The Light of Home: A Story of Family, Creativity, and Belonging by Diana Farid, Illustrated by Hoda Hadadi

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The Light of Home: A Story of Family, Creativity, and Belonging
Author: Diana Farid
Illustrator: Hoda Hadadi
Published September 17th, 2024 by Orchard Books

Summary: A universal story about displacement, migration, and the many ways we find home, from the talented author-illustrator team of Diana Farid and Hoda Hadadi.

Nur has always loved her home by the sea, where water glimmers along a straight horizon.

But when Nur and her family are forced to leave, they begin a long journey to an unfamiliar place. Here the horizon curves and twists, and the moonlight no longer glitters across the water. For Nur, nothing in this new place feels like home.

Then one day, Nur’s mother brings her a new set of paintbrushes. Nur’s brushstrokes help her connect the place she’s lost to this new horizon, and she finds home again through her own creativity and heart.

The Light of Home will resonate with anyone who has ever had to leave a place they’ve loved.

From author, poet, and physician Diana Farid and artist Hoda Hadadi comes this introspective story about belonging and the power of creativity. For readers of Yuyi Morales’ Dreamers and Yamile Saied Mendez and Jaime Kim’s Where Are You From?

About the Creators: 

Diana Farid is an award-winning author and poet. Her picture book, When You Breathe, was a National Council of Teachers of English Notable poetry book. Her novel in verse, Wave, was the 2022 Cybils Award winner for poetry novel and a School Library Journal Best Middle Grade Book. She is also a physician and associate professor of medicine at Stanford University. To learn more, visit dianafarid.com.

Hoda Hadadi is a children’s books illustrator living and working in Tehran, Iran. She has illustrated more than forty books for children and has won numerous international prizes, including the New Horizons Bologna Ragazzi Award and the Grand Prix of Belgrade.

Instagram
Diana Farid: @_artelixir
Hoda Hadadi: @hodahadadi_artpage
Orchard Books/Scholastic:  @scholastic
Blue Slip Media:  @blue_slip_media

Facebook
Diana Farid: N/A
Hoda Hadadi: Hoda Hadadi
Orchard Books/Scholastic: Scholastic
Blue Slip Media:  Blue Slip Media

Twitter/X:
Diana Farid:  @_artelixir
Hoda Hadadi: @hoda_hadadi
Orchard Books/Scholastic: @Scholastic
Blue Slip Media: @blueslipper & @barbfisch

LinkedIn:
Diana F

Review: Farid’s picture book puts the reader right in the middle of a family’s flee as refugees from their home and all their possessions. With the introduction of the characters’ lives and loves starting the book, the reader will feel the sadness and longing that Nur feels. It helps the reader feel the urgency and the fear. It helps build empathy for those put in the situation of being displaced.

But that is only one important aspect of the book. The book also highlights the importance and therapeutic properties of art, which is proven and so powerful. Nur uses art to help heal her feeling of loss and being lost.

Farid and Hadadi were the perfect duo for this book because Farid’s lyrical text blends beautifully with Hadadi’s collages to create a beauty of a picture book.

Discussion Questions: 

  • Before Nur’s family must flee, how did Nur and her family feel about their home?
  • What are some reasons why families may be displaced?
  • Why is it so hard for Nur to adjust to her new home?
  • How is Nur’s new home different than her home by the sea?
  • How does Nur work through her emotions?
  • What are some ways that help you work through big emotions?
  • What figurative language does the author use? How does it add to the imagery of the story?
  • How do the illustrations add to the story?
  • Why do you think the author wrote Nur’s story?

Flagged Spreads: 

Read This If You Love: Picture books that take on big issues in an approachable way

Recommended For: 

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**Thank you to Blue Slip Media for providing a copy for review!**

Cross-Curricular Educators’ Guide for Above the Trenches by Nathan Hale

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Above the Trenches (Nathan Hale’s Hazardous Tales #12): A WWI Flying Ace Tale
Author & Illustrator: Nathan Hale
Published: November 14th, 2023 by Abrams Fanfare

Summary: In Above the Trenches, author-illustrator Nathan Hale takes to the skies with the flying aces of World War I to reveal another Hazardous Tale in American history in the #1 New York Times bestselling graphic novel series.

“Yippee! We’re going back to World War One!” said nobody ever—except maybe the Hangman.

When the Great War began in 1914, America had plans to stay out of it. But some young men were so eager to fight, they joined the French Foreign Legion. From deep in the mud and blood of the Western Front, these young volunteers looked to the sky and saw the future—the airplane.

The first American pilots to fight in World War One flew for the French military. France created a squadron of volunteer Americans called the Lafayette Escadrille (named after the great Marquis de Lafayette).

This book is about that volunteer How they got into the French military. How they learned to fly. How they fought—and died. And how these American pilots would go down in history with other legendary flying aces like the Red Baron and his Flying Circus.

Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

Teachers’ Tools for Navigation and Discussion Questions: 

Please view and enjoy the cross-curricular educators’ guide I created for Abrams for Above the Trenches:

You can also access the educators’ guide here.

You can learn more about Above the Trenches on Abrams’s page.

Recommended For: 

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Unbreakable: The Spies Who Cracked the Nazis’ Secret Code by Rebecca E.F. Barone

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Unbreakable: The Spies Who Cracked the Nazis’ Secret Code
Author: Rebecca E.F. Barone
Publishing October 25th, 2022 by Henry Holt and Co.

Summary: Unbreakable is the true story of the codebreakers, spies, and navy men who cracked the Nazis’ infamous Enigma encryption machine and turned the tide of World War II.

As the Germans waged a brutal war across Europe, details of every Nazi plan, every attack, every troop movement were sent over radio. But to the Allied troops listening in—and they were always listening—the crucial messages sounded like gibberish. The communications were encoded with a powerful cipher, making all information utterly inaccessible . . . unless you could unlock the key to the secret code behind the German’s powerful Enigma machine.

Complete with more than sixty historical photos, Unbreakable tells the true story of one of the most dangerous war-time codebreaking efforts ever. While Hitler marched his troops across newly conquered lands and deadly “wolfpacks” of German U-Boats prowled the open seas, a team of codebreakers, spies, and navy men raced against the clock to uncover the secrets that hid German messages in plain sight. Victory—or defeat—in World War II would hinge on their desperate attempts to crack the code.

Praise: 

*”A riveting tribute to epic tests of men against the elements.” —Kirkus, starred review

*”A compelling narrative focused on science and technology, embedded in a cluster of thrilling adventure stories . . . Highly ­recommended.” —School Library Journal, starred review

*”Readers will be caught up in the real-time action sequences.” —Booklist, starred review

*”Exemplary.” —BCCB, starred review

About the Author: Rebecca E. F. Barone holds a Bachelor of Arts in English and a Bachelor of Science in Mechanical Engineering from Bucknell University along with multiple graduate degrees in mechanical engineering. Her technical projects include injury analysis for the National Football League, and her short-form STEM writing has been published in the award-winning Muse magazine. She is passionate about serving and mentoring underrepresented populations in STEM. She is also the author of Race to the Bottom of the Earth: Surviving Antarctica (which received four starred reviews).

Review: This book read like a page-turning, action-packed thriller and adventure story. But it is all real! Which makes it even better because it is truly unbelievable. Barone writes the different scenes, shared in vignette-type short stories that come together to show a whole picture, in a way that just grabs the reader’s attention and keeps you reading to figure out how everyone comes together to crack the secret code.

Teachers’ Tools for Navigation: This book will find its most success as an independent reading book and will definitely be a book to share with middle school readers who think they do not like nonfiction.

Also, check out the cover reveal on MGBookVillage for some background information from the author.

Discussion Questions: 

  • How did all of the countries work together (or not work together) to crack the code?
  • Who do you think was the greatest asset in the journey?
  • Why do you think the author chose to write the book in vignette-type short stories?
  • How does the inclusion of photographs add to the book?
  • The author states that the mathematicians were the hero of the story–do you agree? Why or why not?

Flagged Passages: 

ONE: TRAITOR
1929—Warsaw, Poland

THE BOX ARRIVED on the last Saturday in January.

Business in the Polish customs office went on as usual, the rhythm of sorting and inspecting undisturbed by the heavy package with a German postmark. In fact, the officer in charge had nearly finished when the urgent request came in.

Return it immediately, the German embassy demanded. There had been a mistake. It was a German package, intended for a German recipient. It should never have been sent to Poland. Cease operations and give it back.

Now, that made the customs officer pause.

He did not return the box. He opened it.

A polished surface gleamed in the light. Along a hinge in the back, a wood cover opened to reveal something almost like a typewriter. Elevated keys were arranged in three rows along the bottom, each labeled with a letter of the German alphabet.

But that was where the similarity to a typewriter ended.

There was no inked ribbon, no carriage in which to hold paper to type a letter. Instead, the top of the box was filled with small circular windows arranged in three rows identical to the keyboard below; each window contained a single letter printed on translucent material.

If the customs officer pressed a key, instantly, in the top rows, one letter began to glow. As soon as he released the key, the light went out. If he pressed the same letter key again, an entirely different light and letter shone back.

Quickly, the Polish customs officer made a call. Across town, two men secretly working for the Polish cipher agency understood immediately and rushed to the customs office.

Over the next two days and through the next two nights, the men disassembled, examined, and reassembled the machine.

By Monday morning, they had meticulously put every part back into place. They repackaged the machine in the same box and wrapped it in the same brown paper in which it had arrived.

Poland would return German property to Germany, as requested. The delay, inevitable, due simply to the weekend.

No one in Germany suspected a thing.

Enigma in use.

[Bundesarchiv, Bild 183–2007–0705–502 / Walther / CC-BY-SA 3.0]

Two years later, Sunday, November 1, 1931—the German-Belgian border

Hans-Thilo Schmidt rushed through the doors of the Grand Hotel in Verviers, Belgium, two hours late. He never saw the man sitting in the lobby waiting for him.

To this man, Schmidt was an ordinary German of average build, wearing a dark hat and dark coat. Schmidt was red in the face and puffy around the eyes, both traits the man watching him had been expecting. He knew that Schmidt’s train was late, and Schmidt sweated and grew flushed as he hurried to make up lost time. Schmidt’s puffy eyes had been expected as well. The people this man watched often suffered from sleepless nights. Treason was never an easy decision.

Not that Schmidt would have noticed the man even if he’d been relaxed and alert. Hans-Thilo Schmidt was far from experienced in spy craft. Last June, when he had first decided to trade secrets for money, he simply walked into the French embassy in Berlin. Incredibly, he plainly announced his intent to sell information to the French government. Without cover and without any personal security, he asked whom he should contact in Paris to do so. Somehow, he had neither been arrested by the Germans nor ignored by the French.

Now, five months later, the German Schmidt was about to meet face-to-face with a French intelligence officer. Hans-Thilo was nervous, and he was late.

At the front desk, the receptionist checked Schmidt into a room already reserved for him and handed him an envelope along with his key. He entered the elevator, and as the doors closed in front of him, the man watching him from the lobby saw him rip into the letter, which read “You are expected in suite 31, first floor, at 12 noon.”

At precisely noon, as the letter instructed, Schmidt knocked at suite 31.

The door opened into another world where time seemed to slow as an older woman with elegantly styled white hair greeted him and asked him to wait in the comfortable, richly furnished room. Soft music played gently over the radio. An inviting arrangement of liquor and crystal glasses was set out next to a display of fine cigars. Gratefully, Schmidt eased himself into a plush chair.

“Guten Morgen, Herr Schmidt! Hatten sie eine gute Reise?”

Schmidt jumped as an unfamiliar voice boomed at him in German. An immense man with a shaved head came through a doorway, entering the living area through another room in the suite. Round, dark spectacles framed icy blue eyes that pierced Schmidt with an unwavering stare.

“Sit down, please,” the man continued. “How are Madame Schmidt and your two children?”

Schmidt, already on edge, tensed more. He was currently living alone, and his wife, son, and daughter were living with his wife’s parents.

“I know,” the man said, cutting Schmidt off before he had a chance to answer. “You will want to bring your family back together soon and resume a pleasant life. That, of course, depends on you. We will assist you if your cooperation proves fruitful to us.”

Taking an offered glass of whiskey, Schmidt sat back down.

The man confronting him became even more serious. “Your resourcefulness last June in Berlin was quite exceptional and effective, Mr. Schmidt. Quite fortunately you happened upon an official of the French embassy who … was inconspicuous. What would you have done if he had thought you were an agent provocateur and called the police?”

This pushed Hans-Thilo Schmidt to his limit. “I thought you would understand!” he snapped, defiant. “If you feel this way, my only option is to withdraw. Others will know how to interpret my motivations and the rationale of my propositions.”

“Easy now, Mr. Schmidt,” the man responded. “We appreciate your initiative and the benefit we can gain from it.

“Let me be frank,” the man continued, “my name is Lemoine, and I represent the French Intelligence Bureau.”

Read This If You Love: World War II (and other war) nonfiction books

Recommended For: 

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**Thank you, Kelsey from Macmillan Publishing, for providing a copy for review!**

Warrior Princess: The Story of Khutulun by Sally Deng

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Warrior Princess: The Story of Khutulun
Author and Illustrator: Sally Deng
Published: August 23, 2022 by Farrar, Straus, and Giroux

Summary: This picture book follows the life of the great-great granddaughter of Genghis Khan, a princess who could rule on the battlefield as well as—or better—than any soldier, and when faced with a potential marriage, learns that sometimes the best way to serve one’s community is to stay true to oneself.

Ricki’s Review: This creative nonfiction text shares what we know about the life of Khutulun, great-great granddaughter of Genghis Khan. She was a princess who had never been defeated in a wrestling match and was a force on the battlefield. When she is forced to marry, she agrees that she will only do so if a man can defeat her in a wrestling match. If they lose, they owe her family ten horses. I really, really enjoyed reading this story. I started reading it to two of my sons, and my third son creeped on over because he was listening and was hooked. It is captivating! The characters are well drawn and the pacing is perfect. 

Teachers’ Tools for Navigation: This book would inspire students to research and learn more about Khutulun and Genghis Khan. Teachers might include other books that creatively imagine people of the past to talk about writers craft and agency in reimagining people of our past.

Discussion Questions: 

  • In what ways does Khutulun show strength?
  • What important decisions does she make in the text? Why does she make it?
  • What themes does this text teach you?

Flagged Spread:

Read This If You Love: Creative nonfiction, historical fiction, autobiographies, reading about historical figures

 

**Thank you, Macmillan for sending an advanced reading copy for an honest review!**

Guest Review: Why? by Nikolai Popov

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Guest Reviewer: Heather, UCF Elementary Education Student

Why?
Author & Illustrator: Nikolai Popov
Published 1996 by North-South Books

Summary: A frog sits peacefully in a meadow. Suddenly, for no apparent reason, he is attacked by an umbrella-wielding mouse in a confrontation that quickly turns into a full-scale war.

About the Author: Nikolai Popov is a well-known Russian visual artist and illustrator. He has won multiple gold medals and Grand Prix at international exhibitions of children’s book illustration. Popov has had personal exhibitions in many cities of the world, including Moscow, Tokyo, Rome and Venice. He is an honorary member of the Russian Academy of Arts.

Review: I found this book to be a beautiful way to describe the trials and tribulations of war without using words or realistic art depicting the violence war contributes to. It is a E-rated way to show that war is seemingly senseless and can be an endless cycle, where ultimately no one wins. I think on top of that, the artwork of watercolor and animals was really beautiful, and seemed very fairytale-like. I liked that the frog found a pretty flower and that the mouse is shown to be jealous even though he is surrounded by similar florals. I think this is a good way to show (not only a war aspect) but just a way to describe how we may not know what we have available to us because we are so focused on what others have instead. The fact that this book has no words and the story is completely implied by the images is also an important thing to note here because it can be up for debate as to what the actual goal of the story is – is it war? Or could it be selfishness, jealousy, or some could even think maybe the mouse doesn’t like frogs (micro-aggressions?). This availability for interpretation is a good way to get a multitude of ideas started without given any hints as to the authors key goals (if not getting author/book background information before reading).

Teachers’ Tools for Navigation: This book would be supplemental in unison with history lessons revolving around a time-period of another war scenario, like WWI or WWII. It would be a good way to help students navigate how easily wars can start and how hard it is to find a real reason for violence when the outcome is unclear. This book would also be good to use when discussing the problem with bullying or isolating others, it would be a good way to give students an idea of why it is crucial to be kind and think of others because in the end, you end up asking WHY did we even do this in the first place? Students can learn about needless fighting and apply this mindset/theory to their own lives, from how they treat others, to family and school environments as well.

And the last page! Looking at it I get that “throat swelling” feeling right before you cry. Its a painful image. The flowers are gone, the animals are sad, everything is ruined – the worst part is, no one got to enjoy what an entire field had to offer.

Discussion Questions: 

  • On page 4, the mouse looks around after coming up from the ground, what do you think he is looking at?
  • On page 5, we see the mouse looking at the frog – what is he thinking?
  • On page 7, the frog looks upset, and on the next page, more frogs come into the picture – do you think the frog called for them? What if the frogs didn’t come?
  • What kind of weapons are the animals using? Why do you think the illustrator chose these items?
  • In the end, how do the frog and mouse appear to be feeling?

Flagged Passages: 

Read This If You Love: Concepts of peace, unity, discussing the issues with our world and problems with humanity

Recommended For: 

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Thank you, Heather, for your review!

Close-Up On War: The Story of Pioneering Photojournalist Catherine Leroy in Vietnam by Mary Cronk Farrell

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Close-Up On War: The Story of Pioneering Photojournalist Catherine Leroy in Vietnam
Author: Mary Cronk Farrell
Published March 22, 2022 by Amulet

GoodReads Summary: The incredible story of Catherine Leroy, one of the few woman photographers during the Vietnam War, told by an award-winning journalist and children’s author.

From award-winning journalist and children’s book author Mary Cronk Farrell comes the inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war’s few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never traveled more than a few hundred miles from Paris before, Leroy left home at age 21 to travel to Vietnam and document the faces of war. Despite being told that women didn’t belong in a “man’s world,” she was cool under fire, gravitated toward the thickest battles, went along on the soldiers’ slogs through the heat and mud of the jungle, crawled through rice paddies, and became the only official photojournalist to parachute into combat with American soldiers. Leroy took striking photos that gave America no choice but to look at the realities of war—showing what it did to people on both sides—from wounded soldiers to civilian casualties.

Later, Leroy was gravely wounded from shrapnel, but that didn’t keep her down more than a month. When captured by the North Vietnamese in 1968, she talked herself free after photographing her captors, scoring a cover story in Life magazine. A recipient of the George Polk Award, one of the most prestigious awards in journalism, Leroy was one of the most well-known photographers in the world during her time, and her legacy of bravery and compassion endures today.

Farrell interviewed people who knew Leroy, as well as military personnel and other journalists who covered the war. In addition to a preface by Pulitzer Prize-winning Vietnam War photographer Nick Ut and a foreword by Pulitzer Prize–winning journalist Peter Arnett, the book includes an author’s note, endnotes, bibliography, timeline, and index.

Review: Before I read this book, I didn’t know anything about Catherine Leroy. This book not only taught me about this strong woman, but it taught me about Vietnam. After finishing this book, I felt like I had a better awareness of the world (but particularly of Vietnam and the United States. At the age of 21, French photojournalist Catherine Leroy decided she wanted to document the Vietnam War. Camera in hand, she went after her goals and didn’t take no for an answer. It is very clear that the author is a journalist, and she presents Leroy’s story in a way that is very engaging and well-written. This book made me want to be a better human, and I recommend it highly.

Teachers’ Tools for Navigation: This would be an excellent book to use in a history classroom (as well as English classrooms!). It would work really well in a book clubs unit related to Vietnam, heroines, and photojournalism. The photographs alone make this book a stellar addition to classrooms, and the writing is magnificent.

Discussion Questions: 

  • What resistance did Catherine face? How did she react?
  • How does the author integrate photographs to tell us about Catherine Leroy’s work?
  • Which photographs were particularly powerful for you, and why?
  • What are key moments in Catherine’s life that tell you more about who she is as a person?
  • What did you learn about Vietnam? About the United States?

Flagged Spread:

 

Read This If You Love: Photography, Nonfiction, Books about War, Books about Strong Women

Recommended For: 

classroomlibrarybuttonsmall 

**Thank you to Mary at Abrams for providing a copy for review!**

Review and Giveaway!: Once Upon a Camel by Kathi Appelt

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Once Upon a Camel
Author: Kathi Appelt
Illustrator: Eric Rohmann
Published September 7th, 2021 by Atheneum/Caitlyn Dlouhy Books

Summary: An old camel is out to save two baby kestrel chicks during a massive storm in the Texas desert.

Zada is a camel with a treasure trove of stories to tell. She’s won camel races for the royal Pasha of Smyrna, crossed treacherous oceans to new land, led army missions with her best camel friend by her side, and outsmarted a far too pompous mountain lion.

But those stories were from before. Now, Zada wanders the desert as the last camel in Texas. But she’s not alone. Two tiny kestrel chicks are nestled in the fluff of fur between her ears—kee-killy-keeing for their missing parents—and a dust storm the size of a mountain is taking Zada on one more grand adventure. And it could lead to this achy old camel’s most brilliant story yet.

About the Author: Kathi Appelt is the author of the Newbery Honoree, National Book Award Finalist, and bestselling The Underneath as well as the National Book Award Finalist for The True Blue Scouts of Sugar Man Swamp. Some of her award-winning books include Maybe a Fox (with Alison McGhee), Keeper, and Max Attacks to name just a few. She lives in College Station, Texas. To learn more, visit her website at kathiappelt.com.

Find Kathi Appelt on Facebook and Pinterest!

Richard, the camel, and Kathi Appelt taken at Texas Camel Corps. Photo credit: Doug Baum.

Review: Happy book birthday, Kathi & Once Upon a Camel! So honored to review this special book on your special day!

In all of Kathi Appelt’s books, what I have found that I adore the most is her ability to craft voice. She is brilliant. In this book, Zada the camel’s voice rings throughout with patience and determination. I was calmed by her stories of her upbringing as she works to keep the baby kestrels’ minds off of their parents. I think part of Appelt’s magic to craft voice is through her very specific word choice in all instances. Her descriptive words are so precise, and she is never deterred to use a word that may be challenging if it is the correct word. This leads to such lyrical prose–it is a pleasure to read!

There is also so much to learn throughout this story about stories: weather events (haboobs), animals of West Texas (kesterels, mountain lions, hawks, and more), and the history of camels. I found myself going on research tangents as I was introduced to different animals or different adventures that Zada goes on. It is no wonder that the Reading Group Guide is so extensive–there is so much to delve into!

Teachers’ Tools for Navigation (Excerpt from the publisher provided Reading Group Guide): 

  • Explain to students that alliteration is a literary device in which initial consonant sounds of successive or closely related words are repeated. This book contains tons of alliteration. Some examples include “arches and arroyos,” “moving mountain,” “posh Pasha palace,” “Pasha’s princess turns a little pale,” and “best beloved babies.” Using game tiles with letters or small pieces of paper with letters written on them, allow each student to draw a letter and write five alliterative sentences using that letter. Each sentence must contain a subject, verb, and describing words. Once everyone has written their sentences, each person should share their best alliterative sentence with the class.
  • Zada has had a long life filled with experiences and relationships. Her story in the book moves in time as she shares memories while continuing present experiences. Ask students to create a time line for Zada. There are online resources such as Adobe (https://www.adobe.com/express/create/timeline) and TimeGraphics (https://time.graphics) to help with organization. They may also do this in a slideshow format. Have them include dates, locations, and important experiences.
  • Beulah licks Wims, and he is upset. He is described as being “incensed. Put out. Piqued.” Discuss with students how this alliterative and repetitive approach to communicating his feelings is an effective way to convey the strength of those feelings as well as a lyrical way to engage the reader. Ask students to choose one emotion and make a list of synonyms or short expressions that express that emotion. Next, ask them to express the emotion in as many ways as possible in short sentences. Finally, ask them to use their list and sentences to write a paragraph that first explains why their character is feeling that emotion and that then elaborates on how they are feeling in as many ways and with as much creative imagery as possible.
  • Like humans and all other members of the animal kingdom, camels and kestrels have been classified based on shared characteristics. Looking at the list below, you can see that camels, kestrels, and humans are classified together in their kingdom and phylum, but begin to diverge at class groups and fully diverge in orders. Ask students to review the table and have a class discussion about classification. Give students the opportunity to consult some sources, if necessary, to answer their questions.
    • Camels: Animalia (Kingdom) / Chordata (Phylum) / Mammalia (Class) / Artiodactyla
      (Order) / Camelidae (Family) / Camelus (Genus) / Dromedarius or Bactrianus (Species)
    • American Kestrels: Animalia (Kingdom) / Chordata (Phylum) / Aves (Class) / Falconiformes
      (Order) / Falconidae (Family) / Falco (Genus) / F. tinnunculus (Species)
    • Humans: Animalia (Kingdom) / Chordata (Phylum) / Mammalia (Class) / Primates (Order) / Hominidae (Family) / Homo (Genus) / Homo Sapiens (Species)
    • After review and discussion, ask students to write short answers to the following questions:
      • Why do we classify animals and other living things in this manner?
      • What characteristics do all living things have in common?
      • Do camels, kestrels, and humans have the same basic needs?
      • Do humans understand more about animals than animals know about humans?
      • Even though humans and camels are both mammals, do humans or camels have more in common with kestrels than they do with one another?

Discussion Questions (Excerpt from the publisher provided Reading Group Guide): 

  • The story’s action begins with Pard and Perlita telling Zada that a mountain is eating everything and is soon going to eat them. Zada cannot comprehend this. Why do you think that is? How do you handle things you don’t understand? In truth, the mountain is a great sand-and-dust storm coming their way. How does knowing this change your perspective of the situation? How does Zada react?
  • The author explains how a camel has adapted to the desert, and how American kestrels are built for flight. All animals have adaptations: evolved physical and behavioral traits that help their species survive and thrive. Can you think of any other examples of this? What about cultural adaptations? Are there ways in which groups or individuals adapt for their own safety, comfort, or survival?
  • As Zada tries to outrun the storm, she wishes she could fly. This is not the first time in her life she has wished this. Why do you think she has continued to yearn for this ability? Thinking about your life and the environment in which you live, what other animal adaptations would come in handy for you? Explain your answers.
  • As Zada worries about Pecos de Leon, she reflects on the fact that she and the mountain lion have “both traveled a lot of miles and traversed a lot of country. That was worth something.” How can having many experiences help you? Do you think it’s important to experience situations similar to and different from your own life? What might you learn from someone who has lived a long time and done many things? Explain your answers.
  • As Zada moves through the storm carrying the chicks, an enormous old tree comes down behind them. “The wind had yanked it up by its roots. A hundred years, that old tree had stood there, watching over the creek, keeping generations of bird families safe. Now it lay in a heap on its side.” How does the falling tree make Zada feel? How did it make you feel? Do you think generations of bird families will be able to find a new home?
  • As the storm spins Perlita and Pard around, they call out, “‘Keep them safe!’” This is described as the “universal prayer” of parents. What does it mean for something to be universal? Do you have knowledge, ideas, or habits that are universal?
  • Zada’s and Asiye’s motto is “En parlak yildiz ol.” This means “Become the brightest star.” What do they mean by this? How do you see them striving to do this throughout the story?

Flagged Passages: “Chapter 1: Foothills, Chisos Mountains West Texas, 1910

“Incoming!”

Even in her sleep, Zada recognized that voice.

The old camel raised one eyelid. It was still dark. There was at least an hour left before dawn. She did not recall setting an early alarm bird.”

Book Trailer: 

Read This If You Love: Maybe a Fox by Kathi Appelt & Alison Mcghee, The Beatryce Prophecy by Kate DiCamillo, Journey of the Pale Bear by Susan Fletcher, Orphaned by Eliot Schrefer, Good Dog by Dan Gemeinhart, Granted by John David Anderson

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**Thank you to Barbara at Blue Slip Media for providing a copy for review and giveaway!**