Author Guest Post: “What is it Like to be a Dog?” by Dr. John Bradshaw, Author of A First Guide to Dogs: Understanding Your Very Best Friend

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“What is it Like to be a Dog?”

My middle-schooler grandkids love their superheroes. Posters of their favorites adorn their bedroom walls, their T-shirts feature costumed crusaders extolling their superpowers. Yet few parents realize that the family dog has his or her own set of superpowers, not so flashy as those of their two-legged fictional counterparts, but, in their own way, just as enthralling. If only more people would take the time to wonder, “what is it like to be a dog?” (or, indeed, any other animal).

Imaginary worlds are the very stuff of childhood, and nowadays we have the knowledge to stretch children’s imaginations to include the worlds of animals as well as humans and their ilk. Over the past hundred years or so, science has revealed just how many differences there are between reality as we know it, and the many parallel but distinctive realities inhabited by other animals. The family dog is probably the most accessible example, but any animal could serve, whether the family cat, a small furry, or even a bird perched on a wire outside an apartment window. Any one of these could lead to valuable insights into how the animals around us live in their own worlds.

Dogs make great subjects for such flights of fancy, and not only because they’re so familiar to us. Their version of the family home overlaps with ours a lot – otherwise we’d find them difficult to live with, and vice versa – but there are also many intriguing differences that I reveal in my book for middle-graders, “A First Guide To Dogs”. Dogs can hear high-pitched sounds that we can’t, they’re red-green color-blind and permanently long-sighted, their sense of smell is thousands of times better than ours, and they have a whole other “nose” that sits between their actual nose and the roof of their mouths, that helps them to decode – and perhaps store – the individual smells of other dogs. Indeed, dogs’ social lives revolve around these smells, hence the care with which they choose a place to pee, and their obsession with sniffing underneath each other’s tails.

It’s not only the physical world that must seem different to a dog. Their minds work differently too, even though their brains are laid out in a similar way to ours. Scientists are still arguing about whether dogs are aware of themselves to the same extent that we are (probably not so much), but we are now sure that their sense of time is different to ours. Dogs live much more in the here-and-now than we do, having only a limited perception of the past and even less of a grasp of the future. This has profound implications for the way they interpret our actions. Most pertinently, they seem unable to understand that whenever we leave the home, they should expect us to return. Left home alone, many dogs fear they have been abandoned for good, raising their stress levels sky-high. A simple training regime can overcome this, but too few owners understand the necessity.

Dogs’ lives can also provide great lessons for thinking about what “well-being” really means. Hold on, surely everyone loves their dog, right? But that’s no guarantee that dogs will always get the happiness they deserve. The problems come when dogs get treated as if they were just little people, not animals with their own priorities. How would middle-schoolers feel if their parents ripped their screens out of their hands every time they saw a message from a friend? Yet that’s exactly what dogs must experience when they’re yanked away from every interesting smell by the leash tightening around their neck.

Dogs – and other animals – can provide a springboard for amazing journeys into other worlds, now that science has given us so much insight into their minds and how they interpret their surroundings. Thinking about dogs, especially, can give us a close-to-home stimulus for the imagination, whether the focus of the class is science, or ethics, even creative writing.

Published June 13th, 2023 by Penguin Workshop

About the Book: Featuring fun illustrations (by Clare Elsom) and easy how-tos from animal expert Dr. John Bradshaw!

Uncovering the secret lives of pets, Dr. John Bradshaw invites young readers to learn more about their closest companions: their dogs! Told from the point of view of Rusty the Terrier, this lively, illustrated book gives kids a front-seat view to the everyday lives of dogs, sharing lessons and growing children into the best pet owners they can be.

 “Perceptive and engaging—essential reading for anyone seeking greater understanding of their four-legged best friends.” — Kirkus, starred review

About the Author: John Bradshaw is the director of the Anthrozoology Institute at the University of Bristol in the U.K. He has studied the behavior of domestic cats and dogs for more than 25 years.

Thank you, John, for this fun look into the minds of dogs!

Author Guest Post: “Notice What You Feel” by Christie Matheson, Author of Select

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“Notice What You Feel”

There’s a short scene in my book Select during which the main character, Alex, notices a woman across a crowded city street running to catch a bus. She’s carrying heavy bags and moving as fast as she can. A man waiting at the bus stop sees her, and Alex assumes he will alert the bus driver so the bus can wait a few seconds for her to get on. But the man doesn’t do that, and the bus speeds away, leaving the woman alone and distressed on the sidewalk.

Alex feels sad and frustrated that she couldn’t do anything to help—and that the man chose not to help when he could have. She pays attention to her feelings, and thinks about the people in this world who choose to help when they can, and those who choose not to help.

This scene was inspired by reality. Not too long before I wrote that scene, I saw this exact thing happen from a distance. It made my heart hurt for the woman who was left on the sidewalk with her heavy bags. I wished I could have done something to help. And as soon as I had the chance, I wrote about it quickly in my notebook and later wrote the scene. Is it critical to the plot of the book? No, not really. Does it help us understand how Alex sees people and the world? I hope so.

Every day, we will witness and experience things that make us feel something. It might be sadness, or a glimmer of joy, or full-blown excitement, or a sense of unexpected calm. It might happen while we are out and about, or at home, or while reading. When we are struck by noticeable feelings, I think it’s important that we take the time to notice them. Pay attention to them. Wonder about them. (What was it that caused the feeling? Why?) Feel them fully. And maybe write about them.

Noticing our feelings and what sparks them can help us be more present and aware of what’s happening in the world, and possibly deepen our understanding of ourselves and others.

It can also help us to think more clearly about books. After reading a chapter or a whole book, we can ask ourselves: Which scenes made me feel something? What did they make me feel? Why? Do I want to read more books that make me feel this way?

And finally, if you write down the tiny details of something you saw or experienced, and how it made you feel, that just might go into a book you write!

Published May 9th, 2023 by Random House Books for Young Readers

About the Book: One girl and her soccer team take a stand against the bullies who push them too far in this brave, inspiring novel that celebrates girl power and the true spirit of sports. Perfect for readers who love The Crossover and Fighting Words.

“A tale of terrific girl power and athleticism.” —Kirkus Reviews

Twelve-year-old Alex loves playing soccer, and she’s good at it, too. Very good. When her skills land her a free ride to play for Select, an elite soccer club, it feels like a huge opportunity. Joining Select could be the key to a college scholarship and a bright future—one that Alex’s family can’t promise her.

But as the team gets better and better, her new coach pushes the players harder and harder, until soccer starts to feel more like punishment than fun. And then there comes a point where enough is enough, and Alex and her teammates must take a stand to find a better way to make their soccer dreams come true.

Powerful and inspiring, Select explores the important difference between positive and negative coaching and celebrates the true spirit of sports.

About the Author: Christie Matheson is the author of Shelter and is also the author-illustrator of many picture books, including Tap the Magic TreeTouch the Brightest Star, and Bird Watch. She lives in San Francisco with her family.

Thank you, Christie, for this wonderful writing tip!

Author Guest Post: “Big Ideas: Ways of Making Abstract Concepts More Tangible for Students” by Laura Wippell, Author of Feeling Hopeful

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“Big Ideas: Ways of Making Abstract Concepts More Tangible for Students”

One of my favourite things about picture books is their ability to communicate BIG IDEAS, BIG EMOTIONS and BIG ISSUES on their relatively small pages.

In an age of book bans it’s extremely encouraging to see authors continuing to tackle these big subjects within picture books, but is it something we are doing enough of in our classrooms?

I’m an Australian teacher who has been teaching English to students in Chile for almost a decade.  It can be challenging to explore BIG ideas with my ESL primary school students, who often need extra support when it comes to vocabulary or finding ways to describe these non-tangible concepts.  So, what I try to do is find ways to help them visualise these abstract concepts, or make them more tangible.

Here are three examples of how I’ve done that:

  • Show, don’t tell

When it comes to ESL classes, students have sometimes shown anxiety when I introduce a new concept, because while they might know what it is, they haven’t heard the term before in English, and it sounds big and scary.  When starting a new unit, I’ve learned that it’s best to retain a bit of mystery, and rather than telling students what our new unit will be about, I use inquiry activities such as the Question Formulation Technique, or Project Zero’s Thinking Routines from Harvard.  One example is their Name, Describe, Act activity.

Here’s how I’ve adapted that activity for my class:

I wanted to talk about fear as an emotion (a fairly abstract concept), so I displayed an emoji on the board and the students had to try to name it, describe it, and explain what sort of actions that emoji might produce.

The great thing about inquiry activities is that the students’ answers can give you a good indication about their prior knowledge on the subject, and how much support you might need to give them in the upcoming classes.

  • Food is a love language!

I’ve come across quite a few language and cultural barriers since living in Chile, but one sure way of breaking them down is through food.  Gosh, Chile has some incredible food!  From its soft, spongy marraqueta bread, to its creamy ‘manjar’ or ‘dulce de leche’ as it’s often referred to in other countries, to its colourful rainbow of seasonal berries and fruits, there’s something here for every appetite.  Food is a fantastic way to find common ground when meeting someone new, both in and out of the classroom.

Since food is so universal, I find it to be a great tool for making connections to more abstract ideas or concepts with students.  When I tutored students one-on-one, I was able to bring a few snacks for us to smell and nibble on and then compare each snack to something abstract, like an emotion or even a character from a book.

If the visual aspect of food wasn’t enough for them to make connections, the students could use their sense of touch, smell and taste to make surprising connections to those intangible concepts.  I once heard that watermelon was chosen to represent fear, because of all of those scary dark seeds that are hidden within.  Who would have thought?

For bigger classes at school where food sharing can sometimes be tricky or not allowed, you can always show high resolution pictures or videos.  The Hiho Kids channel on YouTube has a lot of cute videos of children trying food from around the world.

  • Differentiation is key

If food isn’t your thing, you might like to get your students to choose how they would like to describe a concept in a more tangible way.

For example, if you are exploring ‘fear’, they could choose between one of the following options:

  • If they had to write a letter to their fear, what would they say to it? Here you can always use vocabulary lists for extra support.
  • How would they represent fear in a dance? What music genre would they dance to?
  • What about a meme? If they had to sum up what their fear looks like in one meme or gif, what would it be?
  • How would they draw their fear? What does fear look like to them?

If you’re wondering why I’ve used fear as an example in my activities, it’s because it’s something that I feel we need to talk more about.  As teachers we often have a lot of social-emotional check-ins with our students about how they are feeling, but sometimes we need to dig deeper and look at their current fears in order to understand why someone might be feeling a certain way.

Fear can be tough to explore, so I wrote a picture book about it.

Published

About the Book: In my picture book, Feeling Hopeful, Hope takes on the form of a happy, somersaulting dragon, who is hunting Fear.  Fear appears as a creature that likes to climb on children so they feel its full weight and presence.  Don’t worry though, there is a happy ending!

Far above the world, Hope the dragon somersaults through the sky, protecting those below.  But he encounters a formidable opponent in Fear.  Fear proves no match for Hope, until he meets a curious character, The Reader.  And it’s inside The Reader’s vast library that Hope finds what he’s looking for, plus much more…

This lyrical story has an uplifting SEL message and contains themes of hope, fear, the importance of reading and friendship.  While this book is marketed at a younger audience of up to six years old, I’ve used it with students up to 11 years old, and all of them have been able to make surprising, honest and beautiful connections.

That’s the beauty of working with BIG ideas, emotions and issues – they really have no age limit.

You can find a free teaching resource for Feeling Hopeful on my website at https://www.laurawippell.com/resources, which contains activities aimed at helping students visualise hope and fear.  Please feel free to reach out with comments or questions via my contact page.

About the Author: Laura is a children’s author.  In 2022, she won the Bee Ethicool author contest, which received over five thousand entries.  Laura’s debut picture book, Feeling Hopeful, is out now with Ethicool Books.  As an Australian living in Chile, Laura loves writing imaginative children’s books that make you feel local, and think global.  Laura has a background in Education, and is passionate about sharing her books with children and educators around the world.  Visit her at https://www.laurawippell.com/

Thank you, Laura, for these activities for the classroom!

Author Guest Post: “Using Fiction to Tell Your Truth” by Kaz Windness, Author of Bitsy Bat, School Star

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“Using Fiction to Tell Your Truth”

“Write what you know.” We’ve all heard this advice, and likely your earliest writing assignments were personal narratives. Mine were. Now as a more experienced author, how can you write stories that are still authentic to you but utilize fictional characters and worlds? The answer is metaphor.

Since I discovered I was autistic six years ago, I’ve wanted to write a children’s book that captured my experience of trying to fit in a world not designed for me. I’ve always known I was different and struggled, but it took my child getting diagnosed through school to realize I fit the criteria, too. Finding out was life-changing and healing, but it also led me to discover how much work we still have to do to help the world understand autism. As a children’s book author, illustrator, teacher, and mom, I knew I needed to use my platform to help spread awareness. But how?

One day as I was chatting with an autistic illustration student and drawing bats in my sketchbook, I compared being autistic to being a bat in a classroom full of mice. The second I said it, I knew this was the book idea I’d been waiting for. “What if a bat tried to fit in at a school for mice?” I went straight to work writing Bitsy Bat, School Star.

Bats may look like mice, but their physiology and needs differ greatly. Additionally, they have traits common to autistics. For example, a bat’s eyes are sensitive to light and their ears are sensitive to sound. They flap when happy and prefer to eat a few specific foods. Moreover, they are misunderstood and need more love and understanding.

As I began working with my editor, Bitsy’s story evolved to include all sorts of nocturnal animals besides mice—a bunny, a porcupine, a fox, a mole, a raccoon, and a possum. Besides being a story about a little bat finding acceptance, we saw the potential for all children to feel seen. When Bitsy learns to share what makes her unique, she invites her classmates to do the same. The book ends with each child participating in a “Shine and Share” activity to celebrate everyone in the class.

Take a moment now to think about something that makes you uniquely you. This could be something about your background, your life experience, a disability, a unique talent, or any other aspect that is specific to you. Write a few sentences to describe what this is. Now brainstorm characters or circumstances that could mirror this story of your uniqueness.

During quarantine, many picture book authors wrote stories about a big storm. The storm was a metaphor for dangerous circumstances outside of our control. Forced to stay inside and shelter while the destruction was happening everywhere, we experienced fear and loss but grew closer as families and remained hopeful for brighter days ahead.

Metaphors offer safe places to experience big feelings in ways that are both more gentle and more impactful. We can go to extremes within the expanse and safety of fiction. Imagine if Max had moped around in his room for thirty pages instead of sailing to the island of monsters and living out a fantasy of being king of the Wild Things.

Don’t shy away from talking about your unique identity or struggles. Every time I’ve faced my fears and exposed a vulnerable part of myself, rather than being shamed or ridiculed, I’ve helped people who are like me in some way, just waiting for someone to break the silence so they knew they weren’t alone. Writing your truth will always resonate with readers. It helps heal others and yourself, too.

Try your hand at metaphor and tell stories that bring your authentic self to fiction.

Published January 1st, 2023 by Simon & Schuster

About the Book: A little bat struggles to fit in only to learn to celebrate differences in this heartfelt picture book from an autistic perspective about starting school, making friends, and seeing what makes each person special.

About the Author: Kaz Windness is an author-illustrator who loves to make her readers laugh. When she’s not writing or illustrating books, Kaz teaches illustration at the Rocky Mountain College of Art + Design and enjoys making deep-dish pizza. Kaz lives in Denver, Colorado, with her husband, two children, and Boston terrier. She’s the author of picture books Swim, Jim! and Bitsy Bat, School Star. She also created the Level 1 Ready-to-Read Graphics Worm and Caterpillar Are Friends and the Level 1 Ready-to-Read Cat vs. Vac. Visit her at WindnessBooks.com.

Thank you, Kaz, for sharing your truth and pushing writers to share theirs too!

Author Guest Post: “Building Empathy” by Kim Taylor, Author of A Flag for Juneteenth

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“Building Empathy”

When I was a young girl, I was an avid reader. I did not have the distractions that are seemingly everywhere today. I picked up anything I could get my hands on, but I was most attracted to stories with a main character that was trying to find their place in the world. If the writing was very good, I was drawn into the story and felt deeply connected to the protagonist. I had the best of two worlds. I spent my formative years living in an apartment building in Brooklyn, and every summer I would go to sleep away camp in the Catskills. I loved the excitement of playing outdoor games with friends in our building’s courtyard, but always looked forward to the calming peace of the woods and lake at camp. It’s no wonder that I would seek out books with these familiar themes.

When I was doing research to prepare for writing my debut book A Flag for Juneteenth, I googled, listened to podcasts, and read books about slavery in America. I also looked at pictures of enslaved people which helped me to imagine their personalities and lives. One picture of a little girl that I found on the Library of Congress website seemed to embody the spirit of my heroine, and I kept her image in mind as I developed the character.

I wanted my main character’s name to be unusual, one that would be new to my readers. I envisioned this character to be a prophet, one who could bear witness to the announcement of the end of slavery as a legal institution in America and could also foretell a future free of bondage. I googled biblical female prophets and an image of a beautiful Black woman appeared on my screen. Her name was Huldah. As soon as I saw her, I knew that this would be the name of my main character. Eve, the name of Huldah’s baby sister, is also biblical. It is derived from a Hebrew word meaning “to breathe”, or “to live”. In my story Eve is an infant. She will have the opportunity to live her life without the burden of enslavement. One other character in my story has a name. Mr. Menard is the oldest man on the plantation. He has the last name of Michel B. Menard, the first plantation owner in Galveston Texas where my story takes place. I thought that it was important to demonstrate that enslaved people were often given the last name of their enslavers to erase any connection to their own family lineage.

I thought about ways to help young readers to be interested in an event in history that is rarely taught in schools, and to feel connected to a reality so far removed from their own. I knew that I would need to draw them in early in the story and decided to start with my main character feeling excited about her upcoming birthday celebration. Huldah is a mature, curious, insightful little girl. She has the very ‘grown up’ responsibility of caring for her baby sister during the day while her parents labor on the plantation. The reader meets Huldah for the first time on the day before her 10th birthday, which fell on a Sunday that year. Sundays were a day for rest and reconnecting with family and community. Huldah’s mom baked Huldah’s favorite tea cakes for her upcoming birthday, a luxury she may not have had time for when the long work hours started again the next day. The characters in my book are purposefully faceless. I am hoping that my readers will see themselves in the story and connect with the characters on a deeper level.

I am incredibly proud to have illustrated this book with quilting, an art form that was used by my ancestors to tell their own stories. When planning the illustrations, I tried to keep the text in mind, and made decisions about what aspects of the text I thought needed to be enhanced. For example, the first page describes tea cakes, a type of traditional cookie that enslaved people made using simple pantry ingredients. I thought that it was important to help my readers visualize a teacake, so I set out to create them using one of the brown fabrics from my stash that had some color variations. Teacakes were not fancy back then, but they were delicious and smelled amazing, so I used hand embroidered lettering to show the movement of the scent wafting through the air. The illustrations took a little over a year to create. It was an enormous undertaking and a very emotional journey. Because the people in this book have no faces, I had to figure out how to give Huldah depth and to showcase her personality in other ways. I also needed to make her consistent and recognizable in every illustration. That is no easy task when working with fabric on such a small scale! I remember telling a friend that I felt as though Huldah had become like a daughter to me. I felt a deep connection to the character.

When teaching about this troubling time in American history, I feel that is critical to highlight the beauty and resilience of African and African American people during their enslavement, as well as to showcase how important strong family and community ties was to them then and continues to be today. As educators we should not leave out what life was like for enslaved people when they were not laboring. Although difficult, these were people who did all that they could to connect with their immediate and extended families, and to build a sense of community despite such oppressive circumstances. By humanizing them we build empathy and help our young readers to see their commonalities rather than their differences. Hopefully this will encourage them to want to learn more about this significant time in American history.

Published

About the Book: This powerful title shares a unique story of the celebration of the first Juneteenth, from the perspective of a young girl. 

A Flag for Juneteenth depicts a close-knit community of enslaved African Americans on a plantation in Texas, the day before the announcement is to be made that all enslaved people are free. Young Huldah, who is preparing to celebrate her tenth birthday, can’t possibly anticipate how much her life will change that Juneteenth morning. The story follows Huldah and her community as they process the news of their freedom and celebrate together by creating a community freedom flag.  

Kim Taylor sets A Flag for Juneteenth apart from other Juneteenth books by applying her skills as an expert quilter. Each of the illustrations has been lovingly hand sewn and quilted, giving the book a homespun, tactile quality that will appeal to readers young and old.

Educators’ Guide: 

About the Author: Kim Taylor is a speech language pathologist and Department Supervisor at a large school for deaf children. She is also an expert quilter whose works have been exhibited at several venues throughout the Mid-Atlantic region. Kim’s quilts reflect African American life, and she tells stories through her materials. After researching the origins of the Juneteenth celebration, she created a Juneteenth story quilt which she has exhibited and presented in dozens of local schools. Realizing that many teachers and students were unaware of the holiday, she was moved to write this book. She lives in Baldwin, New York. 

To see more of Kim’s quilts, visit her website at MaterialGirlStoryQuilts.com or visit her on Twitter at https://twitter.com/comfortzne1.

Thank you, Kim, for this beautiful post about empathy!

Author Guest Post: “Small Things Lead to Social Emotional Learning” by Marsha Diane Arnold, Author of One Small Thing

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“Small Things Lead to Social Emotional Learning

In 2017, my husband and I survived Hurricane Irma in Lee County, Florida. 130 mph gusts right over our house! That same year, the Tubbs wildfire roared through Napa, Sonoma, and Lake County in California. My husband and I had moved from Sonoma county, where we’d lived 35 years, to Florida just a few years before. The fire destroyed the homes of a number of friends, including our goddaughter’s. Disasters seemed to surround us.

When Raccoon’s home is destroyed by lightning in One Small Thing, Mouse says, “It’s such a BIG catastrophe! And we’re so small.” Catastrophes can paralyze. Children can feel overwhelmed with concern and helplessness when they experience a natural disaster or when a calamity happens to someone in their community. One Small Thing offers examples of how each of us, child or adult, can use our energy and talent to spread kindness.

It’s especially important to spread kindness during difficult times, but it’s also important to spread kindness on a daily basis. Doing “one small thing” daily will help children understand their feelings, understand others’ feelings, and assist them in making empathetic decisions. Small actions daily will help them be ready to communicate and act when a “big catastrophe” happens.

After reading One Small Thing, you may wish to discuss a few of the questions found in the One Small Thing Activity Guide: https://marshadianearnold.com/activities-one-small-thing/.

*How did each animal feel when they learned about what happened to Raccoon
*Squirrel felt so sad, he couldn’t move. Do you ever feel there is too much to be fixed? Do you ever feel things are so hard or sad you may as well give up?
*Which animal felt they didn’t have anything to offer, that there was nothing they could do? (Mouse)
*How do you feel when something scary or bad happens?
*What makes you feel better when you are scared or sad?

After the discussion, have the children talk about “one small thing” they could do as a class.

Lead the children to try a couple of activities for others. Perhaps start with “one small thing” for animal friends.

My educator friend is planning to read One Small Thing to a class and then work with them to make Cookie Cutter Bird Feeders. There are several slightly different “recipes” online; she plans to try this one. She hasn’t tried this yet, but folks who have say this will make several cookie cutter bird feeders.

Materials Needed

  • 2 cups small birdseed (Have extra in case you need to thicken the mixture more.)
  • 2 packets unflavored gelatin (8 gram packets)
  • 2/3 cup water
  • Spoon
  • Twine or Ribbon
  • (Plastic Straws, if using straws to poke the holes)
  • Cookie cutters – (Stars and acorns are fun.)
  • Baking sheets
  • Parchment paper

What to do

  1. Place parchment paper on baking sheets.
  2. Place cookie cutters on baking sheets. Set these to the side.
  3. In a mixing bowl place 2/3 cup boiled water and 2 packet of gelatin. You can also do this on a stove in a pan.
  4. Stir until the gelatin is dissolved, a minute or two.
  5. Stir in 2 cups birdseed until most of the liquid is absorbed.
  6. Tie a piece of twine or ribbon into a loop. (Some prefer to place a straw in the birdseed cookies to make a hole. After the cookies dry, the twine or ribbon can be pulled through and tied.)
  7. Fill a cookie cutter halfway with birdseed, using a spoon. Press the birdseed down with the back of the spoon.
  8. Push the tied part of string into the birdseed.
  9. Fill the cookie cutter with the rest of the birdseed mixture.
  10. Some place the cookie cutters in the refrigerator for a few hours to set. Others simply move on to drying.
  11. Dry the birdseed cookies overnight.
  12. Turn the birdseed cookies over and let the other side dry overnight.
  13. Carefully push the bird seed feeder out of the cookie cutter.
  14. Hang the birdseed cookies from tree branches or a bird feeding station.

Now you might have the  children brainstorm “one small thing” they could do as a class for a person. Is there an Assisted Living Residence or Retirement Community nearby that would appreciate colorful cards? You might choose a holiday like May Day and have the children draw colorful flowers on folded paper with a brief message like “Happy May Day!” or “May Basket” and their name.

These two activities seem like small things to do…but that is the point. They are small, but lots of small things add up to something wonderful. May the gentle, cozy message of One Small Thing add to the social emotional learning canon and to kindness, all around.

Educators and parents can find more activities in the One Small Thing Activity Guide on my website, here: https://marshadianearnold.com/activities-one-small-thing/.

Published May 9th, 2023 by Beaming Books

About the Book: After Raccoon’s home burns down in a lightning storm, his friends don’t know what they can do to help. Squirrel, Beaver, Mouse, Badger, and Rabbit all go back to their own homes, trying to focus on something other than Raccoon’s tragedy. But each animal discovers one small thing they can do for Raccoon–and it turns out that each small act may not be so small after all.

One Small Thing is a gentle and powerful look at how small actions can make a big impact.

About the Author: Called a “born storyteller” by the media, Marsha Diane Arnold is a picture book author of 24 books, with over one million books sold.  Her books have garnered honors like Best First Book by a New Author (Heart of a Tiger), Smithsonian Notable (The Pumpkin Runner), and Dolly Parton’s Imagination Library (Roar of a Snore). Her bilingual Galápagos Girl won the Green Prize for Sustainable Literature. Lights Out, about light pollution, has been praised by the Dark Sky community as well as the children’s lit community and was a finalist for the SCBWI Golden Kite Award for Picture Book Text.

Marsha enjoys sharing her love of story through school visits, manuscript consultations, her Writing Wonderful Character-Driven Picture Books e-course, and especially by reading to her four grandchildren.

Growing up on the Kansas prairies, Marsha lived in Northern California for most of her life. Now she lives with her husband in southwest Florida, near the Caloosahatchee River and her daughter’s family and only a short flight from her son’s family. Besides creating stories, her favorite activities are scuba diving and snorkeling, hiking, traveling, gardening, and climbing trees.

You may learn more about Marsha, her books, and her world, at www.marshadianearnold.com.

Thank you, Marsha, for these activities and the focus on kindness!

Author Guest Post: “Every Child Needs Space to Play” by Mark Angelo, Author of Can We Play Baseball, Mr. DeMille?

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“Every Child Needs Space to Play”

A few years ago, I was visiting my brother Chris in Los Angeles, where we spent several days recalling memorable stories from our youth. We shared lots of laughs, but one story in particular that we fondly remembered took place in 1958 and centered around our search for a nearby place to play ball. As kids, my brother and I were passionate about the game of baseball. We loved the Dodgers, who had just moved to L.A. from Brooklyn, New York.

Chris suggested I write the story down and that eventually led to the publishing of my most recent illustrated children’s book, Can We Play Baseball, Mr. DeMille?

Writing the story brought back many great memories, not the least of which was an unforgettable encounter with perhaps the greatest and most legendary person in film. But going through the process of producing the book also made me even more cognizant of how my childhood search for a field to play ball influenced my later work as an environmental advocate and a proponent of outdoor spaces for all to enjoy.

The neighborhood I lived in as a boy was beautiful, but it was also located in the hills. There were very few appropriate and accessible places to play ball. In addition, public parks were too far away for young kids like us to get to on our own.

It was those circumstances that ultimately led us to Mr. DeMille’s backyard which, rightly or wrongly, became the “the field of our dreams.”

Fast forwarding to current day, I’ve long believed that from a city planning perspective, we should do everything possible to ensure that residents— especially kids— have nearby access to sports fields and places to play ball. In addition, ensuring that more natural parks are readily accessible to all is a key issue. Many youngsters don’t get exposed to nature and the outdoors as much as we’d like, particularly in cities. The alternative often becomes screen-time for children. If not used thoughtfully and moderately, we know from research this can have detrimental effects on both mental and physical health. After all, how can a kid get excited to play outside if they don’t have the space?

For those that read Can We Play Baseball Mr. DeMille, my hope is that the story of a young boy’s love for a game and his dogged determination to find a place where he and his friends can play, will make you smile and inspire young ones. To this day, while watching my own grandchildren play ball, I still find myself thinking back on occasion to those early days and the field of my youth that had such an impression.

The book has several elements to it, including a sense of nostalgia along with a slice of classic Hollywood history. But just as importantly, it has an environmental message that highlights the fact that accessible outdoor spaces are good for all of us, both young and old. From parks to sports fields, they provide active and passive recreational opportunities, contribute to our improved health and well-being, and make our communities better places to live!

Illustrated by Patricia & Robin DeWitt
Published January 30, 2023

About the Book: Set in 1958, a young boy and his friends want to be baseball players just like their Dodger idols. There’s just one problem: they don’t have a field to play in.

Luckily, the kids know a secret. There’s a mansion around the corner with a yard big enough for an entire ball field and the hedge surrounding it has a gap just big enough to crawl through. Apparently, the owner is a big-time Hollywood mogul. He won’t mind a few ball games, right?

This sensational true story of a young boy’s encounter with a Hollywood legend is rich with youthful determination and summer fun, highlighting how every child needs space to play.

About the Author: Mark Angelo has been a baseball fan since he was a little boy! He is also a globally renowned river conservationist and the founder of World Rivers Day, now celebrated by millions of people in over one hundred countries. Among his many accolades, Mark is a recipient of the Order of Canada, the country’s highest honor. His acclaimed best-selling debut picture book, The Little Creek that Could, is the true story of a stream that came back to life. Through his work with groups such as the Outdoor Recreation Council of BC, Mark has been a long-time advocate for outdoor spaces for all to enjoy. Can We Play Baseball, Mr. DeMille?, about a young boy’s search for a place to play ball, recounts an actual experience from his childhood. Mark lives in Burnaby, British Columbia, Canada with his wife, Kathie.

For more information on Mark, please visit: https://www.canweplaybaseballmrdemille.com/

Thank you, Mark, for this focus on play and its importance!