature of the dreamcatcher can lead you into discussions of geometry, sundials and many other areas for exploring science, culture, history and art.
    • Unleashing Readers note: Please make sure to build this foundation around indigenous folks and honoring their beliefs and traditions.
  1. Hold a tea ceremony in nature. Spread a blanket, gather a group of children, and hold a tea ceremony. While drinking tea and perhaps eating some tasty treats, think of ways to thank the sky, trees, flowers, rivers, and earth for all they give. When the tea ceremony is over, pour the last little bit of tea into the earth and say together, “Thank you trees. Thank you sky. Thank you earth. Thank you, green good world.”

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(illustration from Forest Joy)

The Power of Outdoor Learning

By encouraging kids to spend more time outdoors, we can help them cultivate the tools they need to thrive in an increasingly busy, digital world.

Students who participate in cross-disciplinary learning activities show improved problem-solving skills and higher engagement levels. By linking different subjects, such as having kids learn about seed dispersal while practicing engineering principles through the design of paper planes, they not only deepen their understanding but also enjoy the process. This engagement makes learning more enjoyable and can lead to long-term retention of the skills they acquire.

Parents value how outdoor education promotes active, hands-on learning that engages children in subjects like science, math, and language arts in ways that traditional indoor classrooms may not. And for those whose kids are happy in standard schools, or who don’t have the extra funds or time to add in a few days of forest school every week, books like Forest Joy and Nature Explorers offer an accessible way for families to integrate nature-based activities into a solid curriculum, helping their children develop essential skills while fostering a deeper connection with the natural world.

You can purchase either one of my books here on Amazon:

Forest Joy: https://mybook.to/jSfWIIO

Nature Explorers: https://mybook.to/beEaeQe

About the Author: Gillian (Jill) Neimark is an author of adult and children’s fiction and nonfiction, as well as a prolific science journalist. She has published poetry, essays and reviews in numerous literary magazines. Her picture book, The Hugging Tree (Magination Press) is a bestseller and was selected by University of Michigan’s First Great Eight Program for their environmental stewardship module. To read more about her you can access her website: https://www.jillneimark.com and to read more about her new children’s imprint, visit https://www.bluejaspereditions.com

Thank you, Jill, for sharing all of these fun ways to bring the classroom to nature!

Author Guest Post: “Classic Remixes: On Learning to Appreciate Jane Austen” by Tirzah Price, Author of In Want of a Suspect

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“Classic Remixes: On Learning to Appreciate Jane Austen”

I have a confession to make: My first encounter with the work of Jane Austen was not with any of her books, but with the BBC adaptation of Pride and Prejudice. Maybe it’s because I am now a writer, but this fact often elicits shock and occasionally horror when people learn that I first fell in love not with Jane Austen’s words on the page, but with (gasp) a TV series.

However, I am not at all embarrassed to admit this! I can still remember spending a rainy day at a friend’s house sometime in the sixth or seventh grade, and her mom pulling out a box set and introducing me and my friend to Elizabeth Bennet and Mr. Darcy, as played by Jennifer Ehle and Colin Firth. We watched two episodes (on VHS tape because yes, I am that old) before I had to go home. I begged my mom to take me to the library so I could check out the rest and see how it ended.

From there, I watched Emma (the 1996 Gwyneth Paltrow version), and of course the incredible Sense and Sensibility, starring Emma Thompson and Kate Winslet, as well as the 1999 Mansfield Park. I don’t think that I put two and two together that all of these period movies and shows that I brought to every sleepover were, you know, written by the same person until a couple of years later, when I first attempted to read Pride and Prejudice. (It did not go well–there was much skipping around.) From there, I muddled my way through Emma, and then got about twenty-five pages into Sense and Sensibility before giving up. The prose was dense, there wasn’t nearly as much dialogue as I’d have liked, and Austen spent an awful lot of time summarizing scenes that I’d rather watch unfold on the screen.

I wouldn’t pick up any of Austen’s work for another four years.

In the meantime, I continued to seek out adaptations. I saw Keira Knightly as Elizabeth Bennet in theaters. I fell in love with Bride and Prejudice, a Bollywood retelling with exciting singing and dance numbers. I read YA Austen retellings and Austen adjacent books, such as Austenland by Shannon Hale. Sometimes, I struggled with feeling like I wasn’t a “true” fan because I enjoyed adaptations more than the source material.

I was in college before I attempted to read another Austen novel, and this time it clicked. With an ingrained knowledge and appreciation for Austen’s stories and characters, as well as the reading stamina that I honed over years of reading novels that didn’t intimidate me, I actually loved the Austen novels I picked up. I had a better understanding of the Regency period and the social commentary, and that allowed me to laugh at the humor and get swept up in the romance. And with every reading since, I only fall more in love with Austen’s writing and her distinct outlook on social class and society. I appreciate her much more now, as an adult, than I did as a young teen. But without the adaptations and retellings that I consumed by the bucketful from ages 11-18, I’m not sure I ever would have been the Austen fan I am today.

For this reason, I don’t get upset or offended when readers sheepishly tell me that they’ve never read any of Austen’s work, and it’s why when I set out to write my first novel, Pride and Premeditation, it was very important to me to write a satisfying retelling that could also stand on its own, especially for younger readers who might not have had the chance or have the inclination to pick up a more challenging classic. My version is, admittedly, a bit unconventional as I mash up Austen’s classic characters with a murder mystery plot, but it is exactly the sort of thing I would have inhaled at age 13, and I had a lot of fun writing it, even as I worried about whether or not it would find an audience beyond Austenites.

Luckily for me, I needn’t have worried and I am delighted every time I get a note from a reader telling me that they enjoyed my books. More often than not, this is also followed by an admission that they’ve never read the original classic. And that is okay with me. Not every teen is going to gravitate toward the classics just because they’re classics. (Heck, not every adult reader wants to read the classics!) Retellings pique readers’ interest with fun and approachable twists on the classic stories, and especially for younger readers, they give them the confidence and framework to perhaps pick up the original classic someday. I’d even go so far as to say that genre mashups of classics and fresh retellings are what keep those classics relevant and talked about–not necessarily assigning them in high school English class.

I’ve seen the retellings to classics pipeline play out in real life, too. When I was a teen librarian, a few years before my first book was released, I ran a teen book club. We picked the book A Study in Charlotte by Brittany Cavallaro, a fantastic gender-bent retelling of Sherlock Holmes. Most of my teens had never even read Sherlock Holmes before, and at least one didn’t know the legendary character at all. But they all enjoyed that book, and at the end of the session, a few of Sir Arthur Conan Doyle’s books were checked out of the collection. That wasn’t my end goal, but it was satisfying nonetheless.

And similarly, now that I have my own classic retelling series out in the world, I hope that teen readers pick it up because they’re intrigued by the premise and curious about the plot and characters. I hope the idea of a genre mashup gives them a thrill, and that it sparks an interest that wasn’t there previously. Because no matter how you come to these characters, whether it’s through a YouTube webseries or a musical or a YA novel, we can all agree on one thing: Elizabeth Bennet and Mr. Darcy are a pretty iconic couple.

Published November 12th, 2024 by HarperCollins

About the Book: It is a truth universally acknowledged, that London’s first female solicitor in possession of the details of a deadly crime, must be in want of a suspect.

The tenacious Lizzie Bennet has earned her place at Longbourn, her father’s law firm. Her work keeps her busy, but luckily she often has help from (and steals occasional kisses with) Mr. Fitzwilliam Darcy, a stern but secretly soft-hearted solicitor at Pemberley.

Lizzie is hired to investigate a deadly warehouse fire, and to find the mysterious woman who was spotted at the scene moments before the flames took hold. But when the case leads her to the sitting room of a woman Darcy once proposed marriage to, the delicate balance between personal and professional in their relationship is threatened.

Questions of the future are cast aside when the prime suspect is murdered and Lizzie’s own life is threatened. As the body count rises, and their suspicions about what was really going on in the warehouse grow, the pressure is on for Lizzie and Darcy to uncover the truth.

Lizzie and Darcy are back for more suspense, danger, and romance in this first in a duology spinoff of the Jane Austen Murder Mysteries!

About the Author: Tirzah Price grew up on a farm in Michigan, where she read every book she could get her hands on and never outgrew her love for YA fiction. She holds an MFA in Writing for Children & Young Adults from Vermont College of Fine Arts, and is a former bookseller and librarian. Now, she’s a senior contributing editor at Book Riot, and co-host of the Hey YA podcast. When she’s not writing, reading, or thinking about YA books, she splits her time between experimenting in the kitchen and knitting enough socks to last through winter. She lives in Iowa.

Thank you, Tirzah, for sharing the resurgence of the love of Austen with us!