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Author Guest Post: “Growing Up and Growing Older” by Ciera Burch, Author of Finch House

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“Growing Up and Growing Older”

Adults were kids once.

As a kid, the idea that your parents and grandparents have led a good deal of their lives without you present in it can be a hard thing to grasp. I think that’s part of what makes seeing pictures of the adults in our lives as children so strange and yet so much fun. It’s hard to take a fully-fledged adult (or someone who seems like a fully-fledged adult when you’re young) and think of them as being your age at some point. For many kids, they only have the here and now: This is my mom and she has always been my mom. Who she might be outside of that identity, or before it, can feel a lot like a mystery.

Even more so when there is no evidence for it—no pictures or stories readily available or shared. For example, my own Poppop was (very briefly!) in modeling school and even now, it’s something I can’t wrap my head around. Often, however, it’s not simply a job someone may have had or how they may have looked, but the surprise of an action or a personality trait.

In Finch House, Micah has a very clear perception of Poppop. After all, she should. She’s lived with him her entire life and considers him one of her best friends. He’s also someone who has always been forthcoming in his reasonings about things. Except for when it comes to asking her to leave a curious, unassuming Victorian house alone. In this instance, his behavior shifts into someone she doesn’t recognize because, in a way, Poppop is not someone she recognizes. His own childhood experiences and connection with Finch House have shaped his behavior regarding it, both in the past and in the present. But Micah has no context for his past self, so his behavior makes no sense to her.

Without any insight into who Poppop was or what the house means to him, Micah’s attempts to find and connect with him lead to her following in his footsteps while looking for more information on him and his past, which quickly becomes scary and even a little dangerous. She becomes aware that her present day childhood and his past childhood were set in two very different time periods within very different societies and that his actions, and his silence about his childhood since, reflect that.

Over time there has been a lot of change and progress in many areas of acceptance and equality in society and because change is not a static thing and humans are capable of learning, there will continue to be. Hiding the past from kids, whether it’s actual history or personal or familial history, does a disservice to everyone. Kids deserve to know that their parents or grandparents are and have always been as human as they are. They had friends and played games and teased their siblings…and they also made mistakes. Sometimes those mistakes are in the context of a society that looks very different than our current one, but it doesn’t mean they should be ignored or hidden from sight, especially if feelings and minds and hearts have since changed. Just as we have all changed from childhood, so too will the current generation of kids, and it can be nice to know that you aren’t alone in something as monumental as growing up.

Published September 5th, 2023 by Margaret K. McElderry Books

About the Book: Encanto meets Coraline in this spooky middle grade story that deals with family ties, fear of change, and generational trauma as it follows a girl who must convince an old, haunted house to release its hold on her and her family.

Eleven-year-old Micah has no interest in moving out of her grandfather’s house. She loves living with Poppop and their shared hobby of driving around rich neighborhoods to find treasures in others’ trash. To avoid packing, Micah goes for a bike ride and ends up at Finch House, the decrepit Victorian that Poppop says is Off Limits. Except when she gets there, it’s all fixed up and there’s a boy named Theo in the front yard. Surely that means Finch House isn’t Off Limits anymore? But when Poppop finds her there, Micah is only met with his disappointment.

By the next day, Poppop is nowhere to be found. After searching everywhere, Micah’s instincts lead her back to Finch House. But once Theo invites her inside, Micah realizes she can’t leave. And that, with its strange whispers and deep-dark shadows, Finch House isn’t just a house…it’s alive.

Can Micah find a way to convince the house to let her go? Or will she be forced to stay in Finch House forever?

About the Author: Ciera Burch(she/her/hers) is a lifelong writer and ice cream aficionado. She has a BA from American University and an MFA from Emerson College. Her fiction has appeared in The American Literary Magazine, Underground, Five Points, Stork, and Blackbird. Her work was also chosen as the 2019 One City One Story read for the Boston Book Festival. While she is originally from New Jersey, she currently resides in Washington, DC, with her stuffed animals, plants, and far too many books. Visit Ciera at CieraBurch.com.

Thank you, Ciera, for this look at perspective!

Author Guest Post: “All Readers Benefit from Sad Stories” by Saira Mir, Author of Always Sisters

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“All Readers Benefit from Sad Stories”

Often times picture books with sad storylines are seen only as tools for children who have suffered loss, but they serve a vital role for opening up conversations about compassion and kindness for all readers. A safe window into grief fosters empathy and bravery. It allows readers to build recognition of struggle and a comforting vocabulary.

Sad stories also explore the beautiful relationship between love and loss. In Kate DeCamillo’s Time Magazine essay, Why Children’s Books Should Be a Little Sad she wrote, “I think our job is to trust our readers. I think our job is to see and to let ourselves be seen. I think our job is to love the world.” That is what my book, Always Sisters: A Story of Loss and Love aims to do. Raya eagerly anticipates a sibling who is not yet born. Her hopes are crushed when her parents experience a pregnancy loss. Readers witness a love so strong that it grew before Raya met her sister and will continue long after. Raya learns to heal by honoring the love for her sister. In one spread, she speaks to classmates who’ve also recently lost loved ones and she feels less alone.

Readers can gain so much from sad stories: feel seen, appreciate the relationship between love and loss, and learn to care for heartache better, together.

Here are beautiful, sad picture book recommendations that can help all readers:

SATURDAYS ARE FOR STELLA
By Candy Wellins, Illustrated by Charlie Eve Ryan

George loves Saturdays.

That’s because Saturdays mean time with Grandma Stella. The two of them love going on adventures downtown to visit the dinosaur museum and ride on the carousel! Even when they stay in, George and Stella have fun together, making cinnamon rolls without popping open a tube and sharing the biggest, best hugs.

Then one day Stella is gone, and George is ready to cancel Saturdays. But when a new addition to the family arrives, George finds a way to celebrate the priceless memories he made with his grandma―while making new ones too.

THE END OF SOMETHING WONDERFUL
By Stephanie V.W. Lucianovic, Illustrated by George Ermos

With gentle humor and quirkiness, this sympathetic book demonstrates how to say goodbye to a beloved pet and give it a proper sendoff. The End of Something Wonderful helps kids handle their feelings when they’re hurting and can’t find all the right words. In a warm, understanding, sometimes funny way, it guides children as they plan a backyard funeral to say goodbye, from choosing a box and a burial spot to giving a eulogy and wiping away tears.

JENNY MEI IS SAD
By Tracy Subisak

With this educational and entertaining picture book, learn how to approach difficult emotions with compassion and understanding—and be the best friend you can be.

My friend Jenny Mei is sad. But you might not be able to tell.

Jenny Mei still smiles a lot. She makes everyone laugh. And she still likes blue Popsicles the best. But, her friend knows that Jenny Mei is sad, and does her best to be there to support her.

This beautifully illustrated book is perfect for introducing kids to the complexity of sadness, and to show them that the best way to be a good friend, especially to someone sad, is by being there for the fun, the not-fun, and everything in between.

THE YELLOW SUITCASE
By Meera Sriram, Illustrated by Meera Sethi

In The Yellow Suitcase, Asha travels with her parents from America to India to mourn her grandmother’s passing. Asha’s grief and anger are compounded by the empty yellow suitcase usually reserved for gifts to and from Grandma, but when she discovers a gift left behind just for her, Asha realizes that the memory of her grandmother will live on inside her, no matter where she lives.

Always Sisters: A Story of Loss and Love
Author: Saira Mir
Illustrator: Shahrzad Maydani
Published August 22nd, 2023 by Simon & Schuster Books for Young Readers

About the Book: This much-needed picture book about navigating the difficult experience of pregnancy loss meets young readers at their level to offer a tender look at grieving someone who never entered the world.

Raya can’t wait for her baby sister to arrive. She’s already got a name—Nura—and Raya is certain they’ll be best friends. She’s got all kinds of plans for things they’ll do together like run through the sprinklers, play dress-up, and give piggyback rides.

But one day, Mama returns from the doctor with tears in her eyes. Nura won’t be coming home after all. Raya feels confused and sad, like all the love she has for Nura is trapped inside her. With the help of family, friends, and her school counselor, though, Raya finds a way to grieve this loss and to share the love she’ll always feel for her sister.

About the Author: Saira Mir is a physician and author of the award-winning picture book Muslim Girls Rise, which she wrote for her daughter and other children to have Muslim feminist role models. As an OB-GYN, she has cared for many families through pregnancy loss, but could not find the book she needed to help support her daughter through grief over her own family’s loss, which inspired her to write Always Sisters. She lives in the DC area with her kids and is always on the hunt for the next best playground and bubble tea. Learn more on her Instagram @sairamirbooks or her website www.sairamir.com.

Thank you, Saira, for this important reminder and recommendations!

Author Guest Post: “Sometimes We’re All Furious and How Books Can Help With That” by Timothy Knapman, Author of Sometimes I Am Furious

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“Sometimes We’re All Furious and How Books Can Help With That”

Most picture books are about happy things. And so they should be. As a writer for young children, you have the wonderful privilege of being able to share your readers’ delight in the discovery of the amazing world all around them. So you write about cake, birthdays, holidays, more cake, adventures, the love of parents for their kids (and kids for their parents, and kids for cake). You write about dinosaurs, pirates, cake again, fairies, unicorns. You write about the limitless possibilities of a child’s wonder and imagination.

And did I mention cake?

But that’s not the whole job. Because you’re not a child, you’re a grown-up. (So stop talking about cake!) It doesn’t matter how imaginative or empathetic you can be, or how well you remember your own childhood – you also owe your young readers a duty of care. Because the world isn’t always wonderful, and they need to know that too.

The first stories for kids – such as the ones the Brothers Grimm collected (which have been told for centuries, millennia even) – are pretty much all terrifying. Because they’re warnings. Beware of the wolf in the woods, they say, or look out for the trap lurking in the surprise gift: that seemingly kind old lady may actually wish you harm. They were scary because they needed to be, because the dangers were real, and kids couldn’t be sheltered from them.

Thankfully, for most of us, the wolf issue has now been settled once and for all, and the kind old ladies that today’s kids encounter tend to be genuinely kind old ladies, not witches in disguise. But children still have problems and the books they read need to address them. Finding solace, finding answers – finding a way of making sense of their lives – in books is a useful habit, and something we should be teaching them. Which brings me to the kind of book that I’ve just written, which is an anger book.

My favourite picture book of all time is an anger book. It’s Where the Wild Things Are by the late, great Maurice Sendak. I love everything about it, from the strange poetry of its telling to the way the forest grows in Max’s room so that it spreads to the edge of the pages (overrunning the neat white margins that had previously kept the story within bounds). It’s perfect, of course it is, but I have on occasion felt a little dissatisfied that Max’s anger is just left to run its course, until he grows bored of the Wild Things and their lawless land and wants to be home where someone loves him “best of all”.

Sendak famously said that the Wild Things, with their strange cries of “We’ll eat you up – we love you so!”, were based on his smothering relatives. But what if there was a relative who understood Max, who showed him the way out of that forest?

Because it’s hard, this stuff – and we could all do with a little help. I’ve often thought that children learning how to handle their emotions is a bit like someone learning to drive during a demolition derby. You find yourself at the wheel of a hugely powerful machine which zooms around the place, forever crashing into people and things, and it’s only after a lot of scrapes and collisions that you finally get some kind of fix on how not to destroy everything every time your little brother eats the last piece of cake.

(Do I talk about cake too much? Is that even possible?)

And that’s why I wrote my new book, Sometimes I Am Furious (illustrated by the brilliant Joe Berger). In our story, a little girl is mostly kind and good, but on occasion… well, you can guess. And we make it clear that it’s not unreasonable that she blows up from time to time. Things don’t always go right for any of us – in life, there are disappointments and frustrations and you’re going to get angry. (By the way, check out how Joe shows our girl in ever greater close-up each time she says she’s furious – maybe it’s his version of Sendak’s expanding forest, as her rage spreads out to cover her world. You will also notice that Joe likes yellow.)

What our book has that Sendak’s doesn’t is a grown-up who is patient and loving and suggests ways the little girl can cope with her emotions so that they don’t overwhelm her. I’m not suggesting the advice she gives will work for everyone (though I hope it’s useful). It’s reading the book – sharing the girl’s journey through her anger and out the other side – that might help. Losing control is scary, but in the safe world of the imagination, where you can pretend to be someone else and try on different emotions just like you try on different outfits at a costume party, children can gain a clearer understanding of these big feelings, lose some of their fear of them and maybe learn a bit more control.

That way they’ll become better, more rounded individuals, just like all us grown-ups. Now, if you’ll excuse me, I have to go. Hey, wait a minute – where’s my cake? I left a piece of cake right here! I’m not leaving until I find out WHO. TOOK. MY. CAKE!!!

Sometimes I Am Furious
Author: Timothy Knapman
Illustrator: Joe Berger
Published June 6th, 2023 by Penguin Workshop

About the Book: Life is all fun and games when everything’s going your way. But some days, suddenly, something becomes horribly UNFAIR. A melting ice cream cone, a too-tight T-shirt, a boy who doesn’t share… it’s enough to make you FURIOUS. But as this little girl discovers, it’s nothing that a deep breath, a happy song, and a good cuddle can’t sort out.

You won’t be furious reading this funny, friendly, and relatable book for young children (and their parents) about strong emotions and how to handle them.

Praise: 

“Humorous art supports the rhyming verse with bold, eye-catching, thick-lined graphics. Kudos to Knapman and Berger for making it clear that feeling anger—especially at perceived unfairness—is fine; what’s important is finding ways to calm down before a meltdown.”—Kirkus Reviews

“Knapman and Berger … offer standard self-regulation advice by way of their young exemplar: seek out an empathic adult… and try some grounding exercises… While 24-7 equilibrium may not be possible, the creators suggest that knowing it’s within reach can be a big comfort.”—Publishers Weekly

“In this charming UK picture book import, our narrator’s cute, unassuming attire… comically mismatches the pure childhood-tantrum wrath of exaggerated downturned eyebrows and a glare so intense it practically burns through the page… The text’s rhyming couplets are smoothly read aloud and make this an ideal choice for a storytime that will have its audience in giggles and maybe inspire some introspection about how to deal with big emotions.”—The Bulletin of the Center for Children’s Books

About the Author: Timothy Knapman has written over 60 books for children, as well writing as plays and (the words for) musicals and operas. He lives on cake in his own private flying castle with his pet dragon, Enid, and finds it increasingly hard to tell the truth about himself.

If you’d like to find out more about him, please visit www.timothyknapman.com

Thank you, Timothy, for this hilarious yet important post!

Author Guest Post: “Where Story Ideas Come From & Why Personal Narrative Writing Works Best for Me” by Charlotte Offsay, Author of Challah Day!

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“Where Story Ideas Come From & Why Personal Narrative Writing Works Best for Me”

One of my favorite questions to ask other authors is where their story ideas come from. It fascinates me that everyone seems to harness creativity differently. Some authors I know will take two things that ton’s typically go together and combine them into a story, for example mashing vampires and a beach vacation lead author Laura Lavoie to write Vampire Vacation. Other authors will create lists – emotions, settings, types of narrators etc. – and challenge themselves to combine them into a story.

Personally, I prefer Personal Narrative Writing and tend to mine my own life for story ideas. I find that when I write from experience or from the heart, it shines through in my writing and brings out my best work. Since I write picture books, I like to take my own personal experiences and then channel them through a child lens and onto the page.

Take for example my upcoming picture book Challah Day! illustrated by the talented Jason Kirschner (8/1/23 from Holiday House). The idea for Challah Day! was born out of a personal experience close to my heart – my love of baking challah with my two young children.

Book Description: Challah Day! is a joyful, rhyming story about a Jewish holiday food that’s baked with love. From kneading sticky dough to gathering with family around the table, Challah Day! celebrates family, food, heritage, and tradition! Join this happy family as they bake delicious braided egg bread for their Friday night Shabbat dinner.

I began making challah with my two young children when they grew old enough to stop trying to eat the raw dough. Making Challah with them has brought clouds of flour, broken eggs, endless laughter, delicious bread and a beautiful timeless tradition into our home. Channeling my joy of baking together led to my writing the first draft of Challah Day! after one particularly giggle-filled baking session.

I sat down and wrote an upbeat, rhyming story about a family baking challah together for Shabbat. I included fun details from my own life, for example one page reads:

Crack the eggs – one… two… three… four
Extra if some hit the floor.

These lines were inspired by the countless eggs my children broke while learning to master cracking eggs.

The lines…

Chocolate? Raisins? Which to use?
It’s not hard for us to choose!

…come from my daughter who loves to try and fit an entire bag of chocolate chips into her challah dough.

And the lines…

Grandma lights the candles bright.
She and Grandpa hold us tight.

…were inspired by my in-laws who still scoop my children close every time we light the Shabbat candles together.

Mining personal experiences for story ideas can be a great way to help students create their own stories – everyone has a story to tell! Students can choose to stick close to their personal experiences the way I did with Challah Day! or they can use the concept as inspiration and then take artistic license.

Personal Narrative Writing Prompts:

  1. Write about a food that you love to cook or bake with your family.
  2. Describe a favorite tradition or holiday.
  3. Where is your favorite place to visit and why?
  4. What was the best day you have ever had?
  5. Write about your first sleepover
  6. What is something that you are proud of?
  7. What is the silliest thing that has ever happened to you?

Steps:

  1. Pick a personal narrative writing prompt.
  2. Who are the characters in your story?
  3. What are the steps or order of events in your story?
  4. What fun personal details can you add?
  5. Write an opening line that will introduce your character and make your reader want to keep reading. For example, “The silliest thing that ever happened to me was ____” Or “I am proud of ____ because _____.”
  6. Write about the events that happened in your story while keeping the action moving forward. Follow your order of events using words such as: First, Next, Then, Finally.
  7. Incorporate your fun personal details as you write just like I did for Challah Day! Add adjectives/describing words and answer the following questions within your story: Who, What, Where, Why or How.
  8. Conclude your story with one of the following:
    1. How things ended
    2. What you learned
    3. What you will never forget
    4. How the story changed you/made you look at the world differently
    5. What you look forward to doing next time

Happy creating!

About the Author: CHARLOTTE OFFSAY was born in England, grew up in Boston, and currently lives in Los Angeles with her husband and two children. Through her work, Charlotte hopes to make children laugh, to inspire curiosity, and to create a magical world her readers can lose themselves in time and time again.

Charlotte is the author of The Quiet Forest, illustrated by Abi Cushman (Paula Wiseman Books, 2024), Challah Day!, illustrated by Jason Kirschner (Holiday House, 2023), A Grandma’s Magic, illustrated by Asa Gilland (Doubleday Books for Young Readers, April 2022), The Big Beach Cleanup, illustrated by Kate Rewse (Albert Whitman, 2021), and How to Return a Monster, illustrated by Rea Zhai (Beaming Books, 2021).

Learn more about Charlotte’s work at charlotteoffsay.com and follow her on Twitter and Tiktok at @COffsay and on Instagram at @picturebookrecommendations. Charlotte is represented by Nicole Geiger at Full Circle Literary.

Thank you, Charlotte, for this post about your process and ideas to help kids with theirs!

Author Guest Post: “Learning Empathy, Compassion, and Self-Acceptance from Mooz” by Hasan Namir, Author of Banana Dream

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“Learning Empathy, Compassion, and Self-Acceptance from Mooz”

I was born in Baghdad, Iraq and grew up there until I was 11 years old. I remember one time, I was seven years old, my father had just returned from Amman, Jordan, a neighbor country.  His face was beaming with excitement. I could tell he had a surprise for me, my mom and my sister. I was waiting in anticipation when he revealed what he brought cross the border: bananas. I was so excited because we never had bananas in Iraq. After Saddam Hussein invaded Kuwait, the United Nations Security Council imposed sanctions against Iraq. What that meant was countries weren’t allowed to import food, fruits and vegetables into Iraq. Instead the U.N. would give monthly food basket for families that included wheat, flour, sugar, rice, milk powder, tea, salt, detergents, soaps, beans, lentils and cooking oil. The basket didn’t include any fruits, vegetables, meats. Sadly, bananas weren’t allowed to be imported to Iraq and also they weren’t locally grown. I grew up dreaming about bananas, and I would see the fruit only on television. When my father came back from Amman, he had brought bananas with him and I was so happy. I ate so much and I wanted to eat more of them. My mom said to take a breather and not overeat otherwise, I would get a stomach ache. I wanted to bring some bananas to school. My mom wouldn’t let me do that. She didn’t want other kids to see me with them.  

As a kid, I had a lot of unanswered questions. I didn’t understand why my mama wouldn’t let me bring bananas to school. I quickly learned that not everyone was privileged to eat the fruit. Like my parents, I wanted to grow up to be more empathetic and compassionate. 

In 1998, my family immigrated to Canada and I quickly noticed that bananas were plentiful and cheap. Every time I ate the fruit, I had memories of Iraq and how bananas weren’t imported locally. Things have changed in 2003 during the Iraq War. All the sanctions were removed. Bananas became plentiful. I was happy to see Iraqi children being able to eat the fruit. My heart was with all the children who lived through war-stricken Iraq.  

For many years, I wanted to bring the story of bananas in Iraq to life. When my son Malek was born, I knew that I wanted to turn the story into a children’s picture book. As such, I wrote Banana Dream. The story is about Mooz, an Iraqi boy growing up in war-stricken Iraq. His name means Banana in Arabic and he dislikes his name because he feels left out, like an outsider, when all his cousins were named Ali and Mohammad. His classmates mock his name and make fun of him because he was named after a fruit and that was such a strange thing. Mooz was always curious about his name so he asked his mother about it. His mama tells him the story of his birth. After years of being unable to get pregnant, she dreamed that she was feeding a baby a banana. After she told Mooz’s father about the dream, he drove for hours to Amman, Jordan to find her some bananas, and soon after, Mooz was born. After hearing this story, Mooz’s perception of his own name changes for the better. He becomes proud of his name and even defends his classmates who mocked him once again. He has a new appreciation of his name. The story also highlights Mooz’s dream of eating bananas too after sanctions were removed after the Iraq war. I wanted to show the thrill and excitement of Mooz eating a banana for the very first time. It is the same feeling I was having when I had a banana for the first time. It was such a magical feeling. 

I hope with Banana Dream, kids of all ages can learn to be empathetic and compassionate toward anyone who is not as privileged. I knew that I was writing a story about war so I treated it with extra sensitivity. I hope that the young readers will have empathy for Mooz as he goes through his journey of self-acceptance. 

When I wrote this story, I wrote it for my son, Malek, because I want him to read Mooz’s story so he can he learn about the time when bananas weren’t grown in Iraq and they were only just a dream. I hope that Malek and all kids who read the book will have a new appreciation of the fruit. May the story bring joy to all readers and also may it remind them not to take anything for granted. This experience has helped me appreciate the little things in life that I otherwise would not have paid attention to. 

Published July 11th, 2023 by Neal Porter Books

About the Book: A young boy in Iraq yearns to taste the bananas that have been made unavailable by warfare.

Growing up in Iraq after the Gulf War, Mooz didn’t always like his name, which means “banana”. But when he learns the story behind it, he’s proud, even when being teased by his classmates. Now all he yearns for is to taste a banana—a lofty dream in a time when few countries are trading with Iraq, where bananas don’t grow.

Inspired by author Hasan Namir’s own childhood, Banana Dream is at once a celebration of a seemingly ordinary fruit and a snapshot of how war can alter a landscape. Artist Daby Zainab Faidhi’s background in architectural illustration is evident as she brings the story’s setting vividly to life.

★ “This vibrantly illustrated picture book introduces children to the toll of war through a relatable experience: learning the meaning of one’s name. Mooz emerges as a fully formed, layered character, while the Iraq setting is richly drawn. The stylized artwork has an appropriately dreamy feel in places. What’s in a name? Plenty, as this clever and poignant tale makes clear.”—Kirkus Reviews, Starred Review

About the Author: Hasan Namir is an award- winning Iraqi-Canadian children’s book author. His debut picture book was The Name I Call Myself. He has also published books of poetry and a novel. He lives in Vancouver with his family. 

Visit him online at HasanNamir.com
Twitter – @HNamir
Instagram – @Hasan.Namir

https://holidayhouse.com/book/banana-dream/
Twitter, Instagram, and Facebook – @HolidayHouseBks

Thank you, Hasan, for bringing us Mooz who will truly help readers grow!

Author Guest Post: “Unpacking the Layers of Meaning Hidden within a Picture Book” by Carin Berger, Author of In the Night Garden

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“Unpacking the Layers of Meaning Hidden within a Picture Book”

On its face a picture book can seem like a simple thing. After all, most picture books are composed of a mere 16 spreads and a handful of words, plus a jacket, a case, end papers and a title page (all worth taking careful note of!). And yet a good picture book is a multi-layered, complex balancing act with many elements. Ideally, it works on several levels with layers of meaning woven within it that are revealed with repeat readings.

As an author and illustrator, I am fortunate to be able to toggle between visual and textual storytelling and allow a kind of play between the words and pictures. I can build secrets within the illustrations that continue to reveal new things upon multiple visits. I create my collages by hand, working with vintage ephemera, a material that I choose because I love the fact that each piece comes with built-in, hidden stories. One more layer of complexity. My goal is to build depth within my books, so that when they are used in a classroom, they can help foster meaningful discussions, cultivate careful observations, and to deepen visual and textual literacy. In the Night Garden, at first read, might seem to be simply a good night book. It has a lulling rhythm and takes place at night and ends with the phrase “Sleep tight.” An alert reader will notice a black cat who is on every page, and who chaperones the reader through the story, and functions as the narrator. The reader might also notice the passage of seasons within the illustrations. Certain spreads have interesting treats waiting to be discovered, for example the “visual onomatopoeia” in the illustration of the crickets and bullfrogs songs. Or the fact that hidden in the spread of the girl’s bedroom at the end of the book, there are objects from all of the previous spreads. Can you find them?

There are personal nuggets hidden within my books as well. I am a long-time fan of Al Hirschfeld’s illustrations. He always included his daughter’s name, Nina, within his illustrations. I have done this as well. The name of my daughter, Thea, is somewhere, hiding within the illustrations in all of my books including In the Night Garden. You will need sharp eyes, but I bet you can find it. Also keep an eye out for the letter T…as in Thea! In the Night Garden was in part inspired by Thea’s fear of the dark and difficulty in going to sleep at night. I think many children have some anxiety around this transition, and I hope that celebrating the beauty of the darkness will be useful. We used to lie out on the porch, gazing at the stars and identifying unfamiliar sounds as a way to ease her fear. This became a treasured ritual and part of the inspiration of In the Night Garden. My burgeoning love of gardening also inspired the book. I grew up around talented gardeners and I always longed to have my own bit of dirt to garden in. Now that we have our house in the country, I am insatiable. I find it a delight to watch the changes in the garden as seasons pass. There are often magical moments that happen: There was one early morning where I spotted a trio of fox cubs splashing playfully in our stream, and one autumn dusk when a hoot owl was only a few feet away, gazing steadily at me from our apple tree. We watch the dance of fireflies in the summer, and the whirl of bats that swirl above us in the early evening; we marvel at the silent transformation that occurs after a heavy snowfall. In some ways the book is an ode to Cupcake, the name our daughter gave our house, this place that we love. As you can see, it is deeply personal!

Finally, and also deeply personal, there is a more profound meaning tucked within the simplicity of In the Night Garden. I hope that the book inspires awe and wonder about nature and night time, as well as about seasons and the sometimes dazzling and sometimes subtle transformations that the natural world helps to highlight. I hope it lulls the reluctant sleeper to sleep. But it is more important to me that In the Night Garden works on a deeper level. I hope that the book can spark curiosity and initiate discussions about learning to explore the unfamiliar in a broader sense. I think fearing the unknown is universal, especially in childhood which is filled with newness and uncertainty. It is my deep wish that In the Night Garden can serve as a tool to start conversations about openness to things we aren’t familiar with, and that it will encourage readers to learn about new things, new people, new ideas. I hope that these conversations can help institute an openness to the “other”, something that I think is incredibly important, especially in these divisive times.

As you can see, picture books are not so simple!

Published July 4th, 2023 by Neal Porter Books

About the Book: A gentle, collage-illustrated bedtime read about the often mysterious and always beautiful experiences to be found in nighttime spaces.

In the night garden fireflies look like fallen stars.
Moonflowers unfurl and release their intoxicating perfume.

In the night garden you can lie
on the cool grass and look up to the
millions and trillions of stars…

In the night garden, nothing is as it seems and everything is made new. Blinking stars and pale moonlight might reveal a lone cat tiptoeing across a roof, luminous flowers unfurling in the cool air, a mama fox escorting her sleepy cubs home. Listen closely and you might hear the wind blowing through the trees, the murmur of a slow stream, or the gentle song of crickets and bullfrogs, lulling you to sleep.

Carin Berger is the award-winning author of The Little Yellow Leaf, a New York Times Best Illustrated Book. With soothing words and spectacularly detailed, hand-cut collage artwork, she has fashioned a bedtime book like no other. Curious readers will be rewarded when they look for the mysterious cat that appears on every page!

A Junior Library Guild Gold Standard Selection

★  “In tandem, the text and art endow nighttime with a sense of whimsy and wonder, and for little ones readying for bed, they’ll find comfort and reassurance for sweeter dreams.”—Booklist, Starred Review

★ “Nighttime is the right time for young readers thanks to this perfect amalgamation of soothing text and image.”—Kirkus Reviews, Starred Review

★ “Carin Berger’s sweet, gentle bedtime story is more than just a pretty face; it fully captures the imagination. Using her own garden as a muse, Berger (Finding Spring) takes the unease out of nighttime. . . .”—BookPage, Starred Review

★ “Berger’s attention to detail in the art, alongside her sophisticated and accessible text, creates a magical nighttime world. This spellbinding picture book will undoubtedly hold children in that glorious tension between wide-eyed curiosity and heavy-lidded drowsiness before they drift off to sleep.”—The Horn Book, Starred Review

About the Author: CARIN BERGER is the award-winning author and illustrator of almost a dozen picture books for children, including The Little Yellow Leaf, a New York Times Best Illustrated Book; All of Us; and Finding Spring. She is also the illustrator of Behold the Bold Umbrellaphant by Jack Prelutsky, and Are We Pears Yet? by Miranda Paul. She and her family divide their time between NewYork City and “Cupcake,” their home in the Hudson Valley. Carin spends all of her spare time tending her garden. Cupcake makes an appearance in and was the inspiration for In the Night Garden. 

http://www.carinberger.com/
@carinberger on Twitter
@carinbergerdesign on Instagram
https://holidayhouse.com/book/in-the-night-garden/

Thank you, Carin, for reminding our readers about the complexity of picture books and their importance in our society!

Author Guest Post: “Middle Graders are Unpredictable–and the Characters we Create for Them Should be, too!” by Linda B. Davis, Author of Food Fight

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“Middle Graders are Unpredictable–and the Characters we Create for Them Should be, too!”

As adults, we understand that an individual’s personality cannot be defined with one word. People are complicated and inconsistent—that’s what makes us interesting. Our neighbor yells at the kids who play on his lawn but later gushes over puppies and kittens. A happy-go-lucky waitress cries in the walk-in refrigerator where no one will notice. Kids can sometimes have difficulties recognizing and understanding these inconsistencies in themselves and others.

Recent research has shown that helping children become more aware of their own multifaceted identities and the ability to see themselves from multiple angles can promote flexible thinking and improve problem solving (Gaither, et al). Their findings suggest that learning to see ourselves from many perspectives helps to reduce rigid thinking, which can potentially promote open-mindedness and inclusiveness in a diverse society.

A quick glance at my debut middle grade novel, Food Fight, might suggest that several characters risk being reduced to stereotypes—a quirky loner, a social-climber, a pushy father, and a bully and the kid he is targeting. However, my intention was to create nuanced characters who behave inconsistently and a main character whose conflicting feelings and observations about himself, his parents, and his peers cause him great distress.

Food Fight is the story of eleven-year-old Ben Snyder who is starting middle school. Things go sideways for him right away because his extreme picky eating, which no one has been too concerned with in the past, is suddenly drawing a lot of attention—from his old friends, his weird lab partner, the girl he’s crushing on, and a bully. Before he knows it, Ben finds himself in social free fall, sliding toward the bottom of the middle school food chain. And if that’s not bad enough, he’s facing an upcoming class trip featuring three days and two nights of authentic colonial living—and authentic colonial food that Ben cannot eat.

In preparation for the trip, Ben sees a therapist who suggests that Ben may actually have an eating disorder called ARFID (Avoidant/Restrictive Food Intake Disorder). ARFID, a relatively new diagnosis, is often characterized as extreme picky eating, but the reality is actually quite serious and can cause significant medical, social, and self-esteem issues. It is described as a lack of interest in eating and/or a complete avoidance of eating particular foods based on sensory characteristics including texture, smell, and color. ARFID is often associated with other sensory disturbances, fears of choking or vomiting, and neurodivergence (although neurotypical kids and adults may also have ARFID).

People living with this condition generally say that most foods don’t seem like something they could even put in their mouth, let alone eat, which results in very restrictive diets limited to foods that feel “safe”—often processed or fast foods, which taste the same every time. And although the clinical definitions are descriptive and accurate, they often do not adequately convey the sheer psychological terror involved with ARFID—some call it a food phobia. People with ARFID do not limit themselves to foods they choose to eat—but to the only foods they can eat.

Although ARFID is a relatively rare condition, estimated to affect between three and five percent of kids, the types of obstacles it presents are universal in the world of middle graders as they confront the age-old question of How do I fit in? The bodies and minds of early adolescents are developing more rapidly than during any other stage of human development except between birth and age two. Even without significant medical or mental health issues, middle schoolers are navigating momentous social and academic challenges as well as shifting power dynamics in relationships with peers and parents—and their feelings and strategies for coping are nuanced and evolving, too.

It would be tempting to portray Ben’s bully as unilaterally bad, but he’s not. Other kids actually find him hilarious, and Ben watches on with surprise as the bully walks away from an opportunity to take revenge on another boy. Ben’s quirky lab partner carries herself with an arrogance that pushes others away, but she is loyal to Ben in ways that his own best friends are not. Ben’s father uses friendly language to shame him about his eating. Ben’s best buddy is intent on building up his own popularity but in the process has forgotten how to be a friend. And Ben himself, who could be easily portrayed as a great kid facing unfair circumstances, makes several bad decisions including lying, breaking rules, and responding to an accusation impulsively.

In a 2019 interview, Mayra Cruz, principal of a public school in Washington, DC, described middle schoolers as “consistently inconsistent” (Wong, 2019). It seems fitting that the characters in the fiction they read should be, too.

  1. Sarah E. Gaither, Samantha P. Fan, Katherine D. Kinzler. Thinking about multiple identities boosts children’s flexible thinking. Developmental Science, 2019: DOI:10.111/desc.12871
  2. Wong, A. Why is Middle School So Hard for So Many People? The Atlantic, October 7, 2019.

Published June 27th, 2023 by Fitzroy Books/Regal House

About the Book: Food Fight is the story of an overnight class trip that becomes a survival mission for an eleven-year-old boy who is learning that his super picky eating is actually an eating disorder called ARFID (Avoidant/Restrictive Food Intake Disorder).

Smart and athletic, Ben Snyder is ready to start middle school. But his super picky eating, which has never been a big deal before, is about to take him down. Suddenly everybody’s on his case about what he’s eating and what he’s not—his old friends, his new friends, his weird lab partner, the girl he’s crushing on, and a bully—and Ben finds himself in a social free fall, sliding toward the bottom of the middle school food chain.

Even worse, there’s an upcoming three-day class trip to a colonial farm. Knowing there’s no way he can handle the gag-worthy menu, Ben plans for the trip like a survival mission. Armed with new information about his eating habits, he sets out with three tactical goals: impress the girl, outsmart the bully, and avoid every single meal. But when things go sideways and epic hunger threatens to push him over the edge, Ben must decide how far he will go to fit in and if he has the courage to stand out.

About the Author: Linda B. Davis has always been curious about why we do the things we do. As a social worker in a community mental health setting, Linda became passionate about the need for accurate and accessible mental health information in children’s literature. She is a member of SCBWI and active in the Chicago writing community. She enjoys traveling, gardening, and buying more books than she can possibly read. Food Fight is her first novel.

Thank you, Linda, for honoring the complexity of middle graders!