Blog Tour and Author Guest Post!: Five Things I Wish I’d Known When I Started Writing by Rosie Somers, author of Because I’m Disposable

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Because I’m Disposable
Author: Rosie Somers
Published July 9th, 2014 by Smashwords Edition

Summary: Sixteen-year-old Callista Tanner was in the bathroom slitting her wrists the night her father took a fatal plunge down the stairs. People around her think she attempted suicide because she found him dead — or worse, because she had a guilty conscience. Few know the truth; Michael Tanner had been beating her for years.

The freedom that should have come with her father’s death becomes a cage of rumors and self-doubt. Callie seeks escape in the most destructive ways, bringing her emotional scars to the surface for the world to see.

One bright spot exists in Callie’s dark world.

Lincoln Devaux refuses to let Callie sink fully into the depths of her own depression, stepping into her life when she needs someone the most. She tries to push him away, but Link is determined to save Callie from herself. Even when she doesn’t think she’s worth saving.

Learn more: GoodreadsAmazonB&NSmashwordsiBooks

Book Trailer: 

Five Things I Wish I’d Known When I Started Writing

1. Gird Your Loins

I started writing, seriously writing when I was eighteen. I’d always played around with storytelling, written poetry, short stories, etc. But once I got it into my head that I was going to write a novel, I immediately became convinced that I was going to become the next big thing. Overnight. Yeah, I was that author. But the hard truth is that agents and editors receive outrageous amounts of queries every day, and only a fraction of those meet what the agent/editor is looking for. Rejections are a part of writing, and no matter how nice the sender is, that rejection is probably going to hurt. Do what you have to do: cry, scream, turn into a raging, green mutant and trash your apartment. But when you’re done, dust yourself off, turn the coffee table back over, and try again.

2. First Novels Are Garbage

That first novel, the one I started when I was eighteen… it was pure crap. Of course, I didn’t recognize that when I was writing it. I didn’t recognize that when I was proudly passing it out to family to read. And I didn’t recognize it when I sent those first query letters. As those rejections trickled in and squished my ego back into my zip code, word by painful word, I started to look closer at my work, and I was able to recognize it for what it was: garbage. To this day, I keep that manuscript printed out and in plain view of my work area to remind me of where I started and that there’s ALWAYS room for improvement.

3. Constructive Criticism Is Constructive

I’ve seen plenty of writers get their panties in a bunch when a friend, beta reader, agent, or editor offers negative feedback. And I’ll admit, I’ve felt the bite of constructive criticism. But it’s important to remember these people are seeing something in your book that you are too close to see for yourself. It might hurt to hear that your book sags in the middle or the beginning is a snoozefest, but if your test readers are seeing it, real readers will feel that way too. Personally, I’d much rather listen to my betas and editor than put out a book with huge issues.

4. Don’t Quit Your Day Job

If you want a six-figure income, writing probably won’t do it. The simple truth is, the authors who bank are pretty rare. Sure, there are the Rowlings and the Meyers of the world, but very few authors will ever see that kind of success. Don’t write because you want fame and fortune. Write because you love the story.

5. Just Write

At the end of the day, it doesn’t matter why you do it. It doesn’t matter how much you wrote or what the story is. It doesn’t matter if you win Nano by November 15th or take two years to write a novelette. Just write–at your pace, in your time, write your story. Don’t worry about what other people are writing or what is selling. Just write.

Author Bio: Rosie Somers is a YA author who lives in Florida, soaking up the year-round sunshine. She can often be found in her favorite spot on her favorite beach, nose-deep in a good book.

Website: http://www.RosieSomers.blogspot.com

Twitter:@prosyrosie

Facebook: https://www.facebook.com/ProsyRosie

 

Thank you to Rosie Somers for your insightful post and Sarah Nicolas for letting us be part of the blog tour!

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Dr. Bird’s Advice for Sad Poets by Evan Roskos

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Dr. Bird’s Advice for Sad Poets
Author: Evan Roskos
Published: March 5, 2013 by Houghton Mifflin Harcourt

Summary: “I hate myself but I love Walt Whitman, the kook. Always positive. I need to be more positive, so I wake myself up every morning with a song of myself.” 

Sixteen-year-old James Whitman has been yawping (à la Whitman) at his abusive father ever since he kicked his beloved older sister, Jorie, out of the house. James’s painful struggle with anxiety and depression—along with his ongoing quest to understand what led to his self-destructive sister’s exile—make for a heart-rending read, but his wild, exuberant Whitmanization of the world and keen sense of humor keep this emotionally charged debut novel buoyant.

Ricki’s Review: Dr. Bird’s Advice for Sad Poets is such an important book. It captures depression and anxiety in a way that is both authentic and heart-wrenching at the same time. I wanted to reach into the pages of the book to give James a big hug. Similarly to It’s Kind of a Funny Story by Ned Vizzini, this book employs humor without detracting from the very realness of James’ struggles with loneliness and isolation. Teens (and adults) will find themselves in James because he is depicted in a sympathetic way that is very human. This novel is brilliant and should be in every classroom library.

Kellee’s Review: I concur with everything that Ricki said. Dr. Bird’s is a very special book. On a Top Ten Tuesday list, I wrote that I wished there were more books about kids with chemical imbalances, and Dr. Bird’s is the closest I’ve read yetEvan Roskos captures the feeling of a manic depressive state. The energy of the writing actually changes as James’s state of mind changes: anxious, manic, depressed. However, what makes it truly special is that even in the end, there is optimism. Although James is fighting his own chemical imbalance, he keeps doing just that—fighting.

Another thing I adored about this book is the idea of art and writing as therapy. James finds solace in photography and poetry, which is a positive lesson for teens because it shows the power of art, writing, and poetry.

Teacher’s Tools for Navigation: It would be interesting for teachers to do literature circles with texts that concern mental health. Students might read this book along with titles like: Forgive Me, Leonard Peacock by Matthew Quick, It’s Kind of a Funny Story by Ned Vizzini, The Perks of Being a Wallflower by Stephen Chbosky, Twisted by Laurie Halse Anderson, Everybody Sees the Ants by A.S. King, and 13 Reasons Why by Jay Asher. I imagine that reading these titles would foster incredibly rich discussions about depression, anxiety, and suicide. In my opinion, we must have these conversations with our students.

Also, Walt Whitman is a huge part of James’s life, and Whitman is mentioned throughout the book. The Whitman references (and James’s poetry emulating Whitman) would great to be examined in a classroom.

Discussion Questions: If James didn’t have abusive parents, do you think his life would be the same? Do you think depression is genetic in his family?; How does James show bravery?; What role does Walt Whitman play in James’ life?

We Flagged: “People in the world suffer from greater calamities than I do. I eat, I have clothes, I have a house. I read about people around the world who survive on less than a dollar a day. I read about how there are hundreds of millions of widows living in poverty. I see ads for kids who are born with ragged lips and jagged teeth. I don’t have anything like that. I just wake up with a deep hatred of myself. How selfish is that?” (p. 115)

“Later, as my father drives me to the pizzeria, his gassy, grumpy body reeking of judgment and anger and disappointment, I can’t help but wonder how little he knows about the depth of my sadness. The depth of my very being. Will he be upset to find me dead, or relieved?” (p. 214)

Read This If You Loved: (Many of these are listed above.) Forgive Me, Leonard Peacock by Matthew Quick, It’s Kind of a Funny Story by Ned Vizzini, The Perks of Being a Wallflower by Stephen Chbosky, Twisted by Laurie Halse Anderson, Everybody Sees the Ants by A.S. King, Reality Boy by A.S. King, Dear Life, You Suck by Scott Blagden, 13 Reasons Why by Jay Asher, Leaves of Grass by Walt Whitman

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Author Guest Post!: The Sum of Our Parts by Tracy Holczer, author of The Secret Hum of a Daisy

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“The Sum of Our Parts” by Tracy Holczer

I’ve been thinking a lot lately as to how I became a writer. I used to have it down. I was a writer because I read Little Women and had the run of the library, both at just the right age. But I have come to realize those are just two of many pieces. Once I really reflected, I found so much more, both light and dark. I feel we try so hard to focus on the light, especially those of us who write for kids. But we are who we are because of both. There is no contrast without darkness, and contrast, I believe, is where we find the answers for ourselves. So here is a very incomplete list of the parts of this writer:

  • Loneliness. I was a lonely kid. An only child born at the tail end of the “children should be seen and not heard” era, I had tremendous space to read books and otherwise look to inanimate objects for comfort and camaraderie. I didn’t have any experience with other kids until I went to Kindergarten and was hugely surprised and disappointed when no one wanted me to teach them how to tell time in Roman numerals. I mean, we were there to learn, right? Even the nuns treated me like I was a little off my nut.
  • Sensitivity. I took things hard. Like in second grade when Ms. Parsons got married and would become Mrs. Harrison half way through the year (I abhorred change), or in third grade when Sister Michael Anne read us Martin Luther King, Jr.’s “I Have a Dream” speech. There were several times over my school career that I thought I would die from sadness.
  • Librarians. After my parents told me I couldn’t read anymore because reading was “anti-social”, we moved across the street from a library when I was twelve. I snuck over there every weekend as though my life depended on it. Because it did. Those librarians took me under their wing and always had books to recommend as well as knew when I needed to be left alone to my imaginings. A piece of the writer I have become was conceived in the smelly bean bag chair in the Cupertino Public Library, most likely while reading The Hobbit.
  • Flightiness – otherwise known as Creativity. I was a flighty kid. If one of my teachers read us a book about plants, maybe talking about photosynthesis, but there was a bug on one of the leaves of the plant, and it had strange spots, I would be that kid asking why the bug had spots. My mind never seemed to travel down the right channels. At least not the ones my teachers wanted it to travel down. Every report card I ever received in elementary school pointed out my flightiness and “if she would only apply herself”. I never quite understood what that meant. I get it now, but I so wish they had pointed out my creativity, too. Maybe it wouldn’t have taken me so long to recognize it in myself.
  • Stubbornness.  Holy tamales but I am stubborn. Because I wasn’t a brilliant student, and didn’t finish college, I never really fell into anyone’s spotlight. Teachers liked me, but no one ever singled me out. I floated down the stream of public school with my mostly B’s, sometimes A’s, not causing any trouble. No one expected very much of me and I didn’t expect very much of myself. It wasn’t until I decided I would teach myself to write that I truly found my stubbornness to be useful.
  • BOOKS. All the books.

As a writer for children, I find myself in the incredible position to be able to possibly, maybe, in my wildest dreams, make a difference. I hope my books will bring both light and dark to kids so they get the whole spectrum of what it feels like to be alive and in charge of their destinies. I hope to be able to share my journey with those children so they really get the fact that they are a work in progress and even the most lonely, sensitive, and flighty of us can do great things if we set our stubborn minds to it. We are the sum of our parts in the best possible way.


tracy

About the Author: At eleven years old, Tracy Holczer read Little Women, and decided she wanted to be a writer. Feathered ball-point pen in hand, she wrote short blood-curdling stories and long, angst-ridden poems through the rest of her childhood. When she was a teen, her family moved to Grass Valley, California where she convinced her mother to get her glasses, even though she didn’t need them, so she would look smart. This is where Tracy decided she would be the next John Steinbeck and write about the glory of trees.

When she grew up, she took a few detours and worked as a sales clerk, a credit analyst, and a waitress in a honky-tonk bar. Somewhere in there, single momhood happened, so she added impersonating Santa Claus and Spider Assassin to her list of jobs. Eventually, she ended up in Southern California, married a General Contractor and lived happily ever after where she doesn’t have to sell ties, crunch numbers or wear a long white beard. Instead, Tracy gets to raise her three daughters from home, plan things like the Halloween Carnival for the PTA, and write stories.

Tracy Holczer is the author of The Secret Hum of a Daisy due out May 1, 2014. Hum was written in praise of both the imperfection of family, the perfection of nature and all that can be found if you’re willing to learn from your detours.

Tracy’s blog: http://tracyholczer.wordpress.com/
Tracy’s website: http://tracyholczer.com/

Exciting News!
The Secret Hum of a Daisy is an ABA 2014 Indies Introduce New Voices pick for Summer/Fall!
“Holczer presents a tender, transformative exploration of family, loss and reconciliation. The phrasing and the images are beautiful and rich.”—Kirkus Reviews
Starred Review —Publisher’s Weekly

This is definitely a MUST READ this summer!

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**Thank you to Tracy Holczer for her amazing guest post!!**

Little Red Writing by Joan Holub

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Little Red Writing
Author: Joan Holub
Illustrator: Melissa Sweet
Published September 24th, 2013 by Chronicle Books

Goodreads Summary: Acclaimed writer Joan Holub and Caldecott Honoree Melissa Sweet team up in this hilarious and exuberant retelling of Little Red Riding Hood, in which a brave, little red pencil finds her way through the many perils of writing a story, faces a ravenous pencil sharpener (the Wolf 3000)… and saves the day.

My Review and Teachers’ Tools for Navigation: I really think these wonderful woman created this book for just for teachers. It is a perfect, perfect, perfect book for a read aloud AND for a mentor text!

First, the book is a direct allusion to Red Riding Hood and is a great book to throw into the mix when looking at different versions of Red Riding Hood. I can just picture this book, with a version of the original story, Hoodwinked the movie, and Lon Po Po. Wow! What great discussions and activities you could do with this.

Second, this book is not just an awesome narrative and it includes a great lesson about writing a narrative. Red, our main character, is given the job to write a story and the book takes us through her journey of writing the story where she needs to include characters, setting, trouble, and fixing the trouble. A perfect opportunity to discuss narrative elements.  Taking this even further, it would be so much fun to look at the ideas that each of the other pencils had for their stories and write the entire story. You would have to look at each pencil’s personality and think about how s/he would write the story.

Finally, the book also deals with some parts of speech and how to use them. First are verbs where Red looks for more interesting verbs. She then looks for adjectives to add description. Then learns the importance of conjunctions (but watch out! They can lead to run-on sentences). Finally came adverbs with a bit of punctuation and capitalization discussion. Each part of speech is discussed in a nonboring way and the introduction could be a jumping off point to a deeper discussion.

Discussion Questions: How did Red use adjectives throughout the story to help you visualize the action?; What ended up being Red’s trouble, how did it get worse, and how did she fix it?; Pick one of the other pencils’ stories. How do you think it would end?

We Flagged: 

Read This If You Loved: Red Riding Hood by Brothers Grimm, Lon Po Po by Ed Young, The Day the Crayons Quit by Drew Daywalt

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Fangirl by Rainbow Rowell (Kellee’s Review)

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Fangirl
Author: Rainbow Rowell
Published September 10th, 2013 by St. Martin’s Press

Goodreads Summary: A coming-of-age tale of fan fiction, family and first love.

Cath is a Simon Snow fan. Okay, the whole world is a Simon Snow fan . . . But for Cath, being a fan is her life — and she’s really good at it. She and her twin sister, Wren, ensconced themselves in the Simon Snow series when they were just kids; it’s what got them through their mother leaving.

Reading. Rereading. Hanging out in Simon Snow forums, writing Simon Snow fan fiction, dressing up like the characters for every movie premiere.

Cath’s sister has mostly grown away from fandom, but Cath can’t let go. She doesn’t want to. Now that they’re going to college, Wren has told Cath she doesn’t want to be roommates. Cath is on her own, completely outside of her comfort zone. She’s got a surly roommate with a charming, always-around boyfriend, a fiction-writing professor who thinks fan fiction is the end of the civilized world, a handsome classmate who only wants to talk about words . . . And she can’t stop worrying about her dad, who’s loving and fragile and has never really been alone.

For Cath, the question is: Can she do this? Can she make it without Wren holding her hand? Is she ready to start living her own life? Writing her own stories?  And does she even want to move on if it means leaving Simon Snow behind?

Ricki’s Review: Ricki was lucky enough to read this book before me and wrote a wonderful review in December, so check that one out too!

Kellee’s Review: You know a book is good when in the first 5 pages you already know and feel for you main character. Cath is like many college freshman–afraid. She has known one world for so long and everything around her is changing. This book is about her figuring out her way. Anyone that went to college will connect with Cath and her struggles of finding a balance between who you were in high school and who you are becoming. I really appreciate Rainbow Rowell’s main characters and how they are not perfect–this makes them so much more relatable. (I just give a shout out to the Emergency Dance Party scene–this made me love Cath so much!)

Oh, and the dialogue! I love the way her characters converse. The banter is hilarious and just perfect. Also, I cannot review this book without giving props to the secondary characters. They are so solid and thought out. Although Cath is the main character, no one feels like Rainbow Rowell didn’t put love and time into them. I especially love their father who is probably the most flawed character but is so full of love. (Oh, and Levi. Who cannot love Levi?!?!?!)

[As a teacher, I also liked the look into Levi’s struggle with reading yet his amazing intelligence. I think it is a great conversation starter and a great example of many of the students I encounter. Pg. 168 is Levi’s explanation of his struggles–powerful.]

And all of the book love! Anyone who has ever loved a book or series will adore the fangirl moments. Although an obvious allusion to Harry Potter, Cath and Wren’s love of Simon Snow will make any reader think about their favorite novel which they lose themselves in.

Also this book is about writing: the beauty of good writing and the struggle of good writing. Cath can write in the world of Simon Snow, but struggles in finding her own world. This actually runs parallel quite beautifully with her finding of her self. She is literally and figuratively trying to find her own voice. (And I love that a teacher plays a role in this.)

Overall, a just-right book. I read it in one sitting and didn’t want to put it down. (It did remind me a lot of Anna and the French Kiss–did anyone else feel this way?), but it really was a solid story filled with just enough love, nerdy, and soul searching.

Teacher’s Tools For Navigation: I can see how many aspects of this novel could be used in a creative writing course. So much of Cath’s story revolves around writing and different scenes or pieces of fanfiction could be pulled out to use in class. I especially like the discussion about “Why write fiction?” on pg. 21-23.

I also would love to analyze more the excerpts that are put before each chapter and how they connect with the chapter. Many have theme connections or direct character connections. They were placed very intentionally and discussing why would be so interesting.

Check out Ricki’s recommendations here.

Discussion Questions: Cath loves to write, but often finds it hard; what is something you do that you love, but often find challenging? How do you overcome this?; How does Simon Snow compare to Harry Potter?

We Flagged: “Cath wasn’t sure how she was going to keep everything straight in her head. The final project, the weekly writing assignments–on top of all her other classwork, for every other class.  All the reading, all the writing. The essays, the justifications, the reports. Plus Tuesdays and sometimes Thursdays writing with Nick. Plus Carry on. Plus e-mail and notes and comments… Cath felt like she was swimming in words. Drowning in them, sometimes.” (p. 100)

Read This If You Loved: Anna and the French Kiss by Stephanie Perkins, Eleanor and Park by Rainbow Rowell, Olivia Twisted by Vivi Barnes, You Against Me by Jenny Downham, My Life Undecided by Jessica Brody

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Frog Song by Brenda Z. Guiberson

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Nonfiction Picture Book Wednesday

Nonfiction Picture Book Wednesday is hosted by Kid Lit Frenzy and was started to help promote the reading of nonfiction texts. Most Wednesdays, we will be participating and will review a nonfiction text (though it may not always be a picture book).
Be sure to visit Kid Lit Frenzy and see what other nonfiction books are shared this week!

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Frog Song
Author: Brenda Z. Guiberson
Illustrator: Gennady Spirin
Published February 5th, 2013 by Henry Holt and Co.

Goodreads Summary: Since the time of the dinosaurs, frogs have added their birrups and bellows to the music of the earth. Frogs are astonishing in their variety and crucial to ecosystems. Onomatopoeic text and stunning illustrations introduce young readers to these fascinating and important creatures, from Chile to Nepal to Australia.

Review and Teacher’s Tools for Navigation: I must admit–I am not a fan of frogs. They actually scare me quite a bit. They are so sporadic and unpredictable–one even jumped on my head at a party once! However, animals of all kind fascinate me and this is a book full of amazing facts about these slimy, jumpy creatures.  The book is set up so that it is easy to navigate with quick interesting facts about 11 different frogs (& toads) with extra information in the back.  I also liked the information given in the back about the trouble that frogs are in because of human activity. I think this book would be a great asset in any science classroom studying biology or ecology (would also be wonderful in a reading class or even a geography lesson because of the different places the frogs came from). Another wonderful way this book could be used in a reading class is because of all of the onomatopoeias within the book. I would love to hear the actual sounds of the frogs and then see the onomatopoeia that the author chose.

Discussion Questions: Which frog fact fascinates you the most? Do extra research about this frog and find other interesting facts about the animal.; Compare and contrast two of the frogs.; Write a fact book about animals like Frog Songs and include the sounds the animals make.

We Flagged: “In Chile, the Darwin’s frog sings in the beech forest. CHIRP-CHWEEET! The male guards 30 eggs in the damp leaves for three weeks. when the tadpoles wiggle, he scoops them into his mouth. SLURP! They slither into his vocal sacs, where he keeps them safe and moist for seven weeks. Then he gives a big yawn, and the little froglets pop out.” (p. 16)

Read This If You Loved: Lifetime by Lola Schaefer, Actual Size by Steve Jenkins, Island by Jason Chin, Seabird in the Forest by Joan Dunning, Slap, Squeak, and Scatter by Steve Jenkins

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Thrice Told Tales: Three Mice Full of Writing Advice by Catherine Lewis

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Thrice Told Tales: Three Mice Full of Writing Advice
Author: Catherine Lewis
Published: August 27th, 2013 by Atheneum Books for Young Readers

GoodReads Summary: Three Blind Mice. Three Blind Mice. See how they run? No. See how they can make all sorts of useful literary elements colorful and easy to understand! Can one nursery rhyme explain the secrets of the universe? Well, not exactly—but it can help you understand the difference between bildungsroman, epigram, and epistolary.

From the absurd to the wish-I’d-thought-of-that clever, writing professor Catherine Lewis blends Mother Goose with Edward Gorey and Queneau, and the result is learning a whole lot more about three not so helplessmice, and how to fine tune your own writing, bildungsroman and all.

If your writing is your air, this is your laughing gas.*

*That’s a metaphor, friends.

Review: This is one of those books that is so clever, I am depressed that I didn’t come up with the idea myself. Reading and writing teachers will adore the way this book is constructed and be excited to use it in their classrooms. A different writing term is creatively interpreted on each page within the context of the Three Blind Mice nursery rhyme. At the bottom of each page, Lewis gives an explanation of the writing term and how it can be employed in writing (see the flagged passage below). I loved the ways Lewis humorously portrayed each term. For example, on the page about style, she takes a line from the nursery rhyme and rewrites it in the style of famous authors like Dickens and Hemingway. As a bonus, I learned about a few literary terms that I didn’t know! It was so fun to read. I shared it with my pre-service teachers, and they also adored it and were excited to use it in their own classrooms.

Teacher’s Tools for Navigation: Teachers can hand-pick terms they want to teach to their students. I wish this book was published when I was teaching because it makes the literary terms very accessible. Teachers can take the terms and ask students to reinterpret them within the context of a different nursery rhyme (or even within the context of a song or movie).

Discussion Questions: How can I rewrite a nursery rhyme to show a literary term?; How can I employ these literary/writing terms to make me a better writer?

We Flagged: “Developing one’s style is like developing a sense of fashion. You may start off by trying on a lot of costume jewelry; big showy ten-dollar words. They’ll get attention all right, but maybe you’ll discover there’s something better out there for you. Perhaps you’ll try a charm bracelet full of dangling modifiers. Or a simple silver bracelet and an onyx ring. Keep experimenting for pleasant combinations, and a truer picture of yourself and your work will begin to emerge” (p. 134).

Read This If You Loved: In the Middle by Nancie Atwell, Bird by Bird by Anne Lamott, Writing Workshop by Ralph Fletcher, Celebrating Writers by Ruth Ayres with Christi Overman

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What is your favorite book for teaching writing? Can you think of creative ways to use this in the classroom?