Text Sets for Teachers: 7 Days of Teachable Ideas!

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Over the course of the next seven days (excluding Saturday and Monday), we will be shaking things up at Unleashing Readers. We are excited to feature seven incredible text sets created by seven phenomenal pre-service teachers. These teachers are remarkably creative and clever, and their text sets were chosen to be featured on our site because we thought their ideas would be useful to you.

Each day we will feature a different theme with a different anchor text. We are hoping that you can either use their ideas or adjust the text set to fit your needs. The themes of these text sets apply to a wide variety of texts that teachers use each day in their classrooms. Additionally, the anchor texts are popular. We believe that an important part of teaching is sharing with others. We hope you enjoy their hard work!

The Text Sets

Wednesday, December 16
Growing Pains: Looking at the Subject of Coming of Age by Andrew Johnson
The Curious Incident of the Dog in the Night-Time by Mark Haddon (Anchor Text)

Thursday, December 17
What is a Hero?: Exploring the Concept of the Hero by Lara Hawley
The Odyssey by Homer (Anchor Text)

Friday, December 18
Prejudice: Is It Something We Can Control? by Brenna Conrad
Frankenstein by Mary Shelley and Pride and Prejudice by Jane Austen (Anchor Text)

Sunday, December 20
The Power of Words: Witnessing the Impact of Words by Kelly Markle
The Book Thief by Markus Zusak (Anchor Text)

Tuesday, December 22
Finding the Line: Defining What is “Good” by Alexandria Bottelsen
The Kite Runner by Khaled Hosseini (Anchor Text)

Wednesday, December 23
Good vs. Evil: Exploring Morality Through the Holocaust by Kellie-Anne Crane
Night by Elie Wiesel (Anchor Text)

Thursday, December 24
Gender’s Lens: Society’s Views and Expressions of Gender by Jack Dunn
Everyday by David Levithan (Anchor Text)

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Author Guest Post!: “Spurring Ideas with Creative Teamwork” by Jack Keely, Author of The Whistlebrass Horror

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“Spurring Ideas with Creative Teamwork”

I recently co-authored a YA novel with another writer, Briar Lee Mitchell. This process proved to be a positive and surprisingly creative experience for both of us. Briar got the ball rolling with a few sentences that described a rather ordinary scene, which had a slightly ominous suggestion of things to come.

It had only been a circle of stones by the river. Nothing so special about it really, but it hadn’t been there the day before. He was sure of it. 

With that, we were off, bouncing pages and ideas back and forth. Over time, characters changed, names changed, and the story galloped off in unexpected directions. The end result was The Whistlebrass Horror published by Permuted Press. Our teamwork was a success.

While recently teaching a graphic design class, I thought it would be interesting for the students to design and illustrate something that they had written themselves. With so many dazzling distractions instantly available on their TVs, computers, and magic phones, many young people are discouragingly hesitant to open a book. If you suggest that they attempt some creative writing, you may find yourself confronted with a roomful of kids staring at you in bewilderment.

For instructors who love to read and are entranced with the magic of wordplay, there are few things as rewarding as winning over a reluctant reader or igniting the creative spark in a budding writer. The initial challenge is simply breaking the ice. I wondered if setting up my students in teams might be a good way to break through any stage fright they might have, and allow them to rely on each other to propel a story forward. I mentioned this idea to another instructor. His response was emphatic.

“Don’t do it,” he said. “They’ll hate you.”

He had learned from experience that setting up classroom teams could result in disaster. Students were often paired with partners that they didn’t like. Some teams were saddled with a student who did no work, or an alpha kid who attempted to dominate the rest. The result was unproductive lopsided partnerships. After pondering the pitfalls, I came up with an alternative method of getting students to collaborate.

We started by discussing Chris Van Allsburg’s brilliant book, The Mysteries of Harris Burdick in which evocative pictures depicting mysterious events are accompanied by a title and a single sentence that encourage readers to invent their own stories.

I asked my students to each come up with at least two imaginative sentences that could be part of a novel or short story. The sentences did not have to relate to each other in any way. Most came up with ten or more that varied from wry observations to fragments of conversations. Students wrote about strange machines, modern day dinosaurs, telepathic dogs, and intimidating strangers. The surprising results were along the lines of the following:

  • He suspected that the creature was hiding in the old grocery store.
  • As the sun came out from behind a cloud, the pigs began to dance.
  • Had his mad uncle concealed the skeleton key in the birthday cake?
  • “But why are you wearing a penguin costume?” whispered Agnes.

The second part of the exercise was where the teamwork came sneaking in. Students were given lists of every sentence that the class had come up with. They were asked to select one or more of their own and one or more written by others. Then they were asked to write a very short story (a paragraph or two long) that included their selections. There was no limit on the number of sentences used, and most chose to use several. If necessary, changes in gender, names, and so on could be made.

The results were ingenious. The students read the stories aloud and enjoyed the laughter and applause they received. Some stories were very funny and some were quite serious. There were elements of fantasy, science fiction and magic realism. It was very interesting to see how different individuals used the same sentences to achieve different results.

Finally, the students created layouts and illustrations for their fiction. For many, it was a new experience to see their own writing and byline presented in a professional looking way. The entire exercise proved to be pleasant, provocative, and painless. My goal was to involve the students in authorship and collaboration, and to let them see how working with words can be fun and rewarding.

As they were leaving, one young man paused and said, “That was a fun class.”

Mission accomplished!

 

About the Author

Jack Keely Author 10 14 15

Some claim that Jack Keely is the son of a celebrated spiritualist. Others insist that he grew up in the wagons of a traveling carnival. In any case, he has always been an aficionado of the arcane, the peculiar, and the eccentric.

He spent four years exploring the haunts of H. P. Lovecraft in the historic city of Providence, while obtaining his degree in illustration from Rhode Island School of Design. After an additional two years of study at Cranbrook Academy of Art, Keely began a long and checkered career illustrating dozens of books, including the best-selling Grossology series by Sylvia Branzei.

He recently completed the cover art and interior illustrations forThe Whistlebrass Horror, and co-authored the tale with Briar Lee Mitchell. The duo is currently at work on a sequel, The Whistlebrass Storm Watcher.

Jack Keely is said to spend most of his time behind the chained gates of the Keely family manse. Although the moldering old house appears to be abandoned, a light can often be seen at night in the library windows. On quiet evenings, if their hearing was sufficiently acute, passersby would likely hear the rhythmic thwack of a typewriter, or the scratch of a pen across a sheet of drawing paper.

About The Whistlebrass Horror

Whistlebrass Horror Cover

Founded on cursed land, Whistlebrass, Vermont is a place of dark deeds and darker dreams. Shortly after teenage newcomer Casey Wilde arrives in the haunted town his little sister disappears. Determined to get her back, Casey’s only clues are a murdered man’s rambling journal and a mysterious stone spiral on an isolated stretch of riverbank.

To help find his sister Casey teams up with Pike, a teen psychic with a rebellious streak. But Casey and Pike are up against a suave sociopath, a legion of living shadows, and a reptilian humanoid capable of stealing their life force and crushing them into dust. Who can Casey ask for help when no sane adult will believe his story?

Thank you, Jack, for this great teaching post, and thank you to Permuted Press for connecting us with Jack!

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Author Guest Post!: “My Son’s Teacher’s Approach to Reading” by Beth Vrabel, Author of A Blind Guide to Stinkville

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“My Son’s Teacher’s Approach to Reading”

My son’s passion is soccer, but math comes a quick second. Those drills everyone groans about? The ones where students have five minutes to solve a hundred problems? He eats them up.

I think I get why: each week there is an obvious growth potential. He can—and does—create specific goals. This week, he scored a 98 percent in division facts. If he can do the same or better next week, he can move up to double-digit division. The progress can—and is—charted, allowing him to see the steady increase in his knowledge base.

Growth in reading and writing isn’t obvious. Just because a book is thicker than another doesn’t mean it’s more challenging. Just because he read it doesn’t mean he understood it. Just because he can tell you what happened doesn’t mean the story blossomed—or better yet, exploded—in his mind.

I have yet to see a writing or reading exam that goes beyond measuring grammar and vocabulary ability to measuring depth of engagement with a story. Sure, there are degrees of reading power tests, but do they really showcase whether a student “gets it”? I can time how long he spends reading, but how does that reflect what he absorbed?

Really, there is only one way to tell. Conversation.

My son’s second-grade teacher was brilliant at this. “Have you read this book?” she asked him one day, putting Call of the Wild on his desk. “I know you like dogs. Maybe you’d like this book. It’s one of my favorites.”

And then, a few days later, “What do you think about John Thornton?”

My boy was hooked. Maybe not on the story—at first—but in having book discussions with his teacher. He fell hard for the story later, but those few moments each afternoon where his teacher asked him where he was in the story filled him up. That she could hint to what was coming and loved the book as much as he did made a huge difference.

Soon he was asking her for other recommendations. Even better, he was looking for books he could recommend to her. “Mom, do you think my teacher has read this book?” he asked a few weeks later, pulling Where the Red Fern Grows from our shelves. “Do you think you could read it to me?”

Soon we, too, were talking through a book, drawing connections. He imagined what it would be like to live barefoot and wild like Billy. We moved on to Tuck Everlasting and debated what would make us drink from the spring. Would we want to live forever? He held my hand when my voice shook as I read the last chapter of Flora and Ulysses.

Now there were twenty kids in my son’s second-grade class. His teacher shouldn’t and couldn’t be expected to have separate lengthy book discussions with each child. But she didn’t have to; just a quick question here or there was more than enough to ignite his enthusiasm for reading.

My son’s daily reading log lists chapter titles and page numbers, but it doesn’t reflect the times he doodles Little Ann and Old Dan on his worksheets. It doesn’t measure his imaginary games of Quidditch on our front lawn, or take into account the Gryffindor hat he wears to bed each night. It doesn’t show that he named his guinea pig “Winn-Dixie.”

I ran into my son’s teacher at Barnes & Noble one Saturday. Her hands were full of books. One was specifically for my boy to read. “I can’t keep up with all of my readers,” she said. Is there any better indicator of amazing teaching than that?

About the Author

Beth Vrabel grew up in a small town in Pennsylvania. She won a short-story contest in fourth grade and promptly decided writing was what she was going to do with her life. Although her other plans–becoming a wolf biologist, a Yellowstone National Park ranger, and a professional roller skater–didn’t come to fruition, she stuck with the writing. After graduating from Pennsylvania State University with a degree in journalism, she moved through the ranks of a local newspaper to become editor of two regional magazines and a lifestyle columnist. Beth now lives in Connecticut with her wonderful husband, two charming children, a spoiled rotten puppy, and two guinea pigs, Winn-Dixie and Pippin.

About A Blind Guide to Stinkville

Stinkville

Before Stinkville, Alice didn’t think albinism—or the blindness that goes with it—was a big deal. Sure, she uses a magnifier to read books. And a cane keeps her from bruising her hips on tables. Putting on sunscreen and always wearing a hat are just part of life. But life has always been like this for Alice. Until Stinkville.

For the first time in her life, Alice feels different—like she’s at a disadvantage. Back in her old neighborhood in Seattle, everyone knew Alice, and Alice knew her way around. In Stinkville, Alice finds herself floundering—she can’t even get to the library on her own. But when her parents start looking into schools for the blind, Alice takes a stand. She’s going to show them—and herself—that blindness is just a part of who she is, not all that she can be. To prove it, Alice enters the Stinkville Success Stories essay contest. No one, not even her new friend Kerica, believes she can scout out her new town’s stories and write the essay by herself. The funny thing is, as Alice confronts her own blindness, everyone else seems to see her for the first time.

This is a stirring small-town story that explores many different issues—albinism, blindness, depression, dyslexia, growing old, and more—with a light touch and lots of heart. Beth Vrabel’s characters are complicated and messy, but they come together in a story about the strength of community and friendship.

 

Thank you, Beth, for this post. We hope our sons are fortunate to have teachers like this one.

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Culturally Responsive Teaching & the Brain by Zaretta Hammond

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culturally responsive teaching and the brain

Culturally Responsive Teaching & the Brain: Promoting Authentic Engagement and Rigor Among Culturally and Linguistically Diverse Students
Author: Zaretta Hammond
Published: December 1, 2014 by Corwin

I’ve read about a dozen professional development texts about culturally responsive teaching because I am very committed to this pedagogical concept. I particularly liked this text because it offered a new angle. Zaretta Hammond weaves neuroscience with both traditional and contemporary ideas of culturally responsive teaching. She doesn’t just say how we can practice this pedagogy, but she tells what is happening in students’ brains when we do and do not use culturally responsive practices. Hammond provides an excellent layout for her ideas, and if anything, I would even love for some of the chapters and ideas to be expanded further. That said, her work connects well with other scholarship, so I would likely use this text in an education class and pair it with another more traditional text about the subject, such as Geneva Gay’s landmark Culturally Responsive Teaching: Theory, Research, and Practice.

I was fortunate enough to read this text with preservice teachers enrolled in a Multicultural Education class. While I have much experience with the ideas taught in this class, I am taking the course as a doctoral student with the intention of integrating the ideas into future courses I might teach. Therefore, from my discussions with peers, I have gotten an insider perspective of this text and how it might work in a classroom. They have enjoyed it very much. It is not a long text (falling just under 200 pages), but the ideas promote fantastic classroom discussions. Our discussion boards have been brimming with students’ thoughts, and there is no shortage of topics to discuss. I include a few topics I’ve discussed below.

As stated previously, Hammond discusses some of the main ideas featured in other culturally responsive texts. She argues that culturally responsive pedagogy is a mindset–not an easy list of tips or tools. However, she does provide many strategies, such as how to make our classrooms visually engaging and responsive to students. Instead of stock posters of MLK, Jr., she argues that teachers might include framed art from different cultures. I liked this idea a lot and agree that it is more culturally responsive. She also discusses the differences between cultures, such as oral versus written traditions and the role these play on student learning. She addresses myths, such as those about poverty and access and colorblindness.

A few chapters into the book, Hammond begins to introduce neuroscience and marries these concepts with culturally responsive practices. For instance, she describes the ways an individual’s brain reacts with the student feels fearful versus feeling accepted. This reminded me a bit of my 7th grade science class. I had a teacher who was quite cruel to me and very strict, overall. I don’t think I learned very much in that class because my brain felt a bit frozen. Then I think about all of the wonderful teachers I’ve had who were very open and accepting. I think I learned twice as much in these classrooms, and it shows the value of creating responsive rapport with students.

I could write pages upon pages about this book. It would be a disservice for me to summarize some of her sections, such as how the neurons in your brain fire, create new pathways, and connect to culture or the ways individualistic and collectivist positionings differ or how microaggressions impact students. So instead of summarizing and commenting on the whole book, I will recommend that you read it. It is excellent. The text offers ideas that are quite different from others I’ve seen about the topic. Hammond fills a gap in research that needed to be filled, and I look forward to reading other publications by her.

Which culturally responsive texts are your favorite?

RickiSig

Author Guest Post!: “The Power of One” by Mark Bouman, Author of The Tank Man’s Son

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“The Power of One”

I remember the times as a child when I simply wanted to disappear from the classroom or wished I had been able to hide under my desk.  The humiliation of having been verbally assaulted the night before by my dad stripped me of any shred of confidence I might have been able to muster that day.  My teacher saw that lack of confidence not only in my eyes and school work, but in how I always seemed to avoid her.  She asked me repeatedly throughout the school year why I had not done my homework and more than once berated me in front of the whole class for being the ONE student who kept “forgetting it at home… again.” Had she asked me if anything was wrong, I would have responded with a shrug and then a simple, “Nothing.”  Attention, any attention from anyone in authority was always bad and I avoided it like the plague.

As a teacher, helping students who have a rough home life can seem more difficult now than ever. Getting involved often opens a can of worms that can lead down a rabbit hole that seems endless. Having said that, there is a wonderful way to breathe life into a student whom you suspect is having a rough time at home: spend time with them.  Coaching, after-school activities and other events give you opportunity to invest in them.  Find out their interests and be intentional.  Invite them to be a part of what you’re doing.

I once had a teacher encourage me to join the debate team that she coached.  Mrs. Turner was the first teacher to say, “I think you’d be good at this.” I never heard those words from a teacher before.  Her confidence in me made me want to do anything to please her. I was so shy and reserved I would never have considered doing something like that, but her persistent encouragement won me over. Her kindness and patience helped me get over my fears and birthed a hope in me that grew with time. She was the one bright light in my dark world. At first, I limped through each practice debate barely able to look up from the podium while speaking. I was surprised to discover many of other kids were as scared as I was.  I felt a camaraderie with the other students as we all struggled to overcome our fears. After each practice debate, the teacher would critique our performance. She wisely started with a whole list of things we did right and then would kindly pick one or two things that we could work on to improve. She had a way of making us feel important that pushed us to try harder.

My home life situation deteriorated more as my father began to get more violent.  His verbal assaults were accompanied by physical abuse, and eventually my mother chose to divorce my father. More than once, the debate coach gave me a ride home after a late night of practice so I didn’t have to walk the five miles back in the dark.  Eventually, I got over the terror of public speaking and our debate team went on to win the Regional tournament in Debate.

After the divorce, we moved to another town. No other teacher had an impact on my life like Mrs. Turner did. I never forgot the look in her eyes when she said, “Mark you can do this.”  She believed in me and was able to see not what was, but what could be.  Many years later, her investment and confidence in me bore fruit.  I became a motivational speaker and have spoken in front of groups of thousands all over the world.

I have taught in the classroom many times, and I occasionally have a student in class who I recognize as having a difficult home life. They are wounded in a way that seems to scream out, “help me,” but their cries for help are not heard in the noisy classroom.  Mrs. Turner was not deafened by the noise. She made it her mission to filter out the noise.  She showed me the power of one.

ABOUT THE TANK MAN’S SON:

Tank Man's Son

What did it mean to be the Tank Man’s son? To grow up overwhelmed by my father’s presence and personality? It was as if I didn’t exist, as if I was just something else for my father to crush.”

So begins the haunting memoir of Mark Bouman as he recounts the events of his childhood at the hands of his larger-than-life, Neo-Nazi father in brilliant, startling detail. From adventure-filled days complete with real-life war games, artillery fire, and tank races to terror-filled nights marked by vicious tirades, brutal beatings, and psychological torture, Mark paints a chilling portrait of family life that is at once whimsical and horrific—all building to a shocking climax that challenges even the broadest boundaries of love and forgiveness.

An epic tale of redemption and reconciliation, The Tank Man’s Son is a literary tour de force that is sure to become an instant classic.

 

ABOUT THE AUTHOR:

Mark Bouman

Mark Bouman shares more about his horrific childhood and the power of forgiveness in The Tank Man’s Son. He and his family served as missionaries to Cambodia for more than 20 years. Mark, his wife Joan, and their two sons Andrew and Nik, currently reside in Anchorage, Alaska.

Thank you to Mark for this powerful post about positively impacting students with rough home lives. And thank you to Christy at Tyndale House Publishers for connecting us with Mark!

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Top Ten Tuesday: Books I’d Recommend to Students If They Like _____.

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Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish. The feature was created because The Broke and Bookish are particularly fond of lists (as are we!). Each week a new Top Ten list topic is given and bloggers can participate.

 Today’s Topic: Books I’d Recommend to Students if They Like ______.

One of my most important jobs as a reading teacher is helping students find books that they will like. Often students don’t know what to read next, and it is up to me to help them find their next book. My Top Ten Tuesday list this week is ten books/series that my students really enjoy and some books/series I may recommend, depending on the student, for them to read next.

Kellee

1. If a student likes the Amulet series by Kazu Kibuishi, I recommend the Battling Boy series by Paul Pope or Doug TenNapel graphic novels.

Battling Boy 0-545-31480-1

All of these graphic novels are very complex and deep, but often my students get stuck wanting to read only Kibuishi’s work. Paul Pope and Doug TenNapel are perfect books to turn to because they are brilliant graphic novelists.

2. If a student likes the Percy Jackson series by Rick Riordan, I may recommend Promise of Shadows by Justina Ireland, the Olympians series by George O’Connor, or Oh. My. Gods. by Tera Lynn Childs.

promise of shadows zeus oh my gods

Often by the end of any of the Riordan series, students are fascinated by and experts in the mythology that was shared. To continue expanding their mythology knowledge, O’Connor’s Olympians series is perfect while the other two novels are YA mythology-based action books that are perfect for Percy Jackson fans.

3. If a student likes the Diary of a Wimpy Kid series by Jeff Kinney, I may recommend the Origami Yoda series by Tom Angleberger or the Joey Pigza Series by Jack Gantos. 

origami yoda joey pigza

Kids who like Diary of a Wimpy Kid like it for the humor and illustrations. While Origami Yoda and Joey Pigza may have less illustrations, they both are hilarious.

4. If a student likes the Hunger Games series by Suzanne Collins, I may recommend the Uglies series by Scott Westerfeld.

uglies

While Hunger Games is probably the most popular dystopian series, when I think of the epitome of dystopian, I think of Scott Westerfeld’s series.

5. If a student likes the Dork Diaries series by Rachel Renée Russell, I may recommend Sugar and Ice by Kate Messner or the Ginny Davis series by Jennifer Holm.

sugar and ice middle school is

My students who read Dork Diaries are looking for stories that they will connect with. Both Sugar and Ice and Ginny’s books are true representations of middle school, and I know students will find the same connection with them.

6. If a student liked the Alex Rider series by Anthony Horowitz, I may recommend the I, Q series by Roland Smith or the Matt Cruse series by Kenneth Oppel.

i, qairborn

Alex Rider is definitely my go to for adventure/spy books for my students, but when they finish his series, I always recommend Matt and Q’s story as a next step because they are both as action-packed as Alex’s stories yet different enough to be new and exciting.

7. If a student likes Wonder by RJ Pacalio, I may recommend Rain Reign by Ann M. Martin or Out of My Mind by Sharon Draper.

rain reign out of my mind

The protagonists in all three novels are so special, and readers reading their stories will build empathy for those around them.

8. If a student likes the Harry Potter series, I may recommend The Dungeoneers by John David Anderson or The Books of Beginning series by John Stephens.

dungeoneers -c emerald atlas

When I read both of these books, my very first thought was that students who were Harry Potter fans will love these as well. They are fantasy-based yet not too far fetched while also being adventurous and well done.

9. If a student likes Smile and Sisters by Raina Telgemeier, I may recommend El Deafo by Cece Bell.

el deafo

Smile and Sisters are so popular, but students often don’t know what to read when they finish with Raina’s books; however, they don’t have far to look because Newbery Honor El Deafo is sitting on the shelf right next to Raina’s books and is brilliant, thought-provoking, emotional, and funny.

10. If a student likes the Maze Runner series, I may recommend the Chaos Walking series by Patrick Ness.

knife of never letting

The Maze Runner series is suspenseful, has an evil government, and is packed with excitement from beginning to end. My readers who finish The Maze Runner series are looking for another book that will hold there attention, and the Chaos Walking series is the epitome of suspense, evil antagonists, and excitement.

What books do you recommend if your student likes _____?

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Author Guest Post: “An Element of Fun: A Teacher’s Reflection” by Melissa Polyakov, Author of Mr. Fact and Miss Opinion

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“An Element of Fun”

In every job that must be done there is an element of fun. – Mary Poppins

I believe that my experience as a teacher is very much like the students’ experiences. The school year starts with excitement, anticipating what’s new. The work isn’t too much of a bother because we’re fresh and there just seems to be a feeling of, “Well, that’s what we’re back to school to do!” Two months later…

Teacher thoughts: How long is this grading going to take? I’ve only graded 10 papers? It feels like 20! When will the work end? I just want to sip some coffee and read a good book.

Student thoughts: How much more homework are we going to have? Seriously? I just want to go outside.

The school year officially begins and the days start to feel longer. If the routine stays the same, everyone will be worn out by December. After teaching my first year and experiencing the need for change in my daily routine, I learned something very important about myself, and I believe about students as well. Sometimes, you just have to have fun and make work feel like play in order to stay motivated.

In my training for becoming a teacher, one of the main pieces of information we were given about students was that they need to stay motivated. If they are going to keep learning and stay engaged, they need to stay interested in the topic. I know this to be true about myself. I noticed in the slow months of teaching, I had to do things to keep my job fun so that I would stay motivated to continue working hard and being the best teacher I could be. Around Thanksgiving I would buy new pumpkin and fall scents to put in my wax burner. As the room would fill with the smell of a nice, warm, baked pumpkin pie, all of our faces would smile, our shoulders would relax, and questions would arise from around the room saying, “Mmmmm!! What’s that smell?!” Immediately, the feeling of the classroom went from “reading my 2 chapters” to reading a book in a cozy home. The smell would motivate the students to work because the environment had changed to something different. A good different.

At the end of teaching a unit, I could always tell the students seemed to be trudging along, needing a boost in their step. I would also need a little boost in my step after all the work put together to organize and teach the unit. All of us needed some kind of break, while still having class and continuing to learn. This was when I would put the books and pencils away and play Jeopardy. The students loved playing Jeopardy and it was a way for them to review all the information they had been learning over the last month or two.  After playing Jeopardy over a couple days, the students were re-motivated and re-energized to learn and continue working hard. I believe this is because we all are motivated by something we enjoy. For students, playing is something they enjoy. When learning and working feels like play and there is an element of fun, the energy goes up and everyone is motivated to continue working.

This brings me back to the original quote from Mary Poppins which says, “In every job that must be done there is an element of fun.” When we work, we must find the fun. We must find ways to make it engaging and motivating. This was my goal when writing my recent book Mr. Fact and Miss Opinion. I wanted to give parents and teachers the opportunity to teach about fact and opinion through a story and not through a workbook. I wanted to add a fun, playful element to a not-so-interesting topic. Not only does the story teach the difference between fact and opinion in a silly and entertaining way, it also shows how two completely different characters can become the best of friends. It can act as a teaching guide for both parents and teachers while also being a cute, beautifully illustrated story about a goat and a pig who develop a friendship and learn about each other. When a story such as this is used to teach a lesson, students remember it because it was wrapped up in a fun, playful package. Children’s literature plays a vital role in the education of children, and I believe that it can and should be used to educate children on a multiplicity of subjects. That is my goal as an author and teacher. I would love to see more books that teach about specific concepts within a story that is fun and entertaining. If you have a favorite children’s book that taught you or your children or your grandchildren something important, please share it so we can benefit from each other’s wealth of knowledge.

Mr. Fact & Miss Opinion Cover

Mr. Fact and Miss Opinion Summary:

This book is a lively and lyrical story about unlikely neighbors, a goat named Mr. Fact and a pig named Miss Opinion.

Miss Opinion shares a flavorful meal with Mr. Fact, attempting to show him that opinions can add spice to his life. This educational children’s book uses endearing characters to introduce terms such as objective and subjective by personifying fact and opinion.

Melissa Polyakov

About the Author: Melissa has a Bachelor of Science Degree in Elementary Education from Multnomah University in Portland, OR, and is a member of SCBWI. An educator since 2012, she has taught multiple ages and subjects. However, it was working as the school librarian where her love for children’s literature grew. During her free time, Melissa and her husband enjoy playing volleyball and spending time outdoors with their beloved Goldendoodle.

Thank you so much to Melissa for her reflections about finding the fun in teaching!

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